{"id":123171,"date":"2017-11-12T12:30:44","date_gmt":"2017-11-12T11:30:44","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=123171"},"modified":"2017-11-12T13:13:56","modified_gmt":"2017-11-12T12:13:56","slug":"palmares-jcc-2017-le-mozambicain-azevedo-remporte-le-tanit-dor","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2017\/11\/12\/palmares-jcc-2017-le-mozambicain-azevedo-remporte-le-tanit-dor\/","title":{"rendered":"Palmar\u00e8s JCC 2017 : Le Mozambicain Azevedo remporte le Tanit d\u2019Or"},"content":{"rendered":"

\"\"<\/p>\n

Aucun cin\u00e9aste tunisien n\u2019a re\u00e7u l\u2019un des 3 Tanit du long m\u00e9trage de fiction, mais plusieurs d\u2019entre eux ont remport\u00e9 des prix. Une nouvelle g\u00e9n\u00e9ration est en train de prendre la rel\u00e8ve.<\/strong><\/em><\/p>\n

Par Imed Bahri<\/strong><\/p>\n

<\/p>\n

Cette nouvelle vague de cin\u00e9astes, qui est en train de prendre le flambeau, a fait parler d\u2019elle, au cours de la 28e \u00e9dition des Journ\u00e9es cin\u00e9matographiques de Carthage (JCC 2017), dont le palmar\u00e8s a \u00e9t\u00e9 annonc\u00e9 samedi soir, 11 novembre 2017, au Th\u00e9\u00e2tre municipal de Tunis.<\/p>\n

Les noms \u00e0 retenir sont ceux de Kaouther Ben Hania, Tanit d\u2019or de la session 2016 et qui a brill\u00e9 au cours de l\u2019\u00e9dition 2017 par son film \u2018\u2018La belle et la meute\u2019\u2019<\/em>, Moufida Fedhila, Walid Mattar, Im\u00e8ne Al Nasiri, Nada Mezni Hefaiedh et autres Manel Katri.<\/p>\n

\"\"<\/p>\n

Le Tanit d\u2019Or pour Licinio Azevedo<\/strong><\/p>\n

Pour revenir au palmar\u00e8s officiel, c\u2019est le film \u2018\u2018The train of salt and sugar\u2019\u2019<\/em> de Licinio Azevedo (Mozambique) qui a remport\u00e9 le Tanit d\u2019Or de la comp\u00e9tition officielle des longs-m\u00e9trages de fiction.<\/p>\n

Le Tanit d\u2019Argent a \u00e9t\u00e9 attribu\u00e9 dans la m\u00eame cat\u00e9gorie au long-m\u00e9trage \u2018\u2018Inxeba\u2019\u2019<\/em> (Les initi\u00e9s) de John Trengov (Afrique du Sud) alors que le Tanit de Bronze a \u00e9t\u00e9 d\u00e9cern\u00e9 au long m\u00e9trage \u2018\u2018Volubilis\u2019\u2019<\/em> de Faouzi Bensaidi du Maroc.<\/p>\n

Le film tunisien \u2018\u2018Vent du Nord\u2019\u2019<\/em> de Walid Mattar a remport\u00e9 le Tanit d\u2019Or de la Comp\u00e9tition premi\u00e8re \u0153uvre \u00abPrix Tahar Ch\u00e9riaa\u00bb ainsi que le prix TV5 Monde et le prix du meilleur sc\u00e9nario dans la comp\u00e9tition officielle des longs m\u00e9trages de fiction.<\/p>\n

\"\"<\/p>\n

\u2018\u2018The train of salt and sugar\u2019\u2019 de Licinio Azevedo (Mozambique) remporte la r\u00e9compense supr\u00eame.<\/em><\/p>\n

Le Prix de l\u2019Union g\u00e9n\u00e9rale tunisienne du travail (UGTT) du meilleur sc\u00e9nario d\u2019un film tunisien de fiction a \u00e9t\u00e9 d\u00e9cern\u00e9 au long m\u00e9trage \u2018\u2018La belle et la meute\u2019\u2019<\/em> de Kaouther Ben Hania.<\/p>\n

Le Tanit d\u2019Or de la comp\u00e9tition des courts m\u00e9trages documentaires a \u00e9t\u00e9 d\u00e9cern\u00e9 au film \u2018\u2018Jackenson-from street kid to champion\u2019\u2019<\/em> de Linda Diatta et Jean-Marc Poteau du Niger alors que dans la cat\u00e9gorie des courts de fiction le Tanit d\u2019Or a \u00e9t\u00e9 remport\u00e9 par le film \u2018\u2018Aya\u2019\u2019<\/em> de Moufida Fedhila de Tunisie.<\/p>\n

Le Tanit d\u2019Or dans la comp\u00e9tition officielle des longs m\u00e9trages documentaires a \u00e9t\u00e9 attribu\u00e9 au film \u2018\u2018Koro du Bakoro\u2019\u2019<\/em> de Simplice Ganou Herman (Burkina Faso).<\/p>\n

Les JCC 2017, qui se sont d\u00e9roul\u00e9es du 4 au 11 novembre 2017, ont vu le cin\u00e9ma tunisien participer avec 10 films parmi 51 films arabes et africains ayant concouru dans les quatre cat\u00e9gories de la comp\u00e9tition officielle.<\/p>\n

Ces journ\u00e9es ont connu une affluence record avec 250.000 spectateurs, qui ont hant\u00e9 les salles obscures pendant toute une semaine, pour voir des \u0153uvres venues de tous les coins du monde, au rythme de 60 projections par jour.<\/p>\n

\u00a0\"\"<\/p>\n

Prix de la 1\u00e8re oeuvre de long m\u00e9trage Tahar Ch\u00e9riaa pour\u00a0Walid Mattar.\u00a0<\/em><\/p>\n

Le palmar\u00e8s complet:<\/strong><\/h3>\n

Comp\u00e9tition officielle des longs m\u00e9trages de fiction :<\/strong><\/em><\/p>\n

Tanit d\u2019Or : \u2018\u2018The train of salt and sugar\u2019\u2019<\/em> de Licinio Azevedo (Mozambique);
\nTanit d\u2019Argent : \u2018\u2018Les initi\u00e9s\u2019\u2019<\/em> ou \u2018\u2018Inxeba\u2019\u2019<\/em> de John Trengove (Afrique du Sud);
\nTanit de Bronze : \u2018\u2018Volubilis\u2019\u2019<\/em> de Faouzi Bensaidi (Maroc);
\nPrix du meilleur Montage : \u2018\u2018En attendant les hirondelles\u2019\u2019<\/em> de Karim Moussaoui (Alg\u00e9rie);
\nPrix de la meilleure image : \u2018\u2018The train of salt and sugar\u2019\u2019<\/em> de Licinio Azevedo (Mozambique);
\nPrix de la meilleure musique originale : \u2018\u2018F\u00e9licit\u00e9\u2019\u2019<\/em> d\u2019Alain Gomis (S\u00e9n\u00e9gal);
\nPrix du meilleur sc\u00e9nario : \u2018\u2018Vent du Nord\u2019\u2019<\/em> de Walid Mattar (Tunisie);
\nPrix de la meilleure interpr\u00e9tation f\u00e9minine : V\u00e9ro Tchanda Beya pour \u2018\u2018F\u00e9licit\u00e9\u2019\u2019<\/em> d\u2019Alain Gomis (S\u00e9n\u00e9gal);
\nPrix de la meilleure interpr\u00e9tation masculine : Adel Moneem Chwayet pour son r\u00f4le dans \u2018\u2018Mustapha Z\u2019\u2019<\/em> de Nidhal Chatta (Tunisie);<\/p>\n

Comp\u00e9tition officielle des courts m\u00e9trages fiction<\/strong><\/em><\/p>\n

Le Tanit d\u2019Or : \u2018\u2018Aya\u2019\u2019<\/em> de Moufida Fedhila (Tunisie);
\nLe Tanit d\u2019Argent : \u2018\u2018Dem Dem !\u2019\u2019<\/em> de Lopy Papa Bouname, Christophe Rolin et Marc Recchia (S\u00e9n\u00e9gal\/Luxembourg);
\nLe Tanit de Bronze : \u2018\u2018Affabilit\u00e9\u2019\u2019<\/em> d\u2019Ahmed Nader (Egypte);
\nMention sp\u00e9ciale : \u2018\u2018Les Secret des vents\u2019\u2019<\/em> d\u2019Im\u00e8ne Al Nasiri (Tunisie).<\/p>\n

Comp\u00e9tition officielle des longs m\u00e9trages documentaires :<\/strong><\/em><\/p>\n

Le Tanit d\u2019Or : \u2018\u2018Koro du Bakoro\u2019\u2019<\/em> de Simplice Ganou Herman (Burkina Faso);
\nLe Tanit d\u2019Argent : \u2018\u2018Kemtiyu-Cheikhanta\u2019\u2019<\/em> d’Oussmane William Mbaye (S\u00e9n\u00e9gal);
\nLe Tanit de Bronze : \u2018\u2018Au-del\u00e0 de l\u2019ombre\u2019\u2019<\/em> de Nada Mezni Hefaiedh (Tunisie);
\nMention sp\u00e9ciale : \u2018\u2018Ghost hunting\u2019\u2019<\/em> de Raed Andoni (Palestine).<\/p>\n

Comp\u00e9tition officielle des courts m\u00e9trages documentaires :<\/strong><\/em>
\nLe Tanit d\u2019Or : \u2018\u2018Jackenson-from street kid to champion\u2019\u2019<\/em> de Linda Leila Diatta et Jean-Marc Poteau (Niger);
\nLe Tanit d\u2019Argent : \u2018\u2018Pas de port pour les petits bateaux\u2019\u2019<\/em> de Jo\u00eblle Abou Chabke (Liban);
\nLe Tanit de Bronze : \u2018\u2018Gaza by her\u2019\u2019<\/em> de May Odeh et Riham Al Ghazali (Palestine);
\nMention sp\u00e9ciale : \u2018\u2018Cloch\u2019Art\u2019\u2019<\/em> de Manel Katri avec Mohamed Attia (Tunisie).<\/p>\n

\"\"<\/p>\n

Kaouther Ben Hania remporte le prix de l’UGTT.<\/em><\/p>\n

Prix Tahar Ch\u00e9riaa \u00ab1\u00e8re \u0153uvre\u00bb de long m\u00e9trage :<\/strong><\/em><\/p>\n

Le Tanit d\u2019Or : \u2018\u2018Vent du Nord\u2019\u2019<\/em> de Walid Mattar (Tunisie);<\/p>\n

Prix sp\u00e9cial TV5 Monde :<\/strong><\/em><\/p>\n

\u2018\u2018Vent du nord\u2019\u2019<\/em> de Walid Mattar (Tunisie).<\/p>\n

Prix sp\u00e9cial CNCI de l\u2019image \u00abAli Ben Abdallah\u00bb pour un film de long m\u00e9trage en comp\u00e9tition:<\/strong><\/em><\/p>\n

\u2018\u2018Force majeure\u2019\u2019<\/em> de Mohamed Sia (Egypte).<\/p>\n

Le prix UGTT du meilleur sc\u00e9nario de film tunisien de long m\u00e9trage de fiction:<\/strong><\/em><\/p>\n

\u2018\u2018La Belle et la Meute\u2019\u2019<\/em> de Kaouther Ben Hania (Tunisie).<\/p>\n","protected":false},"excerpt":{"rendered":"

Aucun cin\u00e9aste tunisien n\u2019a re\u00e7u l\u2019un des 3 Tanit du long m\u00e9trage de fiction, mais plusieurs d\u2019entre eux ont remport\u00e9 des prix. Une nouvelle g\u00e9n\u00e9ration est en train de prendre la rel\u00e8ve. Par Imed Bahri<\/p>\n","protected":false},"author":8,"featured_media":123172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[37153,9145,22952,38840,38886],"class_list":["post-123171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-jcc-2017","tag-journees-cinematographiques-de-carthage","tag-kaouther-ben-hania","tag-karim-moussaoui","tag-walid-mattar"],"yoast_head":"\nPalmar\u00e8s JCC 2017 : Le Mozambicain Azevedo remporte le Tanit d\u2019Or - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2017\/11\/12\/palmares-jcc-2017-le-mozambicain-azevedo-remporte-le-tanit-dor\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s JCC 2017 : Le Mozambicain Azevedo remporte le Tanit d\u2019Or - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Aucun cin\u00e9aste tunisien n\u2019a re\u00e7u l\u2019un des 3 Tanit du long m\u00e9trage de fiction, mais plusieurs d\u2019entre eux ont remport\u00e9 des prix. 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