{"id":16402107,"date":"2025-05-05T07:07:25","date_gmt":"2025-05-05T06:07:25","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=16402107"},"modified":"2025-05-05T07:07:27","modified_gmt":"2025-05-05T06:07:27","slug":"amazighes-la-splendeur-dun-peuple-libre-sexpose-a-marseille","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/05\/05\/amazighes-la-splendeur-dun-peuple-libre-sexpose-a-marseille\/","title":{"rendered":"Amazighes | La splendeur d\u2019un peuple libre s\u2019expose \u00e0 Marseille"},"content":{"rendered":"\n

Peuple des montagnes, des d\u00e9serts et des rivages, les Amazighes \u2014 Imazighen, \u00ables hommes libres\u00bb \u2014 portent une m\u00e9moire qui traverse les \u00e2ges et les fronti\u00e8res. Leur culture, fa\u00e7onn\u00e9e par les vents du Sahara, les neiges de l\u2019Atlas et les rives de la M\u00e9diterran\u00e9e, s\u2019\u00e9tend de l\u2019\u00c9gypte aux Canaries, du nord du Mali et du Niger aux confins de la Tunisie, de l\u2019Alg\u00e9rie et du Maroc. Elle est tiss\u00e9e de symboles, de gestes et de formes qui racontent l\u2019alliance intime entre l\u2019humain, la nature et le sacr\u00e9.<\/em><\/strong><\/p>\n\n\n\n

Djamal Guettala<\/strong>, \u00e0 Marseille.<\/em><\/p>\n\n\n\n\n\n\n\n

C\u2019est \u00e0 cette civilisation mill\u00e9naire que le Mucem de Marseille rend hommage avec l\u2019exposition \u2018\u2018Amazighes. Cycles, parures, motifs\u2019\u2019<\/em>, ouverte jusqu\u2019au 2 novembre 2025. 150 \u0153uvres \u2014 bijoux kabyles sertis de corail, c\u00e9ramiques marocaines, vanneries alg\u00e9riennes et tunisiennes, textiles sahariens et archives rares \u2014 dessinent une cartographie sensible de cette culture nord-africaine aux racines profondes.<\/p>\n\n\n\n

Dans l\u2019univers amazigh, chaque parure est un langage. Les bijoux ne sont pas de simples ornements : ils prot\u00e8gent, marquent l\u2019identit\u00e9, racontent l\u2019appartenance. Les c\u00e9ramiques, les tissages, les tatouages et les objets domestiques portent les m\u00eames motifs \u2014 spirales, losanges, cercles, \u00e9toiles \u2014 qui relient le corps, l\u2019espace domestique et le monde invisible. Ces signes sont les clefs d\u2019un \u00e9quilibre ancien entre l\u2019individu, la communaut\u00e9 et les forces de la nature.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Au c\u0153ur du parcours, une pi\u00e8ce embl\u00e9matique attire les regards : une fibule Tabzimt de Grande Kabylie (Alg\u00e9rie), en argent et corail, dat\u00e9e du d\u00e9but du XXe<\/sup> si\u00e8cle. Offerte par Jacqueline Terrer au Mucem, elle incarne la beaut\u00e9 et la puissance protectrice des parures f\u00e9minines amazighes. Par elle transitent m\u00e9moire, filiation et r\u00e9sistance. Sur la poitrine des femmes, ces fibules liaient le tissu autant qu\u2019elles scellaient la transmission d\u2019une identit\u00e9 libre et fi\u00e8re.<\/p>\n\n\n\n

\u00abLa culture amazighe est un monde o\u00f9 la femme est matrice et gardienne\u00bb<\/em>, souligne Salima Naji, commissaire de l\u2019exposition, architecte DPLG et docteure en anthropologie. Elle ajoute : \u00abSes gestes \u2014 qu\u2019ils soient ceux de la tisseuse, de la tatoueuse ou de la poti\u00e8re \u2014 sculptent le temps et prot\u00e8gent l\u2019\u00e9quilibre des seuils, entre l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur, entre le visible et l\u2019invisible.\u00bb<\/em><\/p>\n\n\n\n

Depuis l\u2019ouverture, le public r\u00e9pond avec ferveur. Ce dimanche, une file impressionnante serpentait le long des remparts du fort Saint-Jean. Visiteurs de tous horizons, familles, passionn\u00e9s d\u2019histoire et curieux se pressaient pour d\u00e9couvrir ces objets porteurs d\u2019\u00e9ternit\u00e9. Beaucoup retrouvaient dans les vitrines les \u00e9chos d\u2019une m\u00e9moire familiale ou les reflets d\u2019un patrimoine vivant.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

L\u2019exposition explore aussi les transmissions contemporaines. Car ces savoirs, ces motifs, ces gestes ne sont pas fig\u00e9s. \u00c0 travers la diaspora amazighe, ces symboles anciens circulent encore, nourrissent les arts actuels, inspirent les cr\u00e9ateurs, tissent des ponts entre pass\u00e9 et pr\u00e9sent.<\/p>\n\n\n\n

\u2018\u2018Cycles, parures, motifs\u2019\u2019<\/em> est plus qu\u2019une exposition : c\u2019est un hommage vibrant \u00e0 un peuple qui n\u2019a jamais cess\u00e9 d\u2019affirmer sa libert\u00e9, sa cr\u00e9ativit\u00e9 et sa place dans le monde.<\/p>\n","protected":false},"excerpt":{"rendered":"

Peuple des montagnes, des d\u00e9serts et des rivages, les Amazighes \u2014 Imazighen, \u00ables hommes libres\u00bb \u2014 portent une m\u00e9moire qui traverse les \u00e2ges et les fronti\u00e8res. <\/p>\n","protected":false},"author":8,"featured_media":16402110,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[64,122083,122085,577,580,117845,122082,122084,62643],"class_list":["post-16402107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-algerie","tag-amazighes","tag-bijoux-kabyles","tag-maroc","tag-marseille","tag-mucem","tag-salima-naji","tag-tatouages","tag-tunisie"],"yoast_head":"\nAmazighes | La splendeur d\u2019un peuple libre s\u2019expose \u00e0 Marseille - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/05\/05\/amazighes-la-splendeur-dun-peuple-libre-sexpose-a-marseille\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amazighes | La splendeur d\u2019un peuple libre s\u2019expose \u00e0 Marseille - 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