{"id":144001,"date":"2018-03-17T10:29:57","date_gmt":"2018-03-17T09:29:57","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=144001"},"modified":"2018-03-17T10:29:57","modified_gmt":"2018-03-17T09:29:57","slug":"art-contemporain-la-boite-fete-ses-dix-ans-dexperimentation-artistique","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2018\/03\/17\/art-contemporain-la-boite-fete-ses-dix-ans-dexperimentation-artistique\/","title":{"rendered":"Art contemporain : La Bo\u00eete f\u00eate ses dix ans d\u2019exp\u00e9rimentation artistique"},"content":{"rendered":"

\"\"<\/p>\n

Disons-le sans d\u00e9tour, l\u2019exp\u00e9rience de la Bo\u00eete, qui vient de f\u00eater son dixi\u00e8me anniversaire, est originale et in\u00e9dite dans le paysage artistique tunisien.<\/strong><\/em><\/p>\n

Par Hamma Hanachi<\/strong><\/p>\n

<\/p>\n

La Bo\u00eete? Un petit local d\u2019art dress\u00e9 comme un \u00e9crin au c\u0153ur d\u2019une entreprise de sant\u00e9, de cosm\u00e9tique, de bien-\u00eatre et d\u2019hygi\u00e8ne , situ\u00e9e dans la zone industrielle de la Charguia, \u00e0 Tunis, et g\u00e9r\u00e9e par le groupe Kilani.<\/p>\n

L\u2019art au c\u0153ur de l\u2019usine<\/h3>\n

Cet espace discret, mine de rien, f\u00eate cette ann\u00e9e sa dixi\u00e8me ann\u00e9e d\u2019existence. C\u00e9r\u00e9monie, rencontre et parution d\u2019un ouvrage sur cette exp\u00e9rience riche en \u00e9v\u00e9nements.<\/p>\n

Fatma Kilani, aux commandes de cette exp\u00e9rience, est une esth\u00e8te f\u00e9rue d\u2019art contemporain, et exclusivement de cr\u00e9ation contemporaine. G\u00e9n\u00e9reuse de c\u0153ur et partageuse d\u2019id\u00e9es novatrices, elle est nourrie de th\u00e9ories artistiques et motiv\u00e9e pour le faire partager. Elle fonde cet espace alternatif au c\u0153ur m\u00eame de l\u2019entreprise. Son credo ? Faire de cette Bo\u00eete \u00e0 outils (esth\u00e9tiques) un lieu de rencontres et de d\u00e9bats entre l\u2019art et son public, entre les \u0153uvres et les employ\u00e9s de la soci\u00e9t\u00e9.<\/p>\n

Les temps changent, c\u2019est in\u00e9luctable, mais il nous reste malgr\u00e9 tout des traces d\u2019histoire de l\u2019art. Il \u00e9tait une fois Mai 68\u2026 (50 ans d\u00e9j\u00e0 !), sur fond de m\u00e9pris du march\u00e9, l\u2019art de groupe ou communautaire remplace l\u2019art individuel, l\u2019engagement politique est fort, et les courants artistiques voulaient faire dispara\u00eetre les in\u00e9galit\u00e9s culturelles en impliquant les ouvriers et les employ\u00e9s dans le processus de cr\u00e9ation, sinon d\u2019analyse.<\/p>\n

Le credo de La Bo\u00eete<\/h3>\n

Il y a dans la conception de La Bo\u00eete une volont\u00e9 d\u00e9lib\u00e9r\u00e9e, loin des choix hasardeux de d\u00e9couvrir, de faire d\u00e9couvrir des artistes jeunes qui ont des projets innovants et d\u2019avant-garde \u00e0 exposer.<\/p>\n

Dix ans, des dizaines d\u2019exposants choisis (H\u00e9la Lamine, Hichem Driss, Ali Tnani, A\u00efcha Filali, Nic\u00e8ne Kossentini, Malek Gnaoui, Meriem Bouderbala, etc.). Leurs \u0153uvres sont actuellement expos\u00e9es sur trois \u00e9tages de l\u2019entreprise.<\/p>\n

Le credo de Fatma Kilani, qui accompagne ses \u00abpoulains\u00bb<\/em> pendant leur cr\u00e9ation, est de faire expliquer l\u2019aventure aux personnels de l\u2019entreprise. Une fois ses \u0153uvres expos\u00e9es, l\u2019artiste invite les personnels, il leur explique son parcours, sa d\u00e9marche, sa conception de l\u2019art, de la vie, des discussions sont ouvertes, etc. C\u2019est plus tard que le public, les invit\u00e9s, artistes, journalistes et critiques, seront invit\u00e9s \u00e0 voir l\u2019exposition.<\/p>\n

A l\u2019occasion de cette date anniversaire, Fatma Kilani a donn\u00e9 carte blanche \u00e0 Skander Khlif, photographe r\u00e9sidant en Allemagne, pour effectuer un reportage dans l\u2019entreprise. L\u2019exposition est visible \u00e0 l\u2019IHEC de Carthage.<\/p>\n

Par la m\u00eame occasion, deux sp\u00e9cialistes, Paul Ardenne, historien de l\u2019art, et Pierre-No\u00ebl Denieul, sociologue, ont d\u00e9battu avec le public sur le r\u00e9cit et l\u2019exp\u00e9rience de La Bo\u00eete. Ce d\u00e9bat fait suite \u00e0 la parution de leur ouvrage intitul\u00e9 \u2018\u20182007-2007, 10 ans d\u2019exp\u00e9rimentation artistique au sein d\u2019une entreprise en Tunisie\u2019\u2019<\/em>.<\/p>\n

C\u2019est peu dire que les \u00e9changes ont \u00e9t\u00e9 originaux et motivants, l\u2019art contemporain y a gagne en visibilit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Disons-le sans d\u00e9tour, l\u2019exp\u00e9rience de la Bo\u00eete, qui vient de f\u00eater son dixi\u00e8me anniversaire, est originale et in\u00e9dite dans le paysage artistique tunisien. Par Hamma Hanachi<\/p>\n","protected":false},"author":8,"featured_media":144002,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[9418],"class_list":["post-144001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-hela-lamine"],"yoast_head":"\nArt contemporain : La Bo\u00eete f\u00eate ses dix ans d\u2019exp\u00e9rimentation artistique - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2018\/03\/17\/art-contemporain-la-boite-fete-ses-dix-ans-dexperimentation-artistique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art contemporain : La Bo\u00eete f\u00eate ses dix ans d\u2019exp\u00e9rimentation artistique - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Disons-le sans d\u00e9tour, l\u2019exp\u00e9rience de la Bo\u00eete, qui vient de f\u00eater son dixi\u00e8me anniversaire, est originale et in\u00e9dite dans le paysage artistique tunisien. 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