{"id":18000478,"date":"2025-11-29T08:25:02","date_gmt":"2025-11-29T07:25:02","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=18000478"},"modified":"2025-11-29T08:26:27","modified_gmt":"2025-11-29T07:26:27","slug":"jtc-2025-le-roi-lear-ou-la-folie-du-pouvoir","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2025\/11\/29\/jtc-2025-le-roi-lear-ou-la-folie-du-pouvoir\/","title":{"rendered":"JTC\u00a02025 |\u00a0\u2018\u2018Le Roi Lear\u2019\u2019\u00a0ou la folie du pouvoir\u00a0\u00a0"},"content":{"rendered":"\n

Il y a des co\u00efncidences qui ne sont jamais des co\u00efncidences. 2025 est une ann\u00e9e \u00e9trange o\u00f9 \u2018\u2018Le Roi Lear\u2019\u2019 semble avoir d\u00e9cid\u00e9 de refaire le tour du monde comme un vieux fant\u00f4me venu r\u00e9clamer ses dettes. Le Royaume-Uni, les \u00c9tats-Unis, l\u2019Italie, la Pologne, la Roumanie, l\u2019Espagne, l\u2019\u00c9gypte, l\u2019Iran\u2026 partout, le m\u00eame cri shakespearien : quand le pouvoir d\u00e9lire, le royaume s\u2019effondre. M\u00eame Jung n\u2019aurait pas r\u00eav\u00e9 un symbole aussi disciplin\u00e9. <\/em><\/strong><\/p>\n\n\n\n

Manel Albouchi <\/strong><\/p>\n\n\n\n\n\n\n\n

Aux Journ\u00e9es th\u00e9\u00e2trales de Carthage (JTC 2025), \u00e0 deux reprises sur la m\u00eame sc\u00e8ne du Th\u00e9\u00e2tre de l\u2019Op\u00e9ra de la Cit\u00e9 de la culture, ce n\u2019est pas un spectacle que nous avons vu : c\u2019est un diagnostic, presque une IRM du psychisme collectif. <\/p>\n\n\n\n

Le mythe est revenu parce que les peuples n\u2019arrivent plus \u00e0 contenir ce qu\u2019ils sentent approcher. <\/p>\n\n\n\n

\u2018\u2019Le\u00a0Roi Lear\u2019\u2019\u00a0\u00e9gyptien\u00a0:\u00a0le\u00a0p\u00e8re \u00e9puis\u00e9\u00a0<\/h2>\n\n\n\n

Le 22 novembre, l\u2019\u00c9gypte ouvre le bal \u00e0 l\u2019Op\u00e9ra de Tunis avec la pi\u00e8ce de Shakespeare, mise en sc\u00e8ne de Shadi Sorour, avec le grand Yahia Fakharani dans le r\u00f4le-titre. <\/p>\n\n\n\n

Ce Lear-l\u00e0 \u00e9tait un roi \u00e9puis\u00e9, entour\u00e9 de courtisans qui parlent trop et comprennent trop peu. Un patriarche qui cherche l\u2019amour dans la flatterie, la v\u00e9rit\u00e9 dans le mensonge comme tant de pouvoirs contemporains qui confondent adh\u00e9sion et ob\u00e9issance. <\/p>\n\n\n\n

Dans le silence de la salle, on sentait le malaise\u202f: ce roi ne tombait pas seul, il tombait avec nous. <\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

\u2018\u2018Le Roi Lear\u2019\u2019 iranien\u00a0:\u00a0l\u2019op\u00e9ra du chaos\u00a0<\/h2>\n\n\n\n

Le 26 novembre, place au spectacle musical iranien, mis en sc\u00e8ne par Aylika Abdelrazghi, produit par Ali Oji, avec le prodigieux Mohammad Reza Yazdani. <\/p>\n\n\n\n

Deux heures o\u00f9 Shakespeare devient une partition, o\u00f9 la musique et le son de guitare \u00e9lectrique amplifie la folie du pouvoir mieux que n\u2019importe quel \u00e9ditorial politique. <\/p>\n\n\n\n

Ici, on entrait dans un Lear mystique, travers\u00e9 de fractures int\u00e9rieures. Ce n\u2019\u00e9tait pas seulement un roi qui s\u2019effondrait\u202f: c\u2019\u00e9tait une \u00e2me en crise frapp\u00e9e par la v\u00e9rit\u00e9 qu\u2019il avait trop longtemps refus\u00e9e. <\/p>\n\n\n\n

L\u00e0 o\u00f9 l\u2019\u00c9gypte montrait un p\u00e8re, l\u2019Iran montre un syst\u00e8me : un royaume qui se d\u00e9vore lui-m\u00eame, une sc\u00e8ne qui r\u00e9sonne comme un bulletin d\u2019actualit\u00e9 que l\u2019on aurait pr\u00e9f\u00e9r\u00e9 ne pas comprendre. <\/p>\n\n\n\n

Pourquoi Lear revient toujours quand le monde vacille ?\u00a0\u00a0<\/h2>\n\n\n\n

Chaque fois que \u2018\u2018Le Roi Lear\u2019\u2019<\/em> r\u00e9appara\u00eet massivement dans le monde, l\u2019Histoire semble vivre une torsion particuli\u00e8re : <\/p>\n\n\n\n

– 1606 : \u00e9pid\u00e9mies, complots, crise de succession en Angleterre; <\/p>\n\n\n\n

– 1940-45 : seconde guerre mondiale, chute des empires europ\u00e9ens;<\/p>\n\n\n\n

– 1968-1975 : r\u00e9voltes \u00e9tudiantes, fin du colonialisme, crises politiques mondiales;<\/p>\n\n\n\n

– 2019-2020 : pand\u00e9mie, effondrement des certitudes, d\u00e9faillance des leaderships; <\/p>\n\n\n\n

– 2025 : instabilit\u00e9 politique g\u00e9n\u00e9ralis\u00e9e, confusion morale, perte de rep\u00e8res et mont\u00e9e des extr\u00eames. <\/p>\n\n\n\n

Comme si Shakespeare avait cr\u00e9\u00e9 un sismographe de la conscience collective : quand les rois perdent la t\u00eate, Lear sort de son tombeau. <\/p>\n\n\n\n

Les\u00a0arch\u00e9types\u00a0d\u2019un\u00a0pouvoir\u00a0qui\u00a0ne tient plus\u00a0<\/h2>\n\n\n\n

Jung nous a appris que les mythes reviennent quand les angoisses ne sont pas symbolis\u00e9es.  <\/p>\n\n\n\n

En 2025, Lear n\u2019est plus seulement un personnage : c\u2019est l\u2019arch\u00e9type du Vieux Roi, celui qui croit gouverner alors que tout s\u2019effrite, celui qui s\u2019entoure de flatteurs et punit la v\u00e9rit\u00e9, celui qui abdique sans comprendre qu\u2019il renonce \u00e0 son \u00e2me, celui qui confond amour et loyaut\u00e9 automatique. <\/p>\n\n\n\n

Marie-Louise von Franz, \u00e9l\u00e8ve de Young, \u00e9crivait que la mort du vieux souverain est la condition de naissance d\u2019un nouveau centre psychique.  <\/p>\n\n\n\n

Nous y sommes. <\/p>\n\n\n\n

Goneril et Regan, les deux filles perfides du Roi Lear ne sont pas des \u00abm\u00e9chantes\u00bb<\/em>. Ce sont les forces qui prennent le pouvoir quand la conscience vacille\u202f: ambition sans limites, manipulation affective, lutte clanique, loyaut\u00e9s toxiques. <\/p>\n\n\n\n

Elles sont les populismes qui grimpent quand le royaume n\u2019a plus de centre, les clans qui d\u00e9vorent un pays quand l\u2019autorit\u00e9 symbolique s\u2019effondre. <\/p>\n\n\n\n

Cordelia, la plus jeune fille du Roi Lear, ne flatte pas. Elle dit ce qui est vrai. C\u2019est pour cela qu\u2019elle est rejet\u00e9e. <\/p>\n\n\n\n

Elle est le Soi jungien : la v\u00e9rit\u00e9 psychique, l\u2019axe int\u00e9rieur, la conscience profonde qu\u2019on sacrifie par paresse morale. Et quand Lear la retrouve, il retrouve son \u00e2me mais trop tard. <\/p>\n\n\n\n

Peut-\u00eatre est-ce ainsi que renaissent les mondes : par une v\u00e9rit\u00e9 qu\u2019on entend seulement apr\u00e8s l\u2019effondrement. <\/p>\n\n\n\n

Pour Jung, toute transformation commence par la nigredo<\/em>\u202f: la noirceur, le chaos, la d\u00e9composition de l\u2019ancien monde. <\/p>\n\n\n\n

La temp\u00eate de Lear n\u2019est pas une m\u00e9t\u00e9o. C\u2019est la temp\u00eate de 2025\u202f: guerres, crises de valeurs, autorit\u00e9 en chute libre, solitude num\u00e9rique, fatigue morale extr\u00eame. <\/p>\n\n\n\n

Dans ces temp\u00eates-l\u00e0, on ne devient pas fou\u202f: on devient lucide au prix fort. <\/p>\n\n\n\n

Ce que\u00a0\u00a0\u00bbLe\u00a0Roi\u00a0Lear\u00a0\u00bb r\u00e9v\u00e8le de nous\u00a0<\/h2>\n\n\n\n

Au fond, parler de Lear en 2025 revient \u00e0 poser une question simple et dangereuse : avons-nous encore des rois lucides, ou seulement des royaumes qui d\u00e9gringolent ? <\/p>\n\n\n\n

Le th\u00e9\u00e2tre a r\u00e9pondu avant nous. Il a montr\u00e9 un patriarche aveugle, un syst\u00e8me qui s\u2019effondre, un peuple qui paie le prix. Et il nous murmure : \u00abSi vous ne r\u00e9glez pas vos complexes de pouvoir, l\u2019Histoire le fera pour vous. G\u00e9n\u00e9ralement sans pr\u00e9avis.\u00bb <\/em><\/p>\n\n\n\n

Avec \u2018\u2018Le Roi Lear\u2019\u2019<\/em>, les JTC 2025 n\u2019ont pas simplement inaugur\u00e9 une \u00e9dition. Elles ont diagnostiqu\u00e9 un monde malade, et nous ont tendu un miroir que personne ne voulait vraiment regarder. <\/p>\n\n\n\n

Comme toujours, Shakespeare gagne. Et nous, nous sortons du th\u00e9\u00e2tre un peu plus conscients\u2026 ou un peu plus inquiets. La fronti\u00e8re entre les deux est, elle aussi, tragiquement shakespearienne. <\/p>\n","protected":false},"excerpt":{"rendered":"

Le Roi Lear revient comme un vieux fant\u00f4me venu r\u00e9clamer ses dettes: quand le pouvoir d\u00e9lire, le royaume s\u2019effondre. <\/p>\n","protected":false},"author":8,"featured_media":18000511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[125862,125865,125622,106497,125861,125864,90910,125863],"class_list":["post-18000478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-ali-oji","tag-aylika-abdelrazghi","tag-jtc-2025","tag-le-roi-lear","tag-mohammad-reza-yazdani","tag-shadi-sorour","tag-william-shakespeare","tag-yahia-fakharani"],"yoast_head":"\nJTC\u00a02025 |\u00a0\u2018\u2018Le Roi Lear\u2019\u2019\u00a0ou la folie du pouvoir\u00a0\u00a0 - Kapitalis<\/title>\n<meta name=\"description\" content=\"Le Roi Lear revient comme un vieux fant\u00f4me venu r\u00e9clamer ses dettes: quand le pouvoir d\u00e9lire, le royaume s\u2019effondre.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2025\/11\/29\/jtc-2025-le-roi-lear-ou-la-folie-du-pouvoir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JTC\u00a02025 |\u00a0\u2018\u2018Le Roi Lear\u2019\u2019\u00a0ou la folie du pouvoir\u00a0\u00a0 - 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