{"id":15990627,"date":"2025-03-27T07:40:23","date_gmt":"2025-03-27T06:40:23","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=15990627"},"modified":"2025-03-27T07:40:24","modified_gmt":"2025-03-27T06:40:24","slug":"aflam-2025-ecrans-dexil-miroirs-de-revoltes","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/03\/27\/aflam-2025-ecrans-dexil-miroirs-de-revoltes\/","title":{"rendered":"Aflam 2025 | \u00c9crans d\u2019exil, miroirs de r\u00e9voltes"},"content":{"rendered":"\n

Dans les salles obscures de Marseille, carrefour des m\u00e9moires et des r\u00e9sistances, des images surgissent du pass\u00e9 et du pr\u00e9sent, \u00e9clairant les fissures et les fulgurances d\u2019un monde arabe en perp\u00e9tuel bouleversement. Du 19 au 27 avril 2025, la 12\u1d49 \u00e9dition du festival Aflam sera comme une fen\u00eatre sur les r\u00e9volutions avort\u00e9es, les exils contraints et les h\u00e9ritages persistants, offrant une programmation vibrante o\u00f9 se croisent cin\u00e9ma d\u2019archives et cr\u00e9ations contemporaines.<\/em><\/strong><\/p>\n\n\n\n

Djamal Guettala,<\/strong> \u00e0 Marseille.<\/em><\/p>\n\n\n\n\n\n\n\n

De la Syrie qui vacille entre chute et renouveau, \u00e0 la Tunisie et l\u2019Alg\u00e9rie qui interrogent leurs m\u00e9moires collectives, en passant par l\u2019\u00c9gypte, le Liban, la Palestine, ou encore le Maroc, chaque film est un fragment de l\u2019histoire, un cri ou un murmure. Images d\u2019un monde boulevers\u00e9, qui capturent l\u2019intime pour r\u00e9v\u00e9ler l\u2019universel.<\/p>\n\n\n\n

La Tunisie \u00e0 l\u2019honneur<\/h2>\n\n\n\n

Pour incarner cette \u00e9dition, une femme, une pr\u00e9sence, Fatma Ben Sa\u00efdane. Actrice et r\u00e9alisatrice tunisienne, elle est l\u2019\u00e2me d\u2019un cin\u00e9ma qui interroge, qui r\u00e9siste et qui inspire. Figure incontournable du cin\u00e9ma maghr\u00e9bin, elle incarne des personnages puissants et des r\u00e9cits o\u00f9 la r\u00e9volte est souvent tapie sous la peau du quotidien. \u00c0 Marseille, elle sera c\u00e9l\u00e9br\u00e9e \u00e0 travers une masterclass et une s\u00e9lection de films retra\u00e7ant son parcours, o\u00f9 l\u2019engagement artistique se m\u00eale au combat social.<\/p>\n\n\n\n

Cette ann\u00e9e, la Tunisie fait une apparition forte, avec des films qui explorent l\u2019histoire et les luttes contemporaines du pays. \u2018\u2018La T\u00e9l\u00e9 arrive\u2019\u2019<\/em> de Moncef Dhouib, qui sera projet\u00e9 le 25 avril au Mucem, raconte comment un village du Sud tunisien, avec l\u2019arriv\u00e9e d\u2019une \u00e9quipe de t\u00e9l\u00e9vision allemande, se voit contraint de jouer un r\u00f4le, manipulant la r\u00e9alit\u00e9 pour masquer ses v\u00e9ritables probl\u00e8mes. Ce film d\u00e9nonce la superficialit\u00e9 des images v\u00e9hicul\u00e9es par les m\u00e9dias et les illusions qu\u2019elles cr\u00e9ent.<\/p>\n\n\n\n

Le soir m\u00eame, au Cin\u00e9ma L\u2019Alhambra, \u2018\u2018El Jaida\u2019\u2019<\/em> de Selma Baccar offrira une immersion dans l\u2019histoire tunisienne en suivant quatre femmes emprisonn\u00e9es en 1955, une \u00e9poque marqu\u00e9e par la lutte pour l’ind\u00e9pendance. Les conditions sociales, les injustices et la r\u00e9pression sont au c\u0153ur de ce r\u00e9cit poignant de solidarit\u00e9 f\u00e9minine.<\/p>\n\n\n\n

Le 25 avril, \u2018\u2018Derri\u00e8re le soleil\u2019\u2019<\/em> de Dhia Jerbi nous invitera \u00e0 une qu\u00eate personnelle et intime, un film o\u00f9 le r\u00e9alisateur tunisien, exil\u00e9 en France, explore le lien familial et la transmission de l’h\u00e9ritage culturel. La projection sera accompagn\u00e9e d’une rencontre avec le r\u00e9alisateur.<\/p>\n\n\n\n

\u00c0 travers des documentaires et des fictions, la Tunisie s\u2019impose cette ann\u00e9e comme un pays de m\u00e9moire, o\u00f9 les questions de l\u2019ind\u00e9pendance, de la dictature et de la transition restent des sujets br\u00fblants.<\/p>\n\n\n\n

L\u2019Alg\u00e9rie : h\u00e9ritage colonial et m\u00e9moire des luttes<\/h2>\n\n\n\n

Aflam 2025 mettra \u00e9galement en lumi\u00e8re l\u2019Alg\u00e9rie, avec des films puissants qui revisitent les luttes et les m\u00e9moires du pays. \u2018\u2018Amsevrid (The Outlandish)\u2019\u2019<\/em> de Tahar Kessi, qui sera projet\u00e9 le 20 avril au Polygone \u00e9toil\u00e9, nous plongera au c\u0153ur de l\u2019arri\u00e8re-pays alg\u00e9rien et de ses fant\u00f4mes. \u00c0 travers le parcours de trois personnages \u00e0 diff\u00e9rentes \u00e9poques, ce film interroge la mani\u00e8re dont l\u2019histoire se tisse et se perp\u00e9tue \u00e0 travers la m\u00e9moire, la r\u00e9volte et la r\u00e9sistance.<\/p>\n\n\n\n

Le 23 avril, \u2018\u2018Fanon\u2019\u2019<\/em> d\u2019Abdenour Zahzah (qui sera projet\u00e9 au Mucem), nous plongera dans l\u2019Alg\u00e9rie colonis\u00e9e de 1953, avec Frantz Fanon, jeune psychiatre noir qui lutte contre l\u2019ali\u00e9nation culturelle des Alg\u00e9riens tout en \u00e9tant pris dans la tourmente de la guerre. Un film qui revient sur l’impact du colonialisme et l\u2019essor de la r\u00e9volution alg\u00e9rienne.<\/p>\n\n\n\n

\u00c0 travers ses films, l\u2019Alg\u00e9rie se fait t\u00e9moin de son pass\u00e9 et de ses luttes, et Aflam nous invite \u00e0 revisiter ses combats pour la libert\u00e9 et l\u2019\u00e9mancipation.<\/p>\n\n\n\n

Cartographies de la douleur et de l\u2019espoir<\/h2>\n\n\n\n

Le cin\u00e9ma arabe d\u2019aujourd\u2019hui, c\u2019est l\u2019histoire en marche, capt\u00e9e \u00e0 hauteur d\u2019homme et de femme. C\u2019est aussi la question lancinante de l\u2019exil, des appartenances mouvantes, du lien bris\u00e9 et r\u00e9invent\u00e9 avec la terre natale.<\/p>\n\n\n\n

Dans \u2018\u2018Les Miennes\u2019\u2019<\/em> de Samira El Mouzghibati, le d\u00e9racinement se d\u00e9cline au f\u00e9minin, tandis que \u2018\u2018The Roller, the Life, the Fight\u2019\u2019<\/em> d\u2019Elettra Bisogno et Hazem Alqaddi interrogera la lutte comme un mode d\u2019existence, tandis que \u2018\u20182G\u2019\u2019<\/em> de Karim Sayad nous plongera dans un voyage sensoriel en Libye, pays rarement capt\u00e9 par la cam\u00e9ra.<\/p>\n\n\n\n

Dans un monde o\u00f9 les r\u00e9volutions sont souvent trahies, le cin\u00e9ma syrien tentera de recomposer une m\u00e9moire disloqu\u00e9e. \u2018\u2018Chasing the Dazzling Light\u2019\u2019<\/em> et \u2018\u2018My Memory is Full of Ghosts\u2019\u2019<\/em>, qui seront projet\u00e9s au Mucem, t\u00e9moignent de ce passage fragile entre les t\u00e9n\u00e8bres du pass\u00e9 et la lueur incertaine de l\u2019avenir.<\/p>\n\n\n\n

Et alors que la Palestine br\u00fble sous les regards impuissants du monde, Aflam rappellera combien les images peuvent devenir des armes, des archives vivantes d\u2019une lutte que l\u2019on voudrait faire taire.<\/p>\n\n\n\n

L\u2019archive \u00e9claire le pr\u00e9sent : voir, entendre, comprendre<\/h2>\n\n\n\n

Le cycle Vives Archives, fil rouge du festival, interrogera la m\u00e9moire du cin\u00e9ma arabe, son rapport aux luttes pass\u00e9es et \u00e0 la construction des r\u00e9cits historiques. Les \u00e9coles de cin\u00e9ma de l\u2019Europe de l\u2019Est, qui ont form\u00e9 nombre de cin\u00e9astes arabes sous la guerre froide, seront explor\u00e9es, tout comme l\u2019h\u00e9ritage colonial \u00e0 l\u2019\u00e9cran, \u00e0 travers notamment une r\u00e9trospective d\u00e9di\u00e9e au cin\u00e9aste palestinien Kamal Aljafari.<\/p>\n\n\n\n

En parall\u00e8le, la Plateforme internationale de M\u00e9diation proposera deux journ\u00e9es de r\u00e9flexion sur la m\u00e9diation culturelle d\u00e9coloniale, entre balades urbaines, cin\u00e9-d\u00e9bats et rencontres-laboratoires.<\/p>\n\n\n\n

Car r\u00e9sister, c\u2019est aussi c\u00e9l\u00e9brer, Aflam s\u2019ouvrira \u00e0 la nuit avec deux grandes f\u00eates, o\u00f9 les rythmes d\u2019hier et d\u2019aujourd\u2019hui viendront prolonger les projections dans le tumulte de la danse. Entre concerts et DJ sets, la ville de Marseille r\u00e9sonnera des pulsations d\u2019un monde en mouvement, d\u2019une diaspora qui refuse l\u2019oubli.<\/p>\n\n\n\n

Avec 52 films, 30 invit\u00e9\u00b7es et 40 \u00e9v\u00e9nements, cette 12\u1d49 \u00e9dition d\u2019Aflam affirmera une fois encore que le cin\u00e9ma n\u2019est pas un simple divertissement, mais un outil de compr\u00e9hension du r\u00e9el, une passerelle entre les rives et les m\u00e9moires, un acte de r\u00e9sistance en soi.<\/p>\n\n\n\n

Dans un monde o\u00f9 l\u2019image est parfois vid\u00e9e de sens, ici, \u00e0 Marseille, chaque plan est un cri, chaque film un territoire \u00e0 d\u00e9fricher. Un festival comme un combat, une c\u00e9l\u00e9bration, une invitation \u00e0 voir autrement.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le festival Aflam 2025 \u00e0 Marseille sera comme une fen\u00eatre sur les r\u00e9volutions avort\u00e9es, les exils contraints et les h\u00e9ritages persistants. <\/p>\n","protected":false},"author":8,"featured_media":15990673,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[120904,121468,64,114737,10228,580,5141,818,121469,62643],"class_list":["post-15990627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-abdenour-zahzah","tag-aflam-2025","tag-algerie","tag-dhia-jerbi","tag-fatma-ben-saidane","tag-marseille","tag-moncef-dhouib","tag-selma-baccar","tag-tahar-kessi","tag-tunisie"],"yoast_head":"\nAflam 2025 | \u00c9crans d\u2019exil, miroirs de r\u00e9voltes - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/03\/27\/aflam-2025-ecrans-dexil-miroirs-de-revoltes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aflam 2025 | \u00c9crans d\u2019exil, miroirs de r\u00e9voltes - 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