{"id":10959582,"date":"2023-12-19T13:01:02","date_gmt":"2023-12-19T12:01:02","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=10959582"},"modified":"2023-12-19T13:01:03","modified_gmt":"2023-12-19T12:01:03","slug":"tunez-en-sepia-passeurs-de-memoire-au-musee-du-bardo","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2023\/12\/19\/tunez-en-sepia-passeurs-de-memoire-au-musee-du-bardo\/","title":{"rendered":"Tunez en Sepia\u00a0: passeurs de m\u00e9moire au Mus\u00e9e du Bardo"},"content":{"rendered":"\n

Une collection de pr\u00e8s d’une centaine de reproductions d\u2019images de la Tunisie au 19e si\u00e8cle, t\u00e9moins des multiples changements op\u00e9r\u00e9s dans plusieurs sites et monuments au fil de l\u2019histoire du pays, a fait escale au Mus\u00e9e national du Bardo dans le cadre d\u2019une exposition intitul\u00e9e \u2018\u2018Tunez en Sepia\u2019\u2019.<\/em><\/strong><\/p>\n\n\n\n\n\n\n\n

Fruit d\u2019une collaboration entre la Tunisie et l\u2019Espagne, cette exposition qui offre \u00e0 voir le regard port\u00e9 sur la Tunisie par des photographes europ\u00e9ens du 19e<\/sup> si\u00e8cle \u00e0 travers des reproductions de leurs clich\u00e9s, s\u2019\u00e9talera sur six mois (d\u00e9cembre 2023-mai 2024).<\/p>\n\n\n\n

Ces photographies nous plongent dans un voyage \u00e0 travers le temps pour d\u00e9couvrir des paysages, d\u2019anciennes vues de villes, des habitations traditionnelles, des souks, des patios int\u00e9rieurs… autant de lieux charg\u00e9s d\u2019histoire et de m\u00e9moire qui ont bien chang\u00e9 \u00e0 nos jours ou tout simplement disparu.<\/p>\n\n\n\n

Qu\u2019elles soient attribu\u00e9es \u00e0 des photographes connus ou m\u00e9connus, les photos en s\u00e9pia, r\u00e9alis\u00e9es sur papier albumin\u00e9 \u2013 la p\u00e9riode d\u2019usage de la technique albumine s\u2019\u00e9tend de 1855 \u00e0 1895 \u2013 et portant notamment sur des monuments et ruines arch\u00e9ologiques, de la pr\u00e9histoire \u00e0 l\u2019\u00e9poque byzantine, d\u2019autres des \u00e9poques m\u00e9di\u00e9vale et moderne, d\u2019architecture d\u00e9fensive ou religieuse, \u00absont d\u2019un grand int\u00e9r\u00eat documentaire sur un pan de l\u2019histoire de la Tunisie mais aussi de la photographie\u00bb,<\/em> a soulign\u00e9 l\u2019ambassadeur d’Espagne en Tunisie Javier Puig Saura.<\/p>\n\n\n\n

Lors d\u2019une visite destin\u00e9e aux m\u00e9dias et rehauss\u00e9e de la pr\u00e9sence du conseiller culturel Ramon de Abadal et de la directrice du mus\u00e9e du Bardo Fatma Nait Yghil, le diplomate espagnol a tenu \u00e0 souligner que \u00abcette exposition exceptionnelle est significative sur le plan documentaire, historique, culturel et artistique d\u00e8s lors qu\u2019elle donne \u00e0 d\u00e9couvrir ce qui \u00e9tait \u00e0 la mode \u00e0 cette \u00e9poque, soit la photographie orientaliste\u00bb<\/em>.<\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Ainsi, 130 ans plus tard, \u00abnous sommes ravis aujourd\u2019hui qu\u2019une partie de ce fonds photographique provenant du Mus\u00e9e arch\u00e9ologique national d\u2019Espagne \u00e0 Madrid fasse un retour en Tunisie dans le cadre de la coop\u00e9ration bilat\u00e9rale illustrant cette histoire commune qui nous lie de chaque c\u00f4t\u00e9 de la M\u00e9diterran\u00e9e\u00bb,<\/em> a-t-il indiqu\u00e9 tout en rappelant qu\u2019il s\u2019agit d\u2019une s\u00e9lection de reproductions de photographies que le Bey de la Tunisie (Ali III Ibn Al-Hussayn) avait offertes au mus\u00e9e arch\u00e9ologique national d\u2019Espagne suite \u00e0 la participation \u00e0 l\u2019exposition historique europ\u00e9enne tenue \u00e0 Madrid en ce m\u00eame \u00e9difice durant la p\u00e9riode 1892-1893.<\/p>\n\n\n\n

Ces archives photographiques portant un regard au pluriel sont aussi une invitation \u00e0 d\u00e9couvrir autrement la richesse des villes portuaires tunisiennes de la c\u00f4te comme Tabarka ou Sousse, aux localit\u00e9s du d\u00e9sert, comme Matmata ou encore des sites pr\u00e9historique et des fouilles d\u2019\u00e9poques carthaginoise et byzantine, outre des monuments et de villes qui mettent en valeur la splendeur de l\u2019empire romain, la grandeur des mausol\u00e9es royaux ou la magnificence des constructions d\u00e9fensives et religieuses des \u00e9poques m\u00e9di\u00e9vale et moderne durant la domination des dynasties arabes, la conqu\u00eate de Charles Quint et l\u2019\u00e9poque de l\u2019h\u00e9g\u00e9monie ottomane. <\/p>\n\n\n\n

D\u2019apr\u00e8s Tap.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Une collection de pr\u00e8s d’une centaine de reproductions d\u2019images de la Tunisie au 19e si\u00e8cle expos\u00e9e au Mus\u00e9e du Bardo. <\/p>\n","protected":false},"author":8,"featured_media":10959594,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[994,2433],"tags":[341,108553,4975,112955,62643],"class_list":["post-10959582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-tunisie","tag-espagne","tag-javier-puig-saura","tag-musee-du-bardo","tag-tunez-en-sepia","tag-tunisie"],"yoast_head":"\nTunez en Sepia\u00a0: passeurs de m\u00e9moire au Mus\u00e9e du Bardo - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2023\/12\/19\/tunez-en-sepia-passeurs-de-memoire-au-musee-du-bardo\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tunez en Sepia\u00a0: passeurs de m\u00e9moire au Mus\u00e9e du Bardo - 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