{"id":13036865,"date":"2024-05-31T07:18:00","date_gmt":"2024-05-31T06:18:00","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=13036865"},"modified":"2024-05-31T07:18:02","modified_gmt":"2024-05-31T06:18:02","slug":"les-carnets-de-jilani-oueld-hamad-ou-la-reinvention-du-roman","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2024\/05\/31\/les-carnets-de-jilani-oueld-hamad-ou-la-reinvention-du-roman\/","title":{"rendered":"\u2018\u2018Les carnets de Jilani Oueld Hamad\u2019\u2019 ou la r\u00e9invention du roman"},"content":{"rendered":"\n

Le prix Comar d\u2019or du roman tunisien en langue arabe a \u00e9t\u00e9 d\u00e9cern\u00e9 cette ann\u00e9e \u00e0 Sahbi Keraani, pour son roman \u2018\u2018Les carnets de Jilani Oueld Hamad\u2019\u2019, une saga familiale de quelque 400 pages publi\u00e9e en juin 2023 \u00e0 Sidi Saad, \u00e0 Kairouan, par Atras Editions, une jeune maison dont c\u2019est la premi\u00e8re publication. Pour un coup d\u2019essai, ce fut un coup de ma\u00eetre aussi bien pour l\u2019auteur que pour l\u2019\u00e9diteur.<\/em><\/strong><\/p>\n\n\n\n

Ridha Kefi <\/strong><\/p>\n\n\n\n\n\n\n\n

N\u00e9 en 1973 Ain Hamad, entre Hajeb Layoun et Sidi Saad, dans le gouvernorat de Kairouan, Sahbi Keraani est venu un peu tard au roman, \u00e0 cinquante ans bien sonn\u00e9s. Il faut dire que rien, apparemment, ne le pr\u00e9destinait \u00e0 l\u2019\u00e9criture litt\u00e9raire. Scientifique de vocation, professeur de math\u00e9matiques \u00e0 l\u2019Universit\u00e9 de Lille en France, o\u00f9 il r\u00e9side depuis pr\u00e8s de trente ans, il s\u2019est d\u00e9couvert une \u00e2me de romancier en lisant des romans, et d\u2019abord celui qui a fond\u00e9 le genre il y a quelques si\u00e8cles, le \u2018\u2018Don Quichotte\u2019\u2019<\/em> de Cervant\u00e8s. \u00abJ\u2019ai d\u00e9couvert en lisant ce roman que l\u2019on pouvait raconter des histoires extravagantes avec l\u00e9g\u00e8ret\u00e9 et humour, tout en sondant les myst\u00e8res de l\u2019\u00e2me humaine\u00bb<\/em>, dit-il lors d\u2019un d\u00e9bat avec les laur\u00e9ats des Prix Comar, le 16 mai 2024, \u00e0 l\u2019h\u00f4tel Majestic, \u00e0 Tunis.<\/p>\n\n\n\n

Un dessin sur le sable <\/h2>\n\n\n\n

\u2018\u2018Les carnets de Jilani Oueld Hamad\u2019\u2019<\/em>, comme son titre l\u2019indique, recourt au vieux proc\u00e9d\u00e9 romanesque du manuscrit trouv\u00e9, pour raconter une saga familiale qui se d\u00e9roule sur un si\u00e8cle, entre les ann\u00e9es 1880 et les ann\u00e9es 1980, d\u00e9roulant les \u00e9v\u00e9nements ayant marqu\u00e9 l\u2019histoire de la Tunisie, tels qu\u2019ils ont \u00e9t\u00e9 v\u00e9cus par les habitants de A\u00efn Hamad, une petite bourgade rurale, depuis sa fondation par un patriarche illumin\u00e9, jusqu\u2019\u00e0 sa disparition sous les eaux d\u2019un barrage construit en aval d\u2019une petite montagne qui la surplombe.<\/p>\n\n\n\n

En faisant ainsi tout dispara\u00eetre \u00e0 la fin de son r\u00e9cit, comme un \u00e9ph\u00e9m\u00e8re dessin sur le sable emport\u00e9 par le ressac, l\u2019auteur semble vouloir dire\u00a0: tout ce monde que j\u2019ai cr\u00e9\u00e9, tous ces hommes et toutes ces femmes que j\u2019ai fait vivre, toutes ces amours d\u00e9\u00e7ues et toutes ces haines bues, ces peurs, ces angoisses, ces attentes et ces d\u00e9sillusions que j\u2019ai d\u00e9crites sont un pur produit de l\u2019 imagination, une fable, mais la force de cette fable r\u00e9side dans le fait qu\u2019elle r\u00e9ussit \u00e0 \u00e9lever l\u2019histoire Jilani Oueld Hamad, telle qu\u2019il l\u2019a relat\u00e9e lui-m\u00eame dans un carnet personnel laiss\u00e9 apr\u00e8s sa fuite d\u2019une prison fran\u00e7aise, au rang d\u2019un mythe fondateur.<\/p>\n\n\n

\n
\"\"
Sahbi Keraani recevant son prix Comar d’Or du roman. <\/figcaption><\/figure>\n<\/div>\n\n\n

Le manuscrit retrouv\u00e9<\/h2>\n\n\n\n

Emport\u00e9 par les eaux du barrage,\u00a0inaugur\u00e9 en 1982, sur l’oued Zeroud, entre Nasrallah et Hajeb El Ayoun, le village de Ain Hamad n\u2019aura finalement exist\u00e9 que dans (et gr\u00e2ce au) roman. Il serait une construction totalement imaginaire, m\u00eame si l\u2019auteur, en recourant aux subterfuges romanesques habituels, notamment celui du manuscrit retrouv\u00e9 et annot\u00e9 par un chercheur \u00e9rudit, cherche \u00e0 donner \u00e0 son r\u00e9cit l\u2019\u00e9paisseur et la densit\u00e9 d\u2019une r\u00e9alit\u00e9 historique, d\u2019autant que ses personnages se trouvent souvent pris dans les pi\u00e8ges inextricables de l\u2019Histoire et participent aux grands \u00e9v\u00e9nements ayant marqu\u00e9 la Tunisie depuis le d\u00e9but de la colonisation fran\u00e7aise jusqu\u2019 \u00e0 la fin du r\u00e8gne de Bourguiba et la prise du pouvoir par Ben Ali, en passant par les deux guerres mondiales, la lutte pour la lib\u00e9ration nationale et la construction de l\u2019Etat moderne.<\/p>\n\n\n\n

Jilani Oueld Hamad tient, \u00e0 la fois, du \u00ab\u00a0Don Quichotte\u00a0\u00bb <\/em>de Cervantes et d’Aureliano Buendia, le personnage principal de \u00ab\u00a0Cent ans de solitude\u00a0\u00bb<\/em> de Gabriel Garcia Marquez : le parcours qui le m\u00e8ne en exil puis en prison en France est douloureux, chaotique, insens\u00e9, souvent subi, mais toujours surprenant et dr\u00f4le. Certains passages, humains, trop humains, nous font \u00e0 la fois pleurer et rire. <\/p>\n\n\n\n

L’homme puise dans sa m\u00e9moire, interroge ses\u00a0a\u00efeux, s’imagine un destin grandiose, et ce faisant, se construit un personnage, une histoire, un mythe dans lesquels il se barricade, le but \u00e9tant de faire de sa vie un roman ou mieux une saga qu’on raconte longtemps apr\u00e8s lui. Et c’est l\u00e0 o\u00f9 r\u00e9side la r\u00e9ussite de Sahbi Keraani: il donne \u00e0 son personnage la dimension d’un mythe, A\u00efn Hamad, petit hameau oubli\u00e9, devenant, le temps d’un roman, le centre de l’univers.<\/p>\n","protected":false},"excerpt":{"rendered":"

On a lu pour vous le roman \u2018\u2018Les carnets de Jilani Oueld Hamad\u2019\u2019, prix Comar d\u2019or du roman tunisien en langue arabe en 2024. <\/p>\n","protected":false},"author":8,"featured_media":13037193,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[115951,115953,115952,436,64557,15815,115949,105758],"class_list":["post-13036865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-ain-hamad","tag-cervantes","tag-gabriel-garcia-marquez","tag-hajeb-layoun","tag-kairouan","tag-prix-comar-dor","tag-sahbi-keraani","tag-sidi-saad"],"yoast_head":"\n\u2018\u2018Les carnets de Jilani Oueld Hamad\u2019\u2019 ou la r\u00e9invention du roman - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2024\/05\/31\/les-carnets-de-jilani-oueld-hamad-ou-la-reinvention-du-roman\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018\u2018Les carnets de Jilani Oueld Hamad\u2019\u2019 ou la r\u00e9invention du roman - 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