{"id":16634450,"date":"2025-05-29T08:59:45","date_gmt":"2025-05-29T07:59:45","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=16634450"},"modified":"2025-05-29T08:59:46","modified_gmt":"2025-05-29T07:59:46","slug":"salma-mejri-cartographie-lame-contemporaine","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/05\/29\/salma-mejri-cartographie-lame-contemporaine\/","title":{"rendered":"Salma Mejri cartographie l\u2019\u00e2me contemporaine"},"content":{"rendered":"\n

Il est des \u0153uvres qui ne se contentent pas d\u2019\u00eatre regard\u00e9es : elles vous regardent en retour. Le tableau \u2018\u2018Camarilla \u2019\u2019 (Acrylique\/Carton r\u00e9cup\u00e9r\u00e9 94×74 cm) de l\u2019artiste tunisienne Salma Mejri ** appartient \u00e0 cette cat\u00e9gorie rare. Derri\u00e8re ses couleurs \u00e9clatantes et ses formes ludiques, il cache une v\u00e9ritable architecture psychique, une cartographie intime de l\u2019\u00e2me humaine. <\/em><\/strong><\/p>\n\n\n\n

Manel Albouchi<\/strong> *<\/p>\n\n\n\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Mais que veut dire \u2018\u2018Camarilla\u2019\u2019<\/em> ? Historiquement, ce terme d\u00e9signait une coterie secr\u00e8te, un cercle de pouvoir qui influence depuis l\u2019ombre. Chez Salma Mejri, le mot prend une autre dimension : il devient le nom d\u2019un gouvernement int\u00e9rieur, une all\u00e9gorie des forces invisibles qui nous gouvernent de l\u2019int\u00e9rieur. C\u2019est un th\u00e9\u00e2tre muet o\u00f9 dialoguent nos pulsions, nos peurs, nos \u00e9lans et nos masques.  <\/p>\n\n\n\n

Une esth\u00e9tique de la multiplicit\u00e9 <\/h2>\n\n\n\n

La toile regorge de visages morcel\u00e9s, d\u2019\u00eatres hybrides, de fragments d\u2019identit\u00e9 qui se croisent, s\u2019observent, parfois s\u2019ignorent. On y voit des yeux partout, comme si chaque parcelle de la toile \u00e9tait dou\u00e9e de conscience. Le regard est partout, mais le centre est introuvable. Ce n\u2019est pas un chaos : c\u2019est un syst\u00e8me. Un syst\u00e8me \u00e9motionnel. <\/p>\n\n\n\n

Les couleurs vives\u202f: vert, rouge, bleu, jaune ne sont pas l\u00e0 pour s\u00e9duire. Elles symbolisent les \u00e9nergies vitales. Le noir, loin d\u2019\u00eatre un vide, sert de contour, de lien, de structure. Salma Mejri ne peint pas un monde, elle peint des mondes en interaction. <\/p>\n\n\n\n

Le Moi \u00e9clat\u00e9 <\/h2>\n\n\n\n

Ce tableau pourrait se lire comme une s\u00e9ance d\u2019analyse silencieuse. Il met en sc\u00e8ne ce que Carl Jung appelait le Soi en devenir : un Moi travers\u00e9 de forces contradictoires, en perp\u00e9tuel mouvement. Ici, chaque figure repr\u00e9sente un complexe psychique\u202f: un fragment de personnalit\u00e9, un masque social, une m\u00e9moire enfouie. <\/p>\n\n\n\n

Camarilla devient alors une table d\u2019\u00e9meraude contemporaine o\u00f9 la douleur c\u00f4toie la beaut\u00e9, o\u00f9 l\u2019enfant int\u00e9rieur dialogue avec la femme adulte, o\u00f9 le visible masque l\u2019invisible.  <\/p>\n\n\n\n

Un miroir pour le spectateur  <\/h2>\n\n\n\n

Ce qui frappe chez Salma Mejri, c\u2019est sa capacit\u00e9 \u00e0 inclure le regard de l\u2019autre dans son \u0153uvre. Le spectateur ne reste pas passif : il est happ\u00e9, impliqu\u00e9, interrog\u00e9. Qui sont ces figures qui nous scrutent ? Que disent-elles de nous ? Chacun y voit un peu de soi. La peur, le d\u00e9sir, la honte, la joie, tout y est, sans hi\u00e9rarchie. <\/p>\n\n\n\n

Dans un monde satur\u00e9 d\u2019images jetables, cette \u0153uvre demande un regard habit\u00e9, un regard lent. C\u2019est une invitation \u00e0 plonger en soi. <\/p>\n\n\n\n

La maturit\u00e9 artistique  <\/h2>\n\n\n\n

\u0130ci, l\u2019artiste ne cherche pas \u00e0 plaire mais \u00e0 dire\u2026 \u00e0 r\u00e9v\u00e9ler. Entre l\u2019art et la psychologie, entre l\u2019intime et le politique, elle construit une \u0153uvre \u00e0 la fois lisible et myst\u00e9rieuse, s\u00e9duisante et d\u00e9rangeante. Elle peint l\u2019entre-deux\u202f: l\u2019ind\u00e9cidable-l\u2019indicible. <\/p>\n\n\n\n

En cela, Mejri appartient \u00e0 cette lign\u00e9e d\u2019artistes qui transforment leurs toiles en espaces. Camarilla est un passage, un miroir o\u00f9 chacun peut reconna\u00eetre ses propres conflits int\u00e9rieurs. <\/p>\n\n\n\n

Une \u0153uvre-totem pour notre \u00e9poque <\/h2>\n\n\n\n

 \u00c0 l\u2019heure o\u00f9 l\u2019identit\u00e9 devient un enjeu social, politique, et parfois marchand, l\u2019\u0153uvre de Salma Mejri nous rappelle une v\u00e9rit\u00e9 oubli\u00e9e : nous sommes multiples. En nous cohabitent des figures oppos\u00e9es, des voix silencieuses, des masques protecteurs. Ce tableau en t\u00e9moigne avec une sensibilit\u00e9 rare. <\/p>\n\n\n\n

\u2018\u2018Camarilla\u2019\u2019<\/em> n\u2019est pas seulement un tableau. C\u2019est une sc\u00e8ne int\u00e9rieure, un conseil secret, une cartographie de l\u2019\u00e2me contemporaine.<\/p>\n\n\n\n

* Psychoth\u00e9rapeute et psychanalyste.   <\/em><\/p>\n\n\n\n

** Artiste visuelle multidisciplinaire, dipl\u00f4m\u00e9e en design industriel (EAD 2002), qui expose r\u00e9guli\u00e8rement en Tunisie et \u00e0 l\u2019\u00e9tranger. Elle expose actuellement avec le groupe Narration Immersive du 27 mai au 9 juin 2025 \u00e0 El Teatro-Aire libre.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018\u2018Camarilla\u2019\u2019 de Selma Mejri n\u2019est pas seulement un tableau. C\u2019est une sc\u00e8ne int\u00e9rieure, un conseil secret, une cartographie de l\u2019\u00e2me contemporaine.<\/p>\n","protected":false},"author":8,"featured_media":16634458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[122600,120262,122601],"class_list":["post-16634450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-gouvernement-interieur","tag-manel-albouchi","tag-salma-mejri"],"yoast_head":"\nSalma Mejri cartographie l\u2019\u00e2me contemporaine - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/05\/29\/salma-mejri-cartographie-lame-contemporaine\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Salma Mejri cartographie l\u2019\u00e2me contemporaine - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"\u2018\u2018Camarilla\u2019\u2019 de Selma Mejri n\u2019est pas seulement un tableau. 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