{"id":14605804,"date":"2024-11-13T11:14:56","date_gmt":"2024-11-13T10:14:56","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=14605804"},"modified":"2024-11-13T11:14:57","modified_gmt":"2024-11-13T10:14:57","slug":"des-abruzzes-a-sejnane-la-sculpture-emotionnelle-de-lucia-canto","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2024\/11\/13\/des-abruzzes-a-sejnane-la-sculpture-emotionnelle-de-lucia-canto\/","title":{"rendered":"Des Abruzzes \u00e0 Sejnane\u00a0: la sculpture \u00e9motionnelle de Lucia Cant\u00f2"},"content":{"rendered":"\n

La tradition artisanale dans la cr\u00e9ation d\u2019objets et le savoir-faire transmis notamment par les femmes des communaut\u00e9s locales. Tels sont les points communs entre les Abruzzes de l\u2019artiste de Pescara, Lucia Cant\u00f2, et la Tunisie des femmes poti\u00e8res de Sejnane, connues dans le monde entier pour leurs objets en terre cuite.<\/em><\/strong><\/p>\n\n\n\n\n\n\n\n

De ce projet intitul\u00e9 \u00abFeeling the grass grow\u00bb (\u00abSentir l\u2019herbe pousser\u00bb)<\/em>, expression typique de la r\u00e9gion des Abruzzes en Italie, utilis\u00e9e par la famille de l\u2019artiste pour indiquer une sensibilit\u00e9 particuli\u00e8re dans la lecture et la perception de transformations souvent invisibles aux yeux de la plupart des gens, comme la croissance de l\u2019herbe, Cant\u00f2 elle-m\u00eame nous parlera, en conversation avec les commissaires Giovanni Giacomo Paolin et Sara Maggioni, \u00e0 La Bo\u00eete – Centre d\u2019Art & Architecture, aujourd\u2019hui, mercredi 13 novembre 2024, \u00e0 partir de 17h30, dans une conf\u00e9rence parrain\u00e9e par l\u2019Institut Culturel Italien de Tunis. La conversation se d\u00e9roulera en italien et sera traduite simultan\u00e9ment en fran\u00e7ais.<\/p>\n\n\n\n

La sensibilit\u00e9 \u00e0 observer et \u00e0 consid\u00e9rer des processus si lents qu\u2019ils semblent imperceptibles s\u2019exprime dans une phrase qui, transmise par l\u2019arri\u00e8re-grand-m\u00e8re de Cant\u00f2, s\u2019est transmise de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration parmi les femmes de la famille.<\/p>\n\n\n\n

Cela fait r\u00e9f\u00e9rence \u00e0 la fois \u00e0 des actions de transformation lentes et routini\u00e8res, comme la croissance des petits-enfants observ\u00e9e au quotidien, et \u00e0 des changements encore imperceptibles mais d\u00e9j\u00e0 intuitifs.<\/p>\n\n\n\n

L\u2019un des principaux th\u00e8mes de recherche de l\u2019artiste concerne la transformation qui s\u2019op\u00e8re dans les corps \u00e0 travers les relations et les \u00e9changes invisibles ou intangibles entre les individus. La transmission d\u2019une tradition, d\u2019un savoir, d\u2019idiomes familiaux, sont les fils invisibles qui unissent les diff\u00e9rents individus d\u2019une communaut\u00e9 et, dans la pratique de Lucia Cant\u00f2, ils inspirent le besoin de les rendre tangibles.<\/p>\n\n\n\n

Pour ce faire, explique le commissaire Giovanni Giacomo Paolin, l\u2019artiste adopte la forme de vases en terre cuite, analysant leur ressemblance avec le corps humain. Des corps ouverts \u00e0 la mutation, capables d\u2019absorber et de transformer leur contenu interne, mall\u00e9able mais fragile.<\/p>\n\n\n\n

Par ailleurs, le processus de cr\u00e9ation de c\u00e9ramiques est historiquement li\u00e9 \u00e0 la cr\u00e9ation de communaut\u00e9s, souvent f\u00e9minines, qui permettent de favoriser les \u00e9changes et la transmission orale des savoirs traditionnels. <\/strong><\/strong><\/p>\n\n\n\n

Ces derni\u00e8res ann\u00e9es, l\u2019artiste a de plus en plus ouvert son travail \u00e0 un espace collectif, cr\u00e9ant des espaces communautaires temporaires. Ce projet repr\u00e9sente l\u2019\u00e9volution d\u2019un processus qui a d\u00e9j\u00e0 \u00e9merg\u00e9 \u00e0 travers trois expositions. La premi\u00e8re \u00e0 la Monitor Gallery de Rome, Ai Terzi (2021), a \u00e9t\u00e9 la premi\u00e8re occasion pour l\u2019artiste de mat\u00e9rialiser ses id\u00e9es sur l\u2019utilisation du vase comme outil relationnel avec les proches, notamment dans l\u2019\u0153uvre intitul\u00e9e \u2018\u2018Certains actes pour corps fragiles<\/em>\u2019\u2019 (2021).<\/p>\n\n\n\n

Dans \u2018\u2018<\/em>Restriction \u00e9motionnelle<\/em>\u2019\u2019<\/em> (2022) \u2013 un projet r\u00e9alis\u00e9 dans le cadre d\u2019Una Boccata d\u2019Arte \u00e0 Malamocco (organis\u00e9 par la Fondation Elpis) et \u2018\u2018<\/em>Stars that support other stars<\/em>\u2019\u2019<\/em> (2023), cette relation a \u00e9t\u00e9 respectivement explor\u00e9e et \u00e9largie \u00e0 une classe pour enfants et un groupe de personnes s\u00e9lectionn\u00e9es qui ont particip\u00e9 \u00e0 une exp\u00e9rience d\u2019atelier avec l\u2019artiste et les conservateurs.<\/p>\n\n\n\n

\u2018\u2018Sentir l’herbe pousser\u2019\u2019 aura pour premier arr\u00eat la Tunisie et en particulier la communaut\u00e9 de Sejnane (Bizerte), o\u00f9 sont produits des objets en terre cuite pour la maison tels que des ustensiles de cuisine, des poup\u00e9es et des figurines d\u2019animaux, inspir\u00e9s de l\u2019environnement.<\/p>\n\n\n\n

Toutes les phases du processus de fabrication de la c\u00e9ramique sont r\u00e9alis\u00e9es par des femmes, qui occupent une place importante dans la communaut\u00e9. Transmettre leur savoir \u00e0 travers l\u2019\u00e9ducation traditionnelle et informelle de m\u00e8re en fille.<\/p>\n\n\n\n

L\u2019argile est g\u00e9n\u00e9ralement extraite des plates-bandes, d\u00e9coup\u00e9e en blocs, broy\u00e9e, purifi\u00e9e et immerg\u00e9e dans l\u2019eau, avant d\u2019\u00eatre p\u00e9trie et fa\u00e7onn\u00e9e. Une fois cuits, les r\u00e9cipients sont d\u00e9cor\u00e9s de motifs g\u00e9om\u00e9triques bicolores rappelant les tatouages \u200b\u200bet tissages traditionnels berb\u00e8res.<\/p>\n\n\n\n

Cette tradition artisanale, comme celle de Lucia Cant\u00f2, souligne le r\u00f4le fondamental des femmes dans la transmission des connaissances et dans la cr\u00e9ation d\u2019objets qui refl\u00e8tent la culture et l\u2019histoire d\u2019une communaut\u00e9.<\/p>\n\n\n\n

Dans sa sculpture \u00e9motionnelle, Cant\u00f2 condense les exp\u00e9riences quotidiennes et les relations humaines en objets charg\u00e9s d\u2019une puissante valeur symbolique. La tangibilit\u00e9 des diff\u00e9rentes mati\u00e8res trait\u00e9es par l\u2019artiste r\u00e9pond au besoin d’appr\u00e9hender une r\u00e9alit\u00e9 \u00e9motionnelle qui tend \u00e0 rester \u00e9vanescente.<\/p>\n\n\n\n

Traduit de l\u2019italien. <\/em><\/p>\n\n\n\n

D\u2019apr\u00e8s Ansamed<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"

Quel lien y a-t-il entre les objets en terre cuite des poti\u00e8res de Sejnane et les vases de l’artiste italienne Lucia Cant\u00f2? <\/p>\n","protected":false},"author":8,"featured_media":14605816,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[994,2433],"tags":[118880,118881,505,113081,118879,118878,118882],"class_list":["post-14605804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-tunisie","tag-abruzzes","tag-giovanni-giacomo-paolin","tag-italie","tag-la-boite","tag-lucia-canto","tag-potieres-de-sejnane","tag-sara-maggioni"],"yoast_head":"\nDes Abruzzes \u00e0 Sejnane\u00a0: la sculpture \u00e9motionnelle de Lucia Cant\u00f2 - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2024\/11\/13\/des-abruzzes-a-sejnane-la-sculpture-emotionnelle-de-lucia-canto\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Des Abruzzes \u00e0 Sejnane\u00a0: la sculpture \u00e9motionnelle de Lucia Cant\u00f2 - 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