{"id":170040,"date":"2018-08-19T14:19:06","date_gmt":"2018-08-19T13:19:06","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=170040"},"modified":"2018-08-19T14:19:37","modified_gmt":"2018-08-19T13:19:37","slug":"les-24-parfums-cloturent-en-apotheose-le-festival-de-carthage","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2018\/08\/19\/les-24-parfums-cloturent-en-apotheose-le-festival-de-carthage\/","title":{"rendered":"\u2018\u2018Les 24 parfums\u2019\u2019 cl\u00f4turent en apoth\u00e9ose le Festival de Carthage"},"content":{"rendered":"

\"\"<\/p>\n

La 54e \u00e9dition du Festival international de Carthage a \u00e9t\u00e9 cl\u00f4tur\u00e9e vendredi 17 ao\u00fbt 2018 avec \u2018\u2018Les 24 parfums\u2019\u2019, une nouvelle cr\u00e9ation orchestrale de Mohamed Ali Kammoun, compositeur, arrangeur et pianiste, qui \u00e9tait accompagn\u00e9 de l\u2019Orchestre et Ch\u0153ur de l\u2019Op\u00e9ra de Tunis dirig\u00e9 par Mohamed Bouslama et d\u2019une s\u00e9lection de 60 artistes des r\u00e9gions tunisiennes.<\/strong> <\/em><\/p>\n

<\/p>\n

Ce spectacle grandiose est l\u2019aboutissement d\u2019un long travail d\u2019investigation et de recherche musicale men\u00e9 par musicien dans le cadre de r\u00e9sidences de cr\u00e9ation dans les 24 gouvernorats du pays. Agenc\u00e9s en 6 suites, chacune portant les couleurs d\u2019une r\u00e9gion.<\/p>\n

Un p\u00e9riple musical et artistique \u00e0 travers les r\u00e9gions<\/h3>\n

Sur le plan sc\u00e9nographique, le spectacle est accompagn\u00e9 de projections de dessins du peintre et designer graphique Raouf Karray qui fusionnent avec l\u2019esprit de chacune des suites en lui conf\u00e9rant du volume visuel en guise d\u2019all\u00e9gorie. Des dessins qui font partie int\u00e9grante du spectacle et qui refl\u00e8tent elles aussi la richesse et la diversit\u00e9 de notre patrimoine national, marqu\u00e9 par les emprunts et les brassages avec d\u2019autres cultures proches et lointaines.<\/p>\n

Les \u0153uvres du spectacle parlent toutes d\u2019amour, et dressent au final un portrait sonore et visuel, authentique et contemporain, de la femme tunisienne : un p\u00e9riple national parfum\u00e9, hommage \u00e0 toutes les r\u00e9gions.<\/p>\n

\"\"<\/p>\n

L\u2019\u0153uvre musicale de Mohamed Ali Kammoun est magistrale dans la mesure o\u00f9 elle traite du patrimoine musical tunisien dans sa globalit\u00e9 en retra\u00e7ant les chemins aujourd\u2019hui invisibles de la transhumance qui ont permis aux chants de circuler d\u2019un endroit \u00e0 un autre en puisant \u00e0 chaque halte de nouvelles modalit\u00e9s, de nouveaux airs offrant au final des tableaux singuliers sur une trame commune qui n\u2019est la culture que la culture berbero-arabe.<\/p>\n

L\u2019\u00e2me d\u2019un peuple chantant et dansant ses maux et ses joies<\/h3>\n

Les \u0153uvres pr\u00e9sent\u00e9es dans ce spectacle repr\u00e9sentent nos villes et villages. Elles sont \u00e9videmment diff\u00e9rentes. Mais elles ont en commun l\u2019\u00e2me de ce peuple qui sait dire en chants et en danses ses maux et ses joies, avec des rythmiques qui font du bien \u00e0 nos \u00e2mes.<\/p>\n

Mohamed Ali Kammoun a r\u00e9ussi \u00e0 utiliser les mat\u00e9riaux d\u00e9licats de notre patrimoine musical pour en extraire l\u2019essence m\u00eame avant de les restituer sous des formes tr\u00e8s \u00e9labor\u00e9es et tr\u00e8s contemporaines en leur offrant des ailes pour voyager au-del\u00e0 les fronti\u00e8res en tant qu\u2019\u0153uvres universelles.<\/p>\n

\u2018\u2018Les 24 parfums\u2019\u2019,<\/em> spectacle qui traverse la Tunisie de Sicca Veneria \u00e0 Nefta et de Kerkennah \u00e0 Mazzouna, impose le respect \u00e0 plus d\u2019un titre. Il a d\u2019abord restitu\u00e9 la noblesse de la po\u00e9sie populaire et du chant b\u00e9douin tunisien. Il a ensuite permis au public de d\u00e9couvrir l\u2019\u00e9tendue et richesse de ce patrimoine musical. Il a enfin d\u00e9montr\u00e9 que les cultures ont de tout temps constitu\u00e9 des bassins versants qui s\u2019auto-alimentent dans une synergie tout \u00e0 fait naturelle prouvant si besoin est que les fronti\u00e8res n\u2019existent pas dans la culture.<\/p>\n

\"\"<\/p>\n

Cet imaginaire riche grav\u00e9 dans le palimpseste de l\u2019identit\u00e9<\/h3>\n

Mohamed Ali Kammoun nous a retranscrit ce qui a \u00e9t\u00e9 grav\u00e9 dans le palimpseste de notre identit\u00e9 mais en y ajoutant sa touche de cr\u00e9ateur qui a conf\u00e9r\u00e9 \u00e0 l\u2019\u0153uvre une dimension toute particuli\u00e8re qui va permettre aux chants profonds de la Tunisie de poursuivre leur voyage \u00e0 travers le temps en s\u2019adaptant \u00e0 chaque \u00e9poque sans perdition ni d\u00e9formation.<\/p>\n

C\u2019est une ode \u00e0 la Tunisie plurielle que le musicien a rendu \u00e0 travers son travail. Il le sait bien, il en est fier c\u2019est pourquoi d\u2019ailleurs il a dans\u00e9 et chant\u00e9 ce soir-l\u00e0 en admiration aussi aux chanteurs, musiciens et danseurs participant \u00e0 ce spectacle avec la complicit\u00e9 du maestro Mohamed Bouslama, qui dirigeait avec rigueur et grande finesse l\u2019Orchestre et Ch\u0153ur de l\u2019Op\u00e9ra de Tunis.<\/p>\n

\u2018\u2018Rit Ennejma\u2019\u2019, \u2018\u2018Hbib Khatri\u2019\u2019, \u2018\u2018Chiya Chiya\u2019\u2019, \u2018\u2018Sidi Boujaafer\u2019\u2019, \u2018\u2018Koulou Li Om Ezzin\u2019\u2019<\/em> sont autant d\u2019\u0153uvres ma\u00eetresse qui ont \u00e9veill\u00e9 notre m\u00e9moire collective ternie par des ann\u00e9es de matraquage d\u2019uniformisation.<\/p>\n

De la musique propre, sans artifices ni vernis. Du pur plaisir musical et visuel. Pour un spectacle de cl\u00f4ture, ce fut un r\u00e9gal.<\/p>\n

Source<\/strong><\/em> : communiqu\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

La 54e \u00e9dition du Festival international de Carthage a \u00e9t\u00e9 cl\u00f4tur\u00e9e vendredi 17 ao\u00fbt 2018 avec \u2018\u2018Les 24 parfums\u2019\u2019, une nouvelle cr\u00e9ation orchestrale de Mohamed Ali Kammoun, compositeur, arrangeur et pianiste, qui \u00e9tait accompagn\u00e9 de l\u2019Orchestre et Ch\u0153ur de l\u2019Op\u00e9ra de Tunis dirig\u00e9 par Mohamed Bouslama et d\u2019une s\u00e9lection de 60 artistes des r\u00e9gions tunisiennes.<\/p>\n","protected":false},"author":8,"featured_media":170043,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[994,2433],"tags":[2616],"class_list":["post-170040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-tunisie","tag-festival-international-de-carthage"],"yoast_head":"\n\u2018\u2018Les 24 parfums\u2019\u2019 cl\u00f4turent en apoth\u00e9ose le Festival de Carthage - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2018\/08\/19\/les-24-parfums-cloturent-en-apotheose-le-festival-de-carthage\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018\u2018Les 24 parfums\u2019\u2019 cl\u00f4turent en apoth\u00e9ose le Festival de Carthage - 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