{"id":17722193,"date":"2025-10-24T08:06:14","date_gmt":"2025-10-24T07:06:14","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=17722193"},"modified":"2025-10-24T08:06:18","modified_gmt":"2025-10-24T07:06:18","slug":"regards-de-femmes-cineastes-arabes-entre-elles","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/10\/24\/regards-de-femmes-cineastes-arabes-entre-elles\/","title":{"rendered":"\u00abRegards de femmes\u00bb | Cin\u00e9astes arabes entre elles"},"content":{"rendered":"\n

De jeunes r\u00e9alisatrices arabes ambitieuses, dipl\u00f4m\u00e9es d\u2019\u00e9coles de cin\u00e9ma, ont choisi d\u2019entrer dans le monde du septi\u00e8me art par la grande porte. Le Festival international du film de femmes \u00abRegards de femmes\u00bb, dont la 6e<\/sup> \u00e9dition a eu lieu du 11 au 15 octobre 2025 \u00e0 Nabeul, Hammamet et Menzel Temime (Tunisie), les a r\u00e9unies dans une r\u00e9sidence artistique de formation exclusivement f\u00e9minine.<\/em><\/strong><\/p>\n\n\n\n

Monia Kaouach<\/strong><\/p>\n\n\n\n\n\n\n\n

Ce lieu s\u00fbr et inspirant leur a permis de se concentrer sur leur apprentissage et leur cr\u00e9ation. Convaincu de leur potentiel, le festival s\u2019est engag\u00e9 \u00e0 les accompagner et \u00e0 les soutenir pour leur permettre de percer dans un secteur encore largement domin\u00e9 par les hommes. Elles ont \u00e9t\u00e9 initi\u00e9es \u00e0 la technique du pitch court, \u00e0 la promotion de leurs \u0153uvres et \u00e0 la mani\u00e8re de convaincre un producteur en moins de cinq minutes.<\/p>\n\n\n\n

Expression et r\u00e9sistance<\/h2>\n\n\n\n

Organis\u00e9e chaque ann\u00e9e par la F\u00e9d\u00e9ration tunisienne des cin\u00e9-clubs (FTCC), le festival pr\u00e9serve sa marque de fabrique : une approche cin\u00e9matographique f\u00e9minine et engag\u00e9e. La r\u00e9sidence a accueilli quatorze r\u00e9alisatrices venues de dix pays arabes \u2013 Tunisie, \u00c9gypte, Liban, Kowe\u00eft, Libye, Syrie, Palestine, Jordanie, Maroc et Alg\u00e9rie \u2013 unies par le m\u00eame r\u00eave et confront\u00e9es aux m\u00eames obstacles : le manque de financement, la difficult\u00e9 de production et la recherche de soutien technique et artistique. Elles partagent aussi la conviction que le cin\u00e9ma est un moyen d\u2019expression et de r\u00e9sistance, capable de briser les tabous et de raconter les r\u00e9alit\u00e9s f\u00e9minines du monde arabe.<\/p>\n\n\n\n

Les participantes ont \u00e9voqu\u00e9 les contraintes sociales et culturelles qui freinent leur cr\u00e9ativit\u00e9. Malgr\u00e9 tout, elles sont parvenues \u00e0 exprimer leurs id\u00e9es et leurs convictions dans leurs films, refl\u00e9tant leurs milieux \u00e9conomiques, sociaux et politiques.<\/p>\n\n\n\n

La r\u00e9alisatrice \u00e9gyptienne Malak El Sayyad a os\u00e9 traiter, dans son documentaire, de sa propre maladie gyn\u00e9cologique, d\u00e9crivant avec franchise le processus de diagnostic et de gu\u00e9rison, affrontant ainsi le tabou du corps f\u00e9minin dans la soci\u00e9t\u00e9 arabe.<\/p>\n\n\n\n

La Kowe\u00eftienne Farah Al Hashem, dipl\u00f4m\u00e9e en cr\u00e9ation cin\u00e9matographique, a abord\u00e9 les th\u00e8mes de l\u2019exil, de la perte d\u2019identit\u00e9 culturelle et de l\u2019impact du p\u00e9trole et de la richesse sur la soci\u00e9t\u00e9 kowe\u00eftienne.<\/p>\n\n\n\n

Fatima Jomaa, r\u00e9alisatrice libanaise, a quant \u00e0 elle racont\u00e9 les ravages de la guerre et ses cons\u00e9quences personnelles : un ami tu\u00e9 le jour de son mariage et un mari reporter parti couvrir les combats apr\u00e8s trois jours d\u2019union.<\/p>\n\n\n\n

La Libyenne Noura Ali, avec son film \u2018\u2018La Dame de la mer\u2019\u2019<\/em>, a d\u00e9crit la condition des femmes rurales de son pays : contraintes par des traditions pesantes, elles cherchent leur libert\u00e9 ailleurs, parfois dans la fuite, souvent dans la mer, symbole de d\u00e9livrance.<\/p>\n\n\n\n

Enfin, Imen El Arbi (Tunisie), \u00e9tudiante en master de cin\u00e9ma, a soulign\u00e9 combien cette exp\u00e9rience lui a appris \u00e0 travailler sur la profondeur psychologique des personnages et \u00e0 tirer profit de la diversit\u00e9 culturelle des participantes.<\/p>\n\n\n

\n
\"\"
Rahma Ben Jemaa prim\u00e9e pour son film \u2018\u2018Amal\u2019\u2019.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

D\u00e9construction des st\u00e9r\u00e9otypes<\/h2>\n\n\n\n

La sc\u00e9nariste tunisienne Samia Amami, responsable de l\u2019encadrement, a d\u00e9crit l\u2019exp\u00e9rience comme unique et profond\u00e9ment humaine. Elle a insist\u00e9 sur la difficult\u00e9 mais aussi la richesse d\u2019accueillir quatorze femmes venues d\u2019univers culturels et sociaux diff\u00e9rents. Elle explique avoir voulu cr\u00e9er un espace s\u00fbr et non comp\u00e9titif, favorisant la libre expression et la confiance en soi. Elle a transmis aux r\u00e9alisatrices les fondamentaux du travail cin\u00e9matographique : l\u2019importance du r\u00e9cit avant l\u2019image, la coh\u00e9rence du sc\u00e9nario et la prise en compte du regard du spectateur. Dr Manel Souissi, fondatrice du festival, a rappel\u00e9 avoir cr\u00e9\u00e9 cet \u00e9v\u00e9nement lorsqu\u2019elle pr\u00e9sidait la FTCC. Son objectif : offrir aux femmes arabes un espace de cr\u00e9ation et de visibilit\u00e9, face \u00e0 leur repr\u00e9sentation encore timide dans le cin\u00e9ma arabe.<\/p>\n\n\n\n

Outre la r\u00e9sidence, le festival a organis\u00e9 une comp\u00e9tition de courts m\u00e9trages r\u00e9alis\u00e9s par des femmes venues de six pays : Liban, Syrie, Tunisie, Palestine, \u00c9gypte et Maroc.<\/p>\n\n\n\n

Le Prix de la meilleure image de la femme dans un film a \u00e9t\u00e9 attribu\u00e9 \u00e0 la r\u00e9alisatrice \u00e9gyptienne Malak El Sayyad pour \u2018\u2018Je t\u2019ai dit\u2019\u2019<\/em>, documentaire autobiographique sur sa maladie.<\/p>\n\n\n\n

Le Prix du meilleur film achev\u00e9 est revenu \u00e0 la Tunisienne Rahma Ben Jemaa pour \u2018\u2018Amal\u2019\u2019<\/em>, o\u00f9 elle raconte la lutte de sa m\u00e8re contre le cancer.<\/p>\n\n\n\n

Le festival a \u00e9galement organis\u00e9 des ateliers et d\u00e9bats sur la d\u00e9construction des st\u00e9r\u00e9otypes de genre et la pr\u00e9vention du harc\u00e8lement dans le milieu du cin\u00e9ma, tout en rendant hommage \u00e0 la grande cin\u00e9aste tunisienne Selma Baccar, pionni\u00e8re du cin\u00e9ma f\u00e9minin arabe.<\/p>\n\n\n\n

Texte original en arabe traduit en fran\u00e7ais par <\/em>Tarek Kaouache<\/strong>, avec le concours de l\u2019IA. \u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Le Festival international du film de femmes \u00abRegards de femmes\u00bb organise \u00e0 Nabeul une r\u00e9sidence artistique de formation exclusivement f\u00e9minine.<\/p>\n","protected":false},"author":8,"featured_media":17722198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[125283,125279,125280,125285,125281,125286,650,125284,125282,125287,818],"class_list":["post-17722193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-cinema-de-femmes","tag-farah-al-hashem","tag-fatima-jomaa","tag-imen-el-arbi","tag-malak-el-sayyad","tag-manel-souissi","tag-nabeul","tag-noura-ali","tag-rahma-ben-jomaa","tag-samia-amami","tag-selma-baccar"],"yoast_head":"\n\u00abRegards de femmes\u00bb | Cin\u00e9astes arabes entre elles - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/10\/24\/regards-de-femmes-cineastes-arabes-entre-elles\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abRegards de femmes\u00bb | Cin\u00e9astes arabes entre elles - 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