{"id":16603670,"date":"2025-05-25T06:45:41","date_gmt":"2025-05-25T05:45:41","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=16603670"},"modified":"2025-05-25T07:22:51","modified_gmt":"2025-05-25T06:22:51","slug":"cannes-2025-gaza-tunis-et-teheran-a-lhonneur","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/05\/25\/cannes-2025-gaza-tunis-et-teheran-a-lhonneur\/","title":{"rendered":"Cannes 2025 : Gaza, Tunis et T\u00e9h\u00e9ran \u00e0 l\u2019honneur"},"content":{"rendered":"\n

Le Festival de Cannes 2025 a marqu\u00e9 un tournant en mettant en lumi\u00e8re des voix issues des marges g\u00e9ographiques et politiques du monde : Gaza, la banlieue fran\u00e7aise incarn\u00e9e par une cin\u00e9aste franco-tunisienne et l\u2019Iran. Trois \u0153uvres majeures ont \u00e9t\u00e9 distingu\u00e9es, incarnant un cin\u00e9ma engag\u00e9, visc\u00e9ral et universel.<\/em><\/strong><\/p>\n\n\n\n

Djamal Guettala<\/strong><\/p>\n\n\n\n\n\n\n\n

Le Prix de la mise en sc\u00e8ne dans la section Un Certain Regard<\/em> est revenu aux fr\u00e8res Arab et Tarzan Nasser pour \u2018\u2018Once Upon a Time in Gaza\u2019\u2019<\/em>, une fresque poignante sur la jeunesse gazaouie. Le Prix d\u2019interpr\u00e9tation f\u00e9minine, dans la comp\u00e9tition officielle, a couronn\u00e9 Nadia Melliti pour son r\u00f4le dans \u2018\u2018La Petite Derni\u00e8re\u2019\u2019<\/em> de la r\u00e9alisatrice franco-tunisienne Hafsia Herzi, tandis que le Prix du Jury a \u00e9t\u00e9 attribu\u00e9 au cin\u00e9aste iranien Jafar Panahi pour \u2018\u2018Un simple accident\u2019\u2019<\/em>.<\/p>\n\n\n

\n
\"\"
Arab et Tarzan Nasser.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Gaza en lutte, sous l\u2019\u0153il des fr\u00e8res Nasser<\/h2>\n\n\n\n

Dans \u2018\u2018Once Upon a Time in Gaza\u2019\u2019<\/em>, Arab et Tarzan Nasser plongent dans l\u2019intimit\u00e9 de deux jeunes hommes pris dans la violence et l\u2019\u00e9touffement du blocus impos\u00e9 par Isra\u00ebl aux Palestiniens de Gaza. La mise en sc\u00e8ne, sobre et puissante, capte l\u2019\u00e9nergie d\u2019une jeunesse en d\u00e9sespoir de cause. Le jury a salu\u00e9 une \u0153uvre \u00abprofond\u00e9ment humaine et politiquement audacieuse\u00bb<\/em>.<\/p>\n\n\n

\n
\"\"
Hafsia Herzi et<\/em> <\/em><\/strong>Nadia Melliti.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

R\u00e9v\u00e9lation d\u2019une actrice franco-tunisienne<\/h2>\n\n\n\n

Avec \u2018\u2018La Petite Derni\u00e8re\u2019\u2019<\/em>, Hafsia Herzi signe un drame social \u00e0 hauteur d\u2019adolescente. Nadia Melliti y incarne Amel, jeune fille de banlieue tiraill\u00e9e entre traditions familiales et d\u00e9sir d\u2019\u00e9mancipation. Sa prestation, salu\u00e9e comme \u00abauthentique et vibrante\u00bb<\/em>, lui vaut le prestigieux prix d\u2019interpr\u00e9tation. Une cons\u00e9cration pour cette actrice aux racines tunisiennes, qui fait une entr\u00e9e remarqu\u00e9e dans le paysage cin\u00e9matographique international.<\/p>\n\n\n

\n
\"\"
\u2018\u2018Un simple accident\u2019\u2019 de Jaafar Panahi.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Panahi, la voix de l\u2019Iran b\u00e2illonn\u00e9<\/h2>\n\n\n\n

Assign\u00e9 \u00e0 r\u00e9sidence, priv\u00e9 de passeport, Jafar Panahi continue de filmer envers et contre tout. \u2018\u2018Un simple accident\u2019\u2019<\/em> est un film \u00e0 la fois introspectif et politique, tourn\u00e9 dans la clandestinit\u00e9, o\u00f9 le r\u00e9alisateur questionne son r\u00f4le dans une soci\u00e9t\u00e9 verrouill\u00e9e. Le jury a tenu \u00e0 saluer \u00able courage et la r\u00e9silience d\u2019un auteur majeur du cin\u00e9ma contemporain\u00bb<\/em>.<\/p>\n\n\n\n

Entre Gaza, Tunis et T\u00e9h\u00e9ran, le Festival de Cannes 2025 a clairement affich\u00e9 sa volont\u00e9 de faire entendre les voix des peuples qui r\u00e9sistent. Le cin\u00e9ma y est apparu plus que jamais comme un espace de libert\u00e9, de t\u00e9moignage et de v\u00e9rit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Gaza, la banlieue fran\u00e7aise incarn\u00e9e par une cin\u00e9aste franco-tunisienne et l\u2019Iran \u00e0 l’honneur au Festival de Cannes 2025. <\/p>\n","protected":false},"author":8,"featured_media":16603723,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[122519,2444,64821,122518,122517,12020,64491],"class_list":["post-16603670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-arab-et-tarzan-nasser","tag-gaza","tag-hafsia-herzi","tag-jafar-panahi","tag-nadia-melliti","tag-teheran","tag-tunis"],"yoast_head":"\nCannes 2025 : Gaza, Tunis et T\u00e9h\u00e9ran \u00e0 l\u2019honneur - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/05\/25\/cannes-2025-gaza-tunis-et-teheran-a-lhonneur\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2025 : Gaza, Tunis et T\u00e9h\u00e9ran \u00e0 l\u2019honneur - 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