{"id":123972,"date":"2017-11-17T07:27:39","date_gmt":"2017-11-17T06:27:39","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=123972"},"modified":"2017-11-16T20:34:23","modified_gmt":"2017-11-16T19:34:23","slug":"louvre-abou-dhabi-exploit-architectural-pour-un-dialogue-des-cultures","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2017\/11\/17\/louvre-abou-dhabi-exploit-architectural-pour-un-dialogue-des-cultures\/","title":{"rendered":"Louvre Abou Dhabi : Exploit architectural pour un dialogue des cultures"},"content":{"rendered":"

\"\"<\/p>\n

Avec le Louvre Abou Dhabi, son plus r\u00e9cent ouvrage, l\u2019architecte Jean Nouvel met la lumi\u00e8re au service d\u2019une contemplation \u00e0 la fois esth\u00e9tique et mystique.<\/em> <\/strong><\/p>\n

Par Moncef Kamoun<\/strong> *<\/p>\n

<\/p>\n

\"\"La France et les Emirats arabes unis (EAU) avaient sign\u00e9, en 2007, un accord sans pr\u00e9c\u00e9dent portant sur la conception et la mise en oeuvre par la France du mus\u00e9e du Louvre Abou Dhabi en contrepartie d\u2019un milliard d\u2019euros.<\/p>\n

L\u2019objectif de la capitale des Emirats est de cr\u00e9er un lieu central de dialogue entre les civilisations et les cultures et faire d\u2019Abou Dhabi une terre de passage et d\u2019\u00e9change symbolisant l\u2019esprit d\u2019ouverture et de dialogue interculturel.<\/p>\n

Le mus\u00e9e, qui a ouvert ses portes le 11 novembre 2017, a \u00e9t\u00e9 construit en bordure de mer sur l’\u00eele de Saadiyat, au large de la capitale des EAU, sur une superficie de 24.000 m2, dont 6.000 m2 pour la galerie permanente et 2.000 m2 pour les expositions temporaires d’envergure internationale, le tout surplomb\u00e9 d\u2019un ciel artificiel, un d\u00f4me g\u00e9ant de 180 m\u00e8tres de diam\u00e8tre perc\u00e9 de motifs arabo-musulmans, des formes de feuilles de palmes entrelac\u00e9es, traditionnellement utilis\u00e9es pour parer les toits dans les \u00c9mirats : une coupole en forme de dentelle argent\u00e9e.<\/p>\n

La lumi\u00e8re est la raison d\u2019\u00eatre de l\u2019architecture<\/strong><\/p>\n

Ce ciel artificiel laisse passer des rayons de soleil et cr\u00e9e des taches de lumi\u00e8re qui bougent tout au long de la journ\u00e9e en fonction de la hauteur et de l\u2019inclinaison du soleil. Quand on est \u00e0 l\u2019int\u00e9rieur, tout ce que nous voyons n\u2019est qu\u2019une ombre projet\u00e9e par ce que nous ne voyons pas.<\/p>\n

Tous les b\u00e2timents du mus\u00e9e sont pos\u00e9s sur l\u2019eau de l\u2019\u00eele et cr\u00e9ent une atmosph\u00e8re magique. Ainsi, le ciel \u00e9toil\u00e9 le jour resplendit de toutes les \u00e2mes, de toutes les lumi\u00e8res c\u00e9lestes afin que les visiteurs soient \u00e9clair\u00e9s par la lumi\u00e8re divine.<\/p>\n

Cette lumi\u00e8re est \u00e0 la fois \u00e9tincelante et douce et, surtout apaisante et propice \u00e0 la m\u00e9ditation. Elle permet aux visiteurs de voir les \u0153uvres artistiques expos\u00e9es dans une atmosph\u00e8re transparente et chaleureuse.<\/p>\n

Les architectes savent que lumi\u00e8re est la raison d\u2019\u00eatre de leur discipline, elle en constitue le premier mat\u00e9riau. Sans elle, le mur, l\u2019espace, l\u2019ombre n\u2019existent pas, mais l\u00e0 tout est v\u00e9ritablement grandiose : les rapports de forces et les tensions entre les objets, le jour, le contre-jour et l\u2019ombre laissent la place au reflet, et le contraste \u00e0 la texture.<\/p>\n

L\u2019architecture est seulement un des supports de cette danse, au m\u00eame titre que l\u2019air, la nature, l\u2019espace, les volumes et tout ce qui nous entoure.<\/p>\n

Ce qui rend ce lieu magique c\u2019est la fantasmagorie ind\u00e9finissable qu\u2019enfante l\u2019harmonieuse conjugaison de tous ces \u00e9l\u00e9ments. Ici, plut\u00f4t que d\u2019essayer de contr\u00f4ler la lumi\u00e8re, l\u2019architecte la laisse danser, suivre ses humeurs, prendre la forme de son d\u00e9sir.<\/p>\n

Dans ce rapport entre la mat\u00e9rialit\u00e9 des lieux et l\u2019immat\u00e9rialit\u00e9 de la lumi\u00e8re, il y a une v\u00e9ritable r\u00e9flexion sur les volumes, les mat\u00e9riaux, les formes et leur perception.<\/p>\n

L\u2019architecte Fran\u00e7ais Jean Nouvel<\/strong><\/p>\n

C\u2019est ainsi que, par son imagination, sa grande rigueur et surtout son audace esth\u00e9tique, Jean Nouvel, le concepteur du mus\u00e9e du Louvre d\u2019Abou Dhabi a cr\u00e9\u00e9, une fois encore, un \u00e9v\u00e9nement \u00e0 r\u00e9sonance internationale.<\/p>\n

L\u2019architecte fran\u00e7ais a d\u00e9j\u00e0 remport\u00e9, en 2008, le prix Pritzker, la plus haute distinction internationale dans le domaine de l\u2019architecture pour l\u2019ensemble de sa carri\u00e8re.<\/p>\n

Outre l\u2019institut du monde arabe, \u00e0 Paris, ouvert en 1987, Jean Nouvel a dessin\u00e9, entre autres, le Mus\u00e9e du Quai Branly dans la capitale fran\u00e7aise, la Tour Agbar \u00e0 Barcelone, le complexe Central Park \u00e0 Sydney, le Mus\u00e9e d\u2019art et d\u2019histoire de Gen\u00e8ve, la Tour Signal \u00e0 la D\u00e9fense \u00e0 Paris et la r\u00e9sidence \u00abNouvelle Nature\u00bb<\/em> \u00e0 Marseille.<\/p>\n

*M. K. Architecte.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Avec le Louvre Abou Dhabi, son plus r\u00e9cent ouvrage, l\u2019architecte Jean Nouvel met la lumi\u00e8re au service d\u2019une contemplation \u00e0 la fois esth\u00e9tique et mystique. Par Moncef Kamoun *<\/p>\n","protected":false},"author":8,"featured_media":123973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[6442],"class_list":["post-123972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-emirats-arabes-unis"],"yoast_head":"\nLouvre Abou Dhabi : Exploit architectural pour un dialogue des cultures - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2017\/11\/17\/louvre-abou-dhabi-exploit-architectural-pour-un-dialogue-des-cultures\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Louvre Abou Dhabi : Exploit architectural pour un dialogue des cultures - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Avec le Louvre Abou Dhabi, son plus r\u00e9cent ouvrage, l\u2019architecte Jean Nouvel met la lumi\u00e8re au service d\u2019une contemplation \u00e0 la fois esth\u00e9tique et mystique. 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