{"id":18233814,"date":"2026-01-14T08:40:18","date_gmt":"2026-01-14T07:40:18","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=18233814"},"modified":"2026-01-14T08:40:19","modified_gmt":"2026-01-14T07:40:19","slug":"oran-memoire-populaire-et-heritage-mediterraneen","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2026\/01\/14\/oran-memoire-populaire-et-heritage-mediterraneen\/","title":{"rendered":"Oran | M\u00e9moire populaire et h\u00e9ritage m\u00e9diterran\u00e9en"},"content":{"rendered":"\n

\u00c0 Paris, dans son modeste appartement du Passage Briare, Nathalie pr\u00e9pare un voyage qui, sur le papier, pourrait sembler ordinaire : un billet d\u2019avion, un visa, un h\u00f4tel. Pourtant, en ao\u00fbt 2019, ce d\u00e9part pour Oran n\u2019a rien d\u2019anodin. Il s\u2019agit d\u2019un retour diff\u00e9r\u00e9, longtemps repouss\u00e9, vers une ville quitt\u00e9e dans le fracas de l\u2019histoire. Nathalie est journaliste, juive alg\u00e9rienne n\u00e9e en France, h\u00e9riti\u00e8re d\u2019un exil qui ne dit pas toujours son nom. \u00c0 travers elle, \u2018\u2018Oranaise sang pour sang\u2019\u2019 de Val\u00e9rie Rodrigue, \u00c9ditions L\u2019Harmattan \u2013 Collection Graveurs de M\u00e9moire, Pais 14 octobre 2025) interroge la m\u00e9moire, la filiation et la persistance du lien avec une terre quitt\u00e9e mais jamais effac\u00e9e.<\/em><\/strong><\/p>\n\n\n\n

Djamal Guettala<\/strong><\/p>\n\n\n\n\n\n\n\n

Les tantes de Nathalie, dispers\u00e9es entre la France et Isra\u00ebl, la missionnent \u00e0 distance. Retrouver les anciens appartements familiaux, photographier les portes, les balcons, localiser la tombe de Raoul, jeune oncle mort en 1958 sur la route d\u2019Alger \u00e0 Oran. Elles voyagent par procuration. La m\u00e8re, elle, reste muette. Elle a tir\u00e9 un trait sur l\u2019Alg\u00e9rie. \u00abLa famille peut-elle faire le deuil d\u2019un fils, d\u2019un pays ?\u00bb<\/em> Cette question traverse le livre comme une cicatrice ouverte.<\/p>\n\n\n\n

Fragilit\u00e9 affective, m\u00e9moire collective et abandon personnel<\/h2>\n\n\n\n

Au fond, Nathalie s\u2019offre aussi ce p\u00e8lerinage pour panser une blessure intime : oublier Ilyas, l\u2019amant kabyle qui l\u2019a quitt\u00e9e. Pour l\u2019oublier, ou pour s\u2019en rapprocher autrement. Le r\u00e9cit avance ainsi sur deux lignes parall\u00e8les : l\u2019histoire familiale et la fragilit\u00e9 affective, la m\u00e9moire collective et l\u2019abandon personnel.<\/p>\n\n\n\n

\u00c0 Oran, Nathalie n\u2019est pas seule. Nassim, jeune Alg\u00e9rien, l\u2019accompagne dans les quartiers d\u2019Eckm\u00fchl et de la rue d\u2019Arzew. Les immeubles fatigu\u00e9s, les cages d\u2019escalier sombres, les portes mang\u00e9es par le temps deviennent des archives \u00e0 ciel ouvert. Chaque \u00e9tage est une h\u00e9sitation, chaque sonnette une possibilit\u00e9 de d\u00e9ception. Mais la ville r\u00e9pond par l\u2019humain. Une voisine, A\u00efcha, ouvre une porte qui n\u2019est pas la bonne et invite pourtant Nathalie \u00e0 entrer : \u00ab\u00c0 la place, vous pouvez venir chez moi, tous les appartements se ressemblent.\u00bb<\/em> Caf\u00e9 noir et sucr\u00e9, bonbons pour Nassim, gestes simples. L\u2019hospitalit\u00e9 alg\u00e9rienne, intacte, d\u00e9place la nostalgie vers le pr\u00e9sent.<\/p>\n\n\n\n

Les souvenirs affluent. Les Andalousses, plage aim\u00e9e de la m\u00e8re, o\u00f9 l\u2019on bronzait en deux-pi\u00e8ces, o\u00f9 l\u2019on mordillait des poissons grill\u00e9s, entre sardines et merguez sur r\u00e9chaud Butagaz. \u00abElle adorait ce littoral m\u00e9diterran\u00e9en, sa terre natale, kif-kif la C\u00f4te d\u2019Azur fran\u00e7aise.\u00bb<\/em> La joie d\u2019avant l\u2019exil, avant la rupture, affleure dans ces images baign\u00e9es de soleil.<\/p>\n\n\n\n

La ville se donne aussi dans sa vitalit\u00e9 actuelle : les lions de la place du 1er<\/sup> Novembre, les march\u00e9s, les merceries, les djellabas, le linge suspendu aux balcons. Nathalie \u00e9voque le rayouyou, cette joie juive nord-africaine faite de bruit, de musique arabe, de paillettes, de f\u00eates et de silence apr\u00e8s la f\u00eate. Dalida, enfant d\u2019Oran, traverse le r\u00e9cit comme une ic\u00f4ne famili\u00e8re, trait d\u2019union entre m\u00e9moire populaire et h\u00e9ritage m\u00e9diterran\u00e9en.<\/p>\n\n\n\n

Mais Oran est aussi une ville de strates plus profondes. Un message re\u00e7u sur le t\u00e9l\u00e9phone ouvre une autre porte du pass\u00e9 : celle de Sa\u00fcl Bensoussan, anc\u00eatre assassin\u00e9 en 1889 lors d\u2019un crime passionnel. Condamn\u00e9 \u00e0 mort, graci\u00e9, d\u00e9port\u00e9 au bagne de Cayenne, il y grava sur un mur un seul mot : \u00abmaman\u00bb<\/em>. Ce d\u00e9tail bouleversant relie l\u2019intime \u00e0 l\u2019Histoire, la trag\u00e9die individuelle \u00e0 la longue pr\u00e9sence juive en Alg\u00e9rie.<\/p>\n\n\n\n

Jud\u00e9it\u00e9 alg\u00e9rienne, exil et transmission<\/h2>\n\n\n\n

La figure du p\u00e8re traverse le livre avec pudeur. Enfant pauvre de la rue d\u2019Arzew, devenu instituteur par l\u2019\u00e9cole et l\u2019effort, fier de transmettre le savoir r\u00e9publicain. \u00abNos anc\u00eatres les Gaulois\u00bb<\/em>, r\u00e9citait-il \u00e0 ses \u00e9l\u00e8ves, ironie coloniale et preuve d\u2019une assimilation qui fut aussi une promesse d\u2019\u00e9l\u00e9vation. Nathalie observe ce parcours sans jugement, avec tendresse.<\/p>\n\n\n\n

Au fil de la promenade, la ville s\u2019ouvre. Le port, les bateaux venus d\u2019Alicante, de Marseille ou de Barcelone, la Vierge de Santa-Cruz dominant Oran. La lumi\u00e8re, le ciel dur, le bleu. L\u00e0, quelque chose s\u2019apaise. \u00abC\u2019\u00e9tait beau, Oran.\u00bb<\/em> Cette phrase simple cl\u00f4t une qu\u00eate sans la refermer.<\/p>\n\n\n\n

\u2018\u2018Oranaise sang pour sang\u2019\u2019<\/em> parle des identit\u00e9s multiples, de la jud\u00e9it\u00e9 alg\u00e9rienne, de l\u2019exil et de la transmission. \u00abPass\u00e9 familial, d\u00e9racinement, religion, gens d\u2019ici et de nulle part. L\u2019Alg\u00e9rie, c\u2019est l\u2019inconscient collectif de la France. Et l\u2019inconscient, cela ne se commande pas.\u00bb<\/em> Le livre rappelle que l\u2019histoire ne se r\u00e8gle pas, qu\u2019elle se traverse.<\/p>\n\n\n\n

Ce r\u00e9cit, \u00e0 la fois sobre et profond\u00e9ment incarn\u00e9, dit quelque chose d\u2019universel : la n\u00e9cessit\u00e9 de regarder d\u2019o\u00f9 l\u2019on vient pour comprendre o\u00f9 l\u2019on se tient. \u00c0 Oran, Nathalie ne r\u00e9cup\u00e8re pas un pass\u00e9 intact. Elle rencontre des vivants. Et c\u2019est peut-\u00eatre l\u00e0, dans cette humanit\u00e9 partag\u00e9e, que se joue la vraie fid\u00e9lit\u00e9 \u00e0 la m\u00e9moire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chronique d’un retour diff\u00e9r\u00e9, longtemps repouss\u00e9, vers une ville quitt\u00e9e dans le fracas de l\u2019histoire, mais jamais oubli\u00e9e : Oran. <\/p>\n","protected":false},"author":8,"featured_media":18233854,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[64,126486,5115,126485],"class_list":["post-18233814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-algerie","tag-judeite","tag-oran","tag-valerie-rodrigue"],"yoast_head":"\nOran | M\u00e9moire populaire et h\u00e9ritage m\u00e9diterran\u00e9en - Kapitalis<\/title>\n<meta name=\"description\" content=\"Chronique d'un retour diff\u00e9r\u00e9, longtemps repouss\u00e9, vers une ville quitt\u00e9e dans le fracas de l\u2019histoire, mais jamais oubli\u00e9e : Oran.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2026\/01\/14\/oran-memoire-populaire-et-heritage-mediterraneen\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oran | M\u00e9moire populaire et h\u00e9ritage m\u00e9diterran\u00e9en - 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