{"id":17605218,"date":"2025-10-05T08:10:50","date_gmt":"2025-10-05T07:10:50","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=17605218"},"modified":"2025-10-05T08:11:38","modified_gmt":"2025-10-05T07:11:38","slug":"resonances-et-des-contrastes-de-rachid-boudjedra-et-milan-kundera","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/10\/05\/resonances-et-des-contrastes-de-rachid-boudjedra-et-milan-kundera\/","title":{"rendered":"R\u00e9sonances et contrastes de Rachid Boudjedra et Milan Kundera"},"content":{"rendered":"\n

Que peuvent se dire un \u00e9crivain alg\u00e9rien et un \u00e9crivain tch\u00e8que ? \u00c0 premi\u00e8re vue, rien. Rachid Boudjedra et Milan Kundera viennent de mondes tr\u00e8s diff\u00e9rents, culturellement, linguistiquement et historiquement. Pourtant, Rym Kheriji, dans \u2018\u2018Rachid Boudjedra et Milan Kundera : Lectures \u00e0 corps ouvert\u2019\u2019, montre que leurs \u0153uvres partagent une \u00e9nergie commune : une \u00e9criture subversive, ironique, et profond\u00e9ment r\u00e9flexive, o\u00f9 se m\u00ealent d\u00e9mystification du monde et questionnement des certitudes humaines.<\/em><\/strong><\/p>\n\n\n\n

Djamal Guettala<\/strong><\/p>\n\n\n\n\n\n\n\n

Publi\u00e9 en 2021 par L\u2019Harmattan dans la collection \u2018\u2018Critiques litt\u00e9raires\u2019\u2019<\/em>, l\u2019ouvrage invite \u00e0 une lecture vivante, o\u00f9 chaque texte dialogue avec l\u2019autre et o\u00f9 le lecteur devient acteur de cette confrontation.<\/p>\n\n\n\n

L\u2019originalit\u00e9 de l\u2019\u00e9tude r\u00e9side dans sa d\u00e9marche : il ne s\u2019agit pas de comparer pour chercher des similitudes, mais de faire \u00e9merger des r\u00e9sonances et des contrastes. La lecture devient un jeu intellectuel, une aventure o\u00f9 l\u2019on confronte deux imaginaires contemporains, observe leurs \u00e9chos et leurs diff\u00e9rences, et d\u00e9couvre comment chaque \u0153uvre transmet \u00e0 l\u2019autre ses marques et ses manques. Le plaisir de lecture y est double : il s\u2019agit autant de comprendre l\u2019\u0153uvre que d\u2019exp\u00e9rimenter la mani\u00e8re dont elle peut nourrir, transformer et stimuler la r\u00e9flexion du lecteur.<\/p>\n\n\n\n

Des mondes singuliers<\/h2>\n\n\n\n

L\u2019ouvrage se divise en trois parties. La premi\u00e8re explore les origines de l\u2019\u00e9criture de Boudjedra et de Kundera et le r\u00f4le essentiel de leurs narrateurs. Ces derniers construisent des mondes singuliers tout en questionnant les rep\u00e8res traditionnels du r\u00e9cit, pla\u00e7ant le lecteur dans une position d\u2019interrogation permanente. La seconde partie analyse les figures centrales \u2014 m\u00e8re, amant, p\u00e8re \u2014 qui d\u00e9passent leur r\u00f4le th\u00e9matique pour devenir des catalyseurs du r\u00e9cit. Leur pr\u00e9sence dans les romans de Kundera montre que ces personnages, longtemps per\u00e7us comme caract\u00e9ristiques de la litt\u00e9rature maghr\u00e9bine d\u2019expression fran\u00e7aise, participent d\u2019une r\u00e9flexion universelle sur la famille, l\u2019amour et l\u2019identit\u00e9.<\/p>\n\n\n\n

Lecture relationnelle<\/h2>\n\n\n\n

La troisi\u00e8me partie de l\u2019ouvrage se concentre sur les interf\u00e9rences entre \u00e9criture et lecture. Rym Kheriji y d\u00e9veloppe la notion de lecture relationnelle, o\u00f9 le texte et le lecteur entrent en dialogue constant. L\u2019\u00e9criture chaotique, l\u2019ironie, la mise en orbite des paradoxes et l\u2019\u00e9criture variationnelle ne sont pas de simples artifices : elles d\u00e9stabilisent le lecteur, l\u2019invitent \u00e0 interroger ses certitudes et \u00e0 participer activement \u00e0 la construction du sens. Lire Boudjedra et Kundera devient alors une exp\u00e9rience dynamique et stimulante, o\u00f9 le sens se construit dans la rencontre entre le texte et son lecteur.<\/p>\n\n\n\n

Au-del\u00e0 de l\u2019analyse purement litt\u00e9raire, l\u2019ouvrage enrichit le champ des \u00e9tudes comparatives et francophones. Il d\u00e9montre comment deux \u00e9crivains issus de contextes tr\u00e8s diff\u00e9rents peuvent entrer en dialogue sur des th\u00e9matiques universelles : identit\u00e9, libert\u00e9, chaos du monde contemporain, qu\u00eate de sens. La confrontation de Boudjedra et Kundera montre que la litt\u00e9rature d\u00e9passe ses racines locales pour devenir un miroir universel, capable de susciter r\u00e9flexion et remise en question.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

\u2018\u2018Rachid Boudjedra et Milan Kundera : Lectures \u00e0 corps ouvert\u2019\u2019<\/em> invite donc \u00e0 une lecture vivante, exigeante et relationnelle, o\u00f9 le lecteur n\u2019est plus spectateur mais partenaire d\u2019un dialogue intellectuel et \u00e9motionnel. L\u2019ouvrage de Rym Kheriji est ainsi \u00e0 la fois une contribution majeure \u00e0 la critique litt\u00e9raire et une exp\u00e9rience de lecture qui stimule, intrigue et enrichit.<\/p>\n\n\n\n

Au c\u0153ur de l\u2019ouvrage, l\u2019auteure elle-m\u00eame m\u00e9rite une mention. Docteure \u00e8s Lettres et Arts de l\u2019Universit\u00e9 Lumi\u00e8re Lyon 2, Rym Kheriji est enseignante\u2011chercheure \u00e0 l\u2019Universit\u00e9 de Manouba. Sp\u00e9cialiste des litt\u00e9ratures francophones et compar\u00e9es, elle enseigne \u00e9galement le th\u00e9\u00e2tre depuis plus de vingt ans. Elle a coorganis\u00e9 de nombreux colloques et congr\u00e8s sur des \u00e9crivains contemporains, tels que Michel Houellebecq, Milan Kundera, Rachid Boudjedra, Kateb Yacine ou Yamen Manna\u00ef, et publi\u00e9 de nombreux articles dans des actes de colloques et revues culturelles. Son engagement dans la m\u00e9diation culturelle l\u2019a \u00e9galement conduite \u00e0 collaborer \u00e0 plusieurs festivals litt\u00e9raires et artistiques, contribuant au rayonnement de la litt\u00e9rature francophone au Maghreb et au dialogue interculturel.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Pour Rym Kheriji, les \u0153uvres romanesques de Rachid Boudjedra et Milan Kundera partagent une \u00e9nergie commune. <\/p>\n","protected":false},"author":8,"featured_media":17605235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[92096,84268,124966,123805,124967,124969],"class_list":["post-17605218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-kateb-yacine","tag-michel-houellebecq","tag-milan-kundera","tag-rachid-boudjedra","tag-rym-kheriji","tag-yamen-mannai"],"yoast_head":"\nR\u00e9sonances et contrastes de Rachid Boudjedra et Milan Kundera - Kapitalis<\/title>\n<meta name=\"description\" content=\"Pour Rym Kheriji, les \u0153uvres romanesques de Rachid Boudjedra et Milan Kundera partagent une \u00e9nergie commune.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/10\/05\/resonances-et-des-contrastes-de-rachid-boudjedra-et-milan-kundera\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9sonances et contrastes de Rachid Boudjedra et Milan Kundera - 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