{"id":15845671,"date":"2025-03-10T09:22:00","date_gmt":"2025-03-10T08:22:00","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=15845671"},"modified":"2025-03-10T07:30:29","modified_gmt":"2025-03-10T06:30:29","slug":"il-reste-encore-demain-les-contrees-profondes-de-la-nature-humaine","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/03\/10\/il-reste-encore-demain-les-contrees-profondes-de-la-nature-humaine\/","title":{"rendered":"\u00a0\u2018\u2018Il reste encore demain\u2019\u2019 | Les contr\u00e9es profondes de la nature humaine"},"content":{"rendered":"\n

Le film italien \u2018\u2018Il reste encore demain\u2019\u2019 est une com\u00e9die dramatique italienne r\u00e9alis\u00e9e par Paola Cortellesi, une r\u00e9alisatrice peu connue du grand public. A sa sortie en 2023, il a rencontr\u00e9 un immense succ\u00e8s, en Italie, en attirant pr\u00e8s de cinq millions de spectateurs, d\u00e9passant ainsi au box-office national \u2018\u2018Oppenheimer\u2019\u2019 et le navet am\u00e9ricain \u2018\u2018Barbie\u2019\u2019.<\/em><\/strong><\/p>\n\n\n\n

Mohamed Sadok Lejri<\/strong><\/p>\n\n\n\n\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

J\u2019ai \u00e9t\u00e9 impressionn\u00e9 par la qualit\u00e9 de ce film qui embrasse la cause f\u00e9ministe. Il s\u2019agit d\u2019un f\u00e9minisme qui s\u2019attache \u00e0 sa mission premi\u00e8re, un f\u00e9minisme enracin\u00e9 dans le quotidien et qui tient compte de la situation d\u2019oppression que vivent beaucoup de femmes de par le monde au sein de leur foyer et, par extension, de la soci\u00e9t\u00e9 dans son ensemble. \u2018\u2018Il reste encore demain\u2019\u2019<\/em> n\u2019a strictement rien \u00e0 voir avec le n\u00e9o-f\u00e9minisme d\u00e9lirant et hyst\u00e9rique qui s\u00e9vit dans certains pays.<\/p>\n\n\n\n

Inspir\u00e9, belle r\u00e9alisation et magnifiquement interpr\u00e9t\u00e9, ce film est un v\u00e9ritable coup de g\u00e9nie. Il nous plonge dans l\u2019Italie populaire de l\u2019apr\u00e8s-guerre, plus pr\u00e9cis\u00e9ment dans le quotidien d\u2019une famille vivant dans un quartier pittoresque de Rome au lendemain de la Seconde Guerre mondiale, et d\u00e9crit avec un r\u00e9alisme d\u00e9concertant la condition de la femme italienne de cette \u00e9poque.<\/p>\n\n\n\n

Une femme prisonni\u00e8re de son destin<\/h2>\n\n\n\n

C\u2019est l\u2019histoire d\u2019une m\u00e8re de famille, Delia, qui est \u00e0 pied d\u2019\u0153uvre d\u00e8s les premi\u00e8res lueurs du jour. Son quotidien ressemble \u00e0 un chemin de croix. C\u2019est une femme prisonni\u00e8re de son destin. Victime de la tyrannie conjugale, d\u00e9vou\u00e9e \u00e0 ses deux fils turbulents, elle est \u00e9galement aux petits soins avec son beau-p\u00e8re, un grabataire abject, retors et despotique. Et ce n\u2019est pas fini : elle jongle entre plusieurs emplois mal r\u00e9mun\u00e9r\u00e9s et pr\u00e9pare les fian\u00e7ailles imminentes de sa fille Marcella qui s\u2019appr\u00eate \u00e0 \u00e9pouser Giulio, le fils des Moretti, un couple de nouveaux riches qui s\u2019est bien sucr\u00e9 durant la guerre.<\/p>\n\n\n\n

Bref, Paola Cortellesi met \u00e0 l\u2019honneur une m\u00e8re de famille d\u00e9vou\u00e9e qui se d\u00e9m\u00e8ne en cumulant plusieurs petits boulots sous-pay\u00e9s pour le bien-\u00eatre de sa famille. Malgr\u00e9 son abn\u00e9gation, elle subit la violence de son mari dans une soci\u00e9t\u00e9 o\u00f9 l\u2019on intime encore aux femmes maltrait\u00e9es de se taire. D\u2019ailleurs, le film s\u2019ouvre sur une gifle magistrale administr\u00e9e du revers de la main par le mari Ivano \u00e0 son \u00e9pouse Delia qui est la protagoniste du film.<\/p>\n\n\n\n

Le sujet du film est intemporel, universel et, manifestement, in\u00e9puisable. En effet, l\u2019on remarque en regardant ce long-m\u00e9trage que ce th\u00e8me archi-rebattu peut \u00eatre abord\u00e9 sous de diff\u00e9rents angles et d\u00e9clinaisons et, comme c\u2019est le cas ici, dans un style esth\u00e9tiquement int\u00e9ressant et r\u00e9ussi.<\/p>\n\n\n\n

L\u2019histoire de cette m\u00e8re qui m\u00e8ne une existence de labeur, de brimades, qui tente de survivre sous les coups de son mari, tout en essayant de mener \u00e0 bien un projet secret, ne peut laisser le public indiff\u00e9rent quand elle est bien construite et admirablement mise en sc\u00e8ne.<\/p>\n\n\n\n

M\u00eame si \u2018\u2018Il reste encore demain\u2019\u2019<\/em> traite d\u2019un sujet triste et douloureux, m\u00eame si la violence machiste ordinaire plane tout au long du film, Paola Cortellesi nous immerge dans cette atmosph\u00e8re tendue sans jamais verser dans le pathos.<\/p>\n\n\n\n

Un go\u00fbt aigre-doux<\/h2>\n\n\n\n

D\u2019ailleurs, les sc\u00e8nes de passages \u00e0 tabac sont pr\u00e9sent\u00e9es sous forme de chor\u00e9graphies et de pas de danse qui font \u00e9cran \u00e0 l\u2019horreur indicible du r\u00e9el. Les sc\u00e8nes dures sont saupoudr\u00e9es d\u2019humour et accompagn\u00e9es de belles chansons italiennes pour d\u00e9samorcer la tension et faire passer la violence de certaines s\u00e9quences en leur donnant un go\u00fbt aigre-doux. La r\u00e9alisatrice ne voulait pas draper la protagoniste Delia dans une posture victimaire et a pr\u00e9f\u00e9r\u00e9 \u00e9viter le ton m\u00e9lodramatique et larmoyant.<\/p>\n\n\n\n

Il a beau s\u2019agir d\u2019un film f\u00e9ministe, \u2018\u2018Il reste encore demain\u2019\u2019 <\/em>ne montre pas de solidarit\u00e9 entre les femmes, mais plut\u00f4t une r\u00e9signation sourde. En r\u00e9alit\u00e9, Delia accepte tout au long du film sa condition de femme soumise, c\u2019est quelque chose qui \u00e9tait naturel pour la soci\u00e9t\u00e9 de l\u2019\u00e9poque, jusqu’au moment o\u00f9 elle per\u00e7oit de la piti\u00e9, voire du m\u00e9pris, dans les yeux de sa fille. En m\u00eame temps, cette derni\u00e8re s\u2019appr\u00eate \u00e0 s’engager dans un mariage v\u00e9cu comme une sorte de promotion sociale. En revanche, l\u2019\u00e9lu de son c\u0153ur ne tardera pas \u00e0 manifester de l\u2019agressivit\u00e9 \u00e0 son encontre et une volont\u00e9 d\u2019assujettissement. Marcella est-elle condamn\u00e9e \u00e0 subir le m\u00eame sort que sa m\u00e8re ? C’est la question que l’on est conduit \u00e0 se poser en regardant le film.<\/p>\n\n\n\n

\u2018\u2018Il reste encore demain\u2019\u2019 <\/em>est une v\u00e9ritable r\u00e9ussite sur le fond comme sur la forme. Tout est minutieusement orchestr\u00e9 pour que le public oscille entre profondeur et divertissement et pour qu\u2019il retrouve le cin\u00e9ma italien qui a forc\u00e9 l\u2019admiration du monde entier par sa puissance et son g\u00e9nie.<\/p>\n\n\n\n

Des sensibilit\u00e9s hors du temps<\/h2>\n\n\n\n

En effet, ce film rappelle \u00e0 notre bon souvenir le cin\u00e9ma n\u00e9o-r\u00e9aliste et les tragi-com\u00e9dies italiennes des ann\u00e9es 1960 et 1970. Les personnages sont excentriques et faussement arch\u00e9typaux, ils s\u2019inscrivent dans la tradition classique des films italiens \u00e0 l\u2019humour f\u00e9roce et d\u00e9jant\u00e9, ils d\u00e9voilent des sensibilit\u00e9s hors du temps et nous emm\u00e8nent dans les contr\u00e9es profondes de la nature humaine.<\/p>\n\n\n\n

Cette \u0153uvre r\u00e9unit, sans pr\u00e9tention aucune, la po\u00e9sie du cin\u00e9ma italien et la puissance de l’engagement. Paola Cortellesi dresse son r\u00e9quisitoire en finesse, sans aigreur, sans esprit vindicatif et avec le bon dosage des sentiments.<\/p>\n\n\n\n

Le film s\u2019ach\u00e8ve sur un coup de th\u00e9\u00e2tre magistral et un message porteur d\u2019espoir. C\u2019est une sc\u00e8ne dans laquelle la m\u00e8re et sa fille se regardent fixement dans les yeux, sans parler, mais avec beaucoup de complicit\u00e9. \u2018\u2018Il reste encore demain\u2019\u2019<\/em> est un magnifique hommage aux g\u00e9n\u00e9rations de femmes qui ont lutt\u00e9 en silence, avec dignit\u00e9, discr\u00e9tion et d\u00e9termination, pour permettre \u00e0 leurs filles et petites-filles d\u2019\u00eatre plus libres.<\/p>\n\n\n\n

Je persiste et signe : cette \u0153uvre est digne des classiques italiens qui ont fait les beaux jours du cin\u00e9ma. Ce petit bijou film\u00e9 en noir et blanc donnera envie \u00e0 toute femme qui le regarde de lever le poing \u00e0 l\u2019apparition du g\u00e9n\u00e9rique de fin. C\u2019est une ode aux droits des femmes dont on sort tremblant d\u2019\u00e9motion.<\/p>\n\n\n\n

A voir absolument !<\/p>\n\n\n\n

P.-S.<\/strong> : \ud835\udc36\ud835\udc52 \ud835\udc53\ud835\udc56\ud835\udc59\ud835\udc5a \ud835\udc51\ud835\udc52\ud835\udc63\ud835\udc5f\ud835\udc4e\ud835\udc56\ud835\udc61 \u00ea\ud835\udc61\ud835\udc5f\ud835\udc52 \ud835\udc5d\ud835\udc5f\ud835\udc5c\ud835\udc57\ud835\udc52\ud835\udc61\u00e9 \ud835\udc51\ud835\udc4e\ud835\udc5b\ud835\udc60 \ud835\udc5b\ud835\udc5c\ud835\udc60 \ud835\udc59\ud835\udc66\ud835\udc50\u00e9\ud835\udc52\ud835\udc60 \ud835\udc52\ud835\udc61 \ud835\udc62\ud835\udc5b\ud835\udc56\ud835\udc63\ud835\udc52\ud835\udc5f\ud835\udc60\ud835\udc56\ud835\udc61\u00e9\ud835\udc60, \ud835\udc5a\ud835\udc4e\ud835\udc56\ud835\udc60 \ud835\udc4e\ud835\udc62\ud835\udc60\ud835\udc60\ud835\udc56 \ud835\udc51\ud835\udc4e\ud835\udc5b\ud835\udc60 \ud835\udc5b\ud835\udc5c\ud835\udc60 \ud835\udc5e\ud835\udc62\ud835\udc4e\ud835\udc5f\ud835\udc61\ud835\udc56\ud835\udc52\ud835\udc5f\ud835\udc60 \ud835\udc5d\ud835\udc5c\ud835\udc5d\ud835\udc62\ud835\udc59\ud835\udc4e\ud835\udc56\ud835\udc5f\ud835\udc52\ud835\udc60. \ud835\udc47\ud835\udc5f\u00e8\ud835\udc60 \ud835\udc5b\ud835\udc5c\ud835\udc5a\ud835\udc4f\ud835\udc5f\ud835\udc52\ud835\udc62\ud835\udc60\ud835\udc52\ud835\udc60 \ud835\udc60\ud835\udc52\ud835\udc5f\ud835\udc5c\ud835\udc5b\ud835\udc61 \ud835\udc59\ud835\udc52\ud835\udc60 \ud835\udc47\ud835\udc62\ud835\udc5b\ud835\udc56\ud835\udc60\ud835\udc56e\ud835\udc5b\ud835\udc5b\ud835\udc52\ud835\udc60 \ud835\udc5e\ud835\udc62\ud835\udc56 \ud835\udc60\u2019\ud835\udc56\ud835\udc51\ud835\udc52\ud835\udc5b\ud835\udc61\ud835\udc56\ud835\udc53\ud835\udc56\ud835\udc52\ud835\udc5f\ud835\udc5c\ud835\udc5b\ud835\udc61 \ud835\udc4e\ud835\udc62 \ud835\udc5d\ud835\udc52\ud835\udc5f\ud835\udc60\ud835\udc5c\ud835\udc5b\ud835\udc5b\ud835\udc4e\ud835\udc54\ud835\udc52 \ud835\udc51\ud835\udc52 \ud835\udc37\ud835\udc52\ud835\udc59\ud835\udc56\ud835\udc4e. \ud835\udc44\ud835\udc62\ud835\udc56 \ud835\udc5d\ud835\udc59\ud835\udc62\ud835\udc60 \ud835\udc52\ud835\udc60\ud835\udc61, \ud835\udc50\ud835\udc4e \ud835\udc59\ud835\udc52\ud835\udc60 \ud835\udc50\u210e\ud835\udc4e\ud835\udc5b\ud835\udc54\ud835\udc52\ud835\udc5f\ud835\udc4e \ud835\udc62\ud835\udc5b \ud835\udc5d\ud835\udc52\ud835\udc62 \ud835\udc51\ud835\udc52\ud835\udc60 \ud835\udc50\ud835\udc5c\ud835\udc5b\ud835\udc5b\ud835\udc52\ud835\udc5f\ud835\udc56\ud835\udc52\ud835\udc60 \ud835\udc5f\ud835\udc4e\ud835\udc5a\ud835\udc4e\ud835\udc51\ud835\udc4e\ud835\udc5b\ud835\udc52\ud835\udc60\ud835\udc5e\ud835\udc62\ud835\udc52\ud835\udc60.<\/em>\u0327\ud835\udc4e \ud835\udc59\ud835\udc52\ud835\udc60 \ud835\udc50\u210e\ud835\udc4e\ud835\udc5b\ud835\udc54\ud835\udc52\ud835\udc5f\ud835\udc4e \ud835\udc62\ud835\udc5b \ud835\udc5d\ud835\udc52\ud835\udc62 \ud835\udc51\ud835\udc52\ud835\udc60 \ud835\udc50\ud835\udc5c\ud835\udc5b\ud835\udc5b\ud835\udc52\ud835\udc5f\ud835\udc56\ud835\udc52\ud835\udc60 \ud835\udc5f\ud835\udc4e\ud835\udc5a\ud835\udc4e\ud835\udc51\ud835\udc4e\ud835\udc5b\ud835\udc52\ud835\udc60\ud835\udc5e\ud835\udc62\ud835\udc52\ud835\udc60.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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