{"id":16572950,"date":"2025-05-18T12:56:37","date_gmt":"2025-05-18T11:56:37","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=16572950"},"modified":"2025-05-18T13:03:14","modified_gmt":"2025-05-18T12:03:14","slug":"promis-le-ciel-derige-sehiri-ou-la-chasse-des-demons","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/05\/18\/promis-le-ciel-derige-sehiri-ou-la-chasse-des-demons\/","title":{"rendered":"\u2018\u2018Promis le ciel\u2019\u2019 d\u2019Erige S\u00e9hiri\u00a0ou la chasse des d\u00e9mons"},"content":{"rendered":"\n

\u2018\u2018Promis le ciel\u2019\u2019, le dernier film de la r\u00e9alisatrice franco-tunisienne Erige Sehiri, pr\u00e9sent\u00e9 \u00e0 la 7e \u00e9dition du Festival de Cannes (13-24 mai 2025), dans la section <\/em><\/strong>Un Certain Regard, offre un portrait puissant et rare de trois migrantes qui peinent \u00e0 joindre les deux bouts en Tunisie.<\/em><\/strong><\/p>\n\n\n\n

Latif Belhedi<\/strong><\/p>\n\n\n\n\n\n\n\n

Sehiri, ancienne journaliste d\u2019investigation, affirme qu\u2019il \u00e9tait important de porter \u00e0 l\u2019\u00e9cran des histoires de femmes. \u00abOn entend souvent des histoires de migration \u00e0 travers le regard des hommes, et non celui des femmes\u00bb<\/em>, a-t-elle d\u00e9clar\u00e9 \u00e0 Sophie Torlotin de RFI apr\u00e8s la projection en avant-premi\u00e8re \u00e0 Cannes.<\/p>\n\n\n\n

\u00abOn parle aussi beaucoup de la migration de l\u2019Afrique vers l\u2019Europe. Mais (…) 80 % de cette migration reste en Afrique. J\u2019ai trouv\u00e9 que cela offrait un contexte tr\u00e8s puissant pour renverser un peu le r\u00e9cit\u00bb<\/em>, a-t-elle ajout\u00e9.<\/p>\n\n\n\n

Il est int\u00e9ressant de noter que la cin\u00e9aste a observ\u00e9 que les Tunisiens appellent les migrants d\u2019Afrique subsaharienne \u00abAfricains\u00bb<\/em>, ce qui d\u00e9note une s\u00e9paration entre l\u2019Afrique du Nord et l\u2019Afrique du Sud du Sahara \u00abcomme s\u2019ils ne faisaient pas partie du m\u00eame continent\u00bb<\/em>, dit-elle en riant.<\/p>\n\n\n\n

M\u00ealant style documentaire et fiction, Sehiri tisse avec soin une image de la soci\u00e9t\u00e9 tunisienne moderne loin des images habituellement v\u00e9hicul\u00e9es par la presse.<\/p>\n\n\n

\n
\"\"
Erige Sehiri. Ph. Maya Zardi.. <\/figcaption><\/figure>\n<\/div>\n\n\n

Le sc\u00e9nario : <\/strong>Marie est une Ivoirienne de 40 ans install\u00e9e en Tunisie depuis une dizaine d\u2019ann\u00e9es. Elle partage sa vie entre son m\u00e9tier de journaliste et sa vocation de pasteur \u00e9vang\u00e9liste. Moderne et engag\u00e9e, elle accueille chez elle des femmes dont la situation est fragile. Comme Nan\u00e9, une jeune maman dont le passeport a \u00e9t\u00e9 confisqu\u00e9 par son employeuse, et Jolie, une artiste prometteuse en situation pr\u00e9caire, dont le p\u00e8re ordonne le retour en C\u00f4te d’Ivoire.<\/p>\n\n\n\n

Quand les trois femmes recueillent Kenza, 4 ans, rescap\u00e9e d\u2019un naufrage, leur refuge se transforme en famille recompos\u00e9e tendre mais intranquille dans un climat social de plus en plus pr\u00e9occupant.<\/p>\n\n\n\n

Le film raconte les aventures de ce trio d\u00e9tonnant riche de roublardise, inventivit\u00e9 et humour. Mais les r\u00e9centes tensions entre les Subsahariens, les Tunisiens et la police vont venir bouleverser cet \u00e9quilibre pr\u00e9caire. Elles vont devoir faire des choix.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

La distribution :<\/strong> A\u00efssa Ma\u00efga, Debora Lobe Naney, Laetitia Ky, Estelle Kenza Dobgo et Mohamed Graya\u00e2.<\/p>\n\n\n\n

La critique :<\/strong> \u00abApr\u00e8s \u2018\u2018Sous les figuiers\u2019\u2019, son long m\u00e9trage pr\u00e9c\u00e9dent dans lequel elle proposait une peinture pleine de finesse et de po\u00e9sie de la soci\u00e9t\u00e9 tunisienne, Erige Sehiri revient \u00e0 la charge. Elle se positionne dans les sph\u00e8res les plus \u00e9lev\u00e9es du cin\u00e9ma mondial, avec un film qui jette un autre regard sur cette soci\u00e9t\u00e9 en impasse\u00bb<\/em>, note le critique Hassouna Mansouri dans Africin\u00e9<\/a>. Il ajoute : \u00abComme entr\u00e9e en mati\u00e8re, cette fois-ci, elle a choisi l\u2019angle de la migration, une question qui tourmente son pays d\u2019origine, mais aussi l\u2019actualit\u00e9 mondiale. Dans ce nouveau film, Erige Sehiri part \u00e0 la chasse des d\u00e9mons qui se r\u00e9veillent dans une r\u00e9alit\u00e9 o\u00f9 la vie a des allures de cauchemar.\u00bb<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Dans son nouveau film \u2018\u2018Promis le ciel\u2019\u2019, la r\u00e9alisatrice franco-tunisienne Erige S\u00e9hiri met la soci\u00e9t\u00e9 tunisienne face \u00e0 ses d\u00e9mons en lien avec l’\u00e9migration. \u00a0<\/p>\n","protected":false},"author":8,"featured_media":16572966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[8124,122365,122369,122364,122368,14733,122370,122366,3145,122367,122363],"class_list":["post-16572950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-afrique-subsaharienne","tag-aissa-maiga","tag-debora-lobe-naney","tag-erige-sehiri-2","tag-estelle-kenza-dobgo","tag-festival-de-cannes","tag-hassouna-mansouri","tag-laetitia-ky","tag-migrants","tag-mohamed-grayaa-2","tag-promis-le-ciel"],"yoast_head":"\n\u2018\u2018Promis le ciel\u2019\u2019 d\u2019Erige S\u00e9hiri\u00a0ou la chasse des d\u00e9mons - 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