L’artiste Sinda Belhassen pr\u00e9sente une exposition personnelle sous le titre \u2018\u2018Ombres blanches\u2019\u2019 \u00e0 la galerie Le Violon Bleu, \u00e0 Sidi Bou Sa\u00efd.<\/strong> <\/em><\/p>\n<\/p>\n
Dans cette exposition qui s’ouvrira le 28 septembre et se poursuivra au 31 octobre 2017, l’artiste proposera 24 \u0153uvres : peintures, bas reliefs et installation.<\/p>\n
L\u2019artiste opte pour un questionnement de notre identit\u00e9 \u00e0 travers ses icones culturelles. Elle ne propose pas de r\u00e9ponses mais ouvre au spectateur la porte \u00e0 la r\u00e9flexion. C\u2019est une d\u00e9marche interactive o\u00f9 public et artiste \u00e9changent constamment autour du vocabulaire revisit\u00e9 des signes.<\/p>\n
Face aux tentations de repli identitaire et de refuge dans les vieilles imageries de notre imaginaire collectif, l\u2019artiste s’emploie \u00e0 changer le signe plastique tout en pr\u00e9servant le signe iconique qui a une r\u00e9sonance particuli\u00e8re chez les spectateurs.<\/p>\n
La technique utilis\u00e9e est un pont entre l\u2019image (bidimensionnelle) et la sculpture (tridimensionnelle). Il s’agit de r\u00e9interpr\u00e9ter les zones d\u2019ombres et de lumi\u00e8res d\u2019images en plans d\u00e9coup\u00e9s dans du bois et tout agencer pour retrouver enfin la ressemblance \u00e0 l\u2019ic\u00f4ne. Ce va et vient entre l\u2019image et le relief r\u00e9invente une sorte de bas relief. L\u2019ajout d\u2019ornementations et l\u2019utilisation du blanc comme unique valeur montre un certain souci de th\u00e9\u00e2tralisation. Cette technique quoi que s\u2019apparentant aux bas reliefs utilise certains moyens de la sc\u00e9nographie.<\/p>\n
Sinda Belhassen a eu un parcours atypique. Apr\u00e8s avoir fait les hautes \u00e9tudes commerciales, elle op\u00e8re un virage en suivant des formations dans les arts d\u00e9coratifs et plastiques. Elle se consacre alors pleinement \u00e0 l\u2019art pour en faire un terrain d\u2019exp\u00e9rimentations et de recherches.<\/p>\n
N\u2019ayant pas les contraintes des rigueurs de l\u2019acad\u00e9misme, elle enrichit son parcours par des expositions personnelles et de groupe. Son talent a \u00e9t\u00e9 r\u00e9v\u00e9l\u00e9 par Le Violon Bleu et remporte souvent des concours internationaux. Sa reconnaissance par Pierre Berg\u00e9 constituera pour elle un tournant important<\/p>\n
I. B.<\/strong> (avec communiqu\u00e9).<\/p>\n","protected":false},"excerpt":{"rendered":"L’artiste Sinda Belhassen pr\u00e9sente une exposition personnelle sous le titre \u2018\u2018Ombres blanches\u2019\u2019 \u00e0 la galerie Le Violon Bleu, \u00e0 Sidi Bou Sa\u00efd.<\/p>\n","protected":false},"author":8,"featured_media":115551,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[994,2433],"tags":[827],"class_list":["post-115550","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-tunisie","tag-sidi-bou-said"],"yoast_head":"\n
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