{"id":17372532,"date":"2025-09-02T07:43:07","date_gmt":"2025-09-02T06:43:07","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=17372532"},"modified":"2025-09-02T07:43:09","modified_gmt":"2025-09-02T06:43:09","slug":"dames-de-fraises-doigts-de-fee-quand-la-bd-donne-voix-aux-invisibles","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/09\/02\/dames-de-fraises-doigts-de-fee-quand-la-bd-donne-voix-aux-invisibles\/","title":{"rendered":"\u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019 | Quand la BD donne voix aux invisibles"},"content":{"rendered":"\n

La bande dessin\u00e9e d\u2019Annelise Verdier, \u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019<\/em>, adapt\u00e9e de l\u2019enqu\u00eate de Chadia Arab, ne se contente pas de retracer un parcours migratoire saisonnier : elle ouvre une fen\u00eatre sur un monde souvent ignor\u00e9.<\/em><\/strong><\/p>\n\n\n\n

Djamal Guettala<\/strong><\/p>\n\n\n\n\n\n\n\n

Farida, Nadia et Najet ne sont pas des h\u00e9ro\u00efnes au sens classique du terme; ce sont des femmes ordinaires confront\u00e9es \u00e0 l\u2019extr\u00eame pr\u00e9carit\u00e9, au travail harassant et aux humiliations quotidiennes dans les serres de Huelva, en Espagne. Chaque saison, elles quittent le Maroc, laissant derri\u00e8re elles enfants, maisons et souvenirs, pour s\u2019exposer \u00e0 une r\u00e9alit\u00e9 o\u00f9 la n\u00e9cessit\u00e9 prime sur le choix.<\/p>\n\n\n\n

Le r\u00e9cit visuel restitue avec force et sensibilit\u00e9 la douleur physique et psychologique de ces journ\u00e9es interminables, accroupies sous la chaleur, les mains dans la terre et les pesticides. Mais il montre aussi la solidarit\u00e9 et l\u2019entraide qui naissent dans l\u2019adversit\u00e9. Solidarit\u00e9, sororit\u00e9, entraide : c\u2019est dans ces gestes simples mais essentiels que r\u00e9side leur r\u00e9sistance. Chaque planche, chaque expression traduit \u00e0 la fois l\u2019\u00e9puisement et la dignit\u00e9, la vuln\u00e9rabilit\u00e9 et la force, offrant au lecteur une immersion profonde dans un quotidien souvent invisible.<\/p>\n\n\n\n

Verdier transforme des statistiques et des constats abstraits en visages et en histoires concr\u00e8tes. Les \u00abdames de fraises\u00bb<\/em> deviennent des figures humaines, tangibles, avec leurs r\u00eaves, leurs absences et leurs sacrifices. Son travail graphique restitue la complexit\u00e9 d\u2019une exploitation profond\u00e9ment ancr\u00e9e dans des syst\u00e8mes \u00e9conomiques mondialis\u00e9s, tout en donnant vie \u00e0 une sororit\u00e9 qui se tisse dans la lutte et la survie.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

La pr\u00e9face de Chadia Arab souligne que ces r\u00e9cits s\u2019ancrent dans une recherche rigoureuse, offrant \u00e0 la bande dessin\u00e9e un double niveau de lecture : documentaire et artistique. Le choix de la BD n\u2019est pas anodin : par le dessin, la narration et la couleur, Verdier restitue la r\u00e9alit\u00e9 des femmes avec une imm\u00e9diatet\u00e9 et une sensibilit\u00e9 que le texte seul ne pourrait atteindre.<\/p>\n\n\n\n

L\u2019ouvrage \u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019<\/em>, de la g\u00e9ographe marocaine et chercheuse au CNRS Chadia Arab, est ainsi pass\u00e9 de pages en planches (122 pages en couleurs). Publi\u00e9e le 22 ao\u00fbt en France, la bande dessin\u00e9e, actuellement en librairies, reverra le jour au Maroc.<\/p>\n\n\n\n

Au-del\u00e0 de son aspect documentaire, ce graphic novel<\/em> est une le\u00e7on de regard et d\u2019humanit\u00e9. Il rappelle que derri\u00e8re chaque main agile et chaque geste pr\u00e9cis se cache une histoire de sacrifices, d\u2019absences et de r\u00e9silience. Il interroge notre rapport au travail invisible, \u00e0 l\u2019exploitation et \u00e0 ces voix que le monde globalis\u00e9 pr\u00e9f\u00e8re \u00e9touffer. Dames de fraises, doigts de f\u00e9e est une \u0153uvre engag\u00e9e, sensible et n\u00e9cessaire, qui redonne dignit\u00e9 \u00e0 celles que l\u2019on ne voit jamais.<\/p>\n\n\n\n

 Djamal Port\u00e9 par les maisons d’\u00e9dition fran\u00e7aise Alifbata<\/em> et marocaine En toutes lettres<\/em>, dans le cadre du programme \u201cLivres des deux rives\u2019\u2019<\/em> initi\u00e9 par l\u2019Institut fran\u00e7ais, ce projet a \u00e9t\u00e9 r\u00e9alis\u00e9 par la graphiste fran\u00e7aise Annelise Verdier.<\/p>\n","protected":false},"excerpt":{"rendered":"

La bande dessin\u00e9e d\u2019Annelise Verdier, \u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019, adapt\u00e9e de l\u2019enqu\u00eate de Chadia Arab. <\/p>\n","protected":false},"author":8,"featured_media":17372560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[124340,3050,124338,341,124339,577],"class_list":["post-17372532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-annelise-verdier","tag-bande-dessinee","tag-chadia-arab","tag-espagne","tag-huelva","tag-maroc"],"yoast_head":"\n\u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019 | Quand la BD donne voix aux invisibles - Kapitalis<\/title>\n<meta name=\"description\" content=\"La bande dessin\u00e9e d\u2019Annelise Verdier, \u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019, adapt\u00e9e de l\u2019enqu\u00eate de Chadia Arab.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/09\/02\/dames-de-fraises-doigts-de-fee-quand-la-bd-donne-voix-aux-invisibles\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018\u2018Dames de fraises, doigts de f\u00e9e\u2019\u2019 | Quand la BD donne voix aux invisibles - 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