{"id":18736652,"date":"2026-05-06T08:26:06","date_gmt":"2026-05-06T07:26:06","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=18736652"},"modified":"2026-05-06T08:26:07","modified_gmt":"2026-05-06T07:26:07","slug":"resonance-croisee-salma-mbarek-murmure-ce-que-lon-ne-dit-pas","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2026\/05\/06\/resonance-croisee-salma-mbarek-murmure-ce-que-lon-ne-dit-pas\/","title":{"rendered":"\u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019 | Salma Mbarek murmure ce que l\u2019on ne dit pas"},"content":{"rendered":"\n

Avec son exposition intitul\u00e9e \u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019, qui se tient depuis le 23 avril 2026 \u00e0 l\u2019espace Hedi Turki (50 Avenue Charles Nicole, Cit\u00e9 Mahraj\u00e8ne, Ariana), Salma Mbarek invite le spectateur \u00e0 entrer dans un espace subtil, o\u00f9 \u00e9motions, tensions et silences prennent forme. Une exposition \u00e0 ressentir autant qu\u2019\u00e0 regarder.<\/em><\/strong><\/p>\n\n\n\n

Manel Albouchi<\/strong><\/p>\n\n\n\n\n\n\n\n

En Tunisie, presque toute rencontre commence de la m\u00eame mani\u00e8re : \u00ab\u00c7a va ?\u00bb. \u00abOui, \u00e7a va. Et toi ?\u00bb. \u00ab\u00c7a va.\u00bb<\/em> Un \u00e9change fluide, presque automatique, un rituel social qui maintient le lien et \u00e9vite le malaise. Mais ce \u00ab\u00e7a va\u00bb<\/em> ne d\u00e9crit pas un \u00e9tat. Il r\u00e9gule une relation. Et derri\u00e8re cette simplicit\u00e9 apparente, quelque chose reste souvent en suspens.<\/p>\n\n\n\n

C\u2019est pr\u00e9cis\u00e9ment dans cet espace \u2013 entre ce qui se dit et ce qui se retient \u2013 que s\u2019inscrit \u00abR\u00e9sonance crois\u00e9e\u00bb<\/em>, la derni\u00e8re exposition de Salma Mbarek. L\u2019artiste y d\u00e9veloppe une recherche autour de la r\u00e9sonance : ce qui circule entre les \u00eatres, ce qui persiste au-del\u00e0 des formes visibles, ce qui se transmet sans toujours se dire. Son travail ne cherche pas \u00e0 d\u00e9montrer, mais \u00e0 laisser une empreinte \u00abcomme un parfum dont le sillage demeure\u00bb<\/em>, selon ses propres mots.<\/p>\n\n\n\n

Les \u0153uvres vibrent d\u2019une tension douce. Le corps appara\u00eet calme, presque trop. Lisse, contenu, ma\u00eetris\u00e9 : il ne d\u00e9borde pas, il ne s\u2019effondre pas non plus. Il collabore, il s\u2019adapte. Un corps contemporain. Un corps qui a appris \u00e0 contenir non pas seulement pour s\u2019ajuster, mais pour rester acceptable.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Le corps ambigu<\/strong><\/p>\n\n\n\n

Dans une soci\u00e9t\u00e9 o\u00f9 l\u2019\u00e9quilibre est fragile, o\u00f9 les r\u00f4les sont multiples et les attentes implicites mais puissantes, le corps devient un lieu de r\u00e9gulation. Il tient. Mais tenir a un co\u00fbt. Ce qui se joue ici n\u2019est pas seulement esth\u00e9tique : c\u2019est le co\u00fbt psychique de l\u2019adaptation.<\/p>\n\n\n\n

Alors, que devient ce qui ne trouve plus de place ? Le d\u00e9sir, lui, ne dispara\u00eet pas. Il est d\u00e9plac\u00e9. Il appara\u00eet ailleurs, sous forme de sph\u00e8re, de souffle, de ballon suspendu. Externalis\u00e9 pour ne pas compromettre l\u2019\u00e9quilibre du lien. Dans certaines \u0153uvres, une corde relie le corps \u00e0 cet \u00e9l\u00e9ment fragile. Le geste reste ambigu : tenir\u2026 ou \u00eatre retenu.<\/p>\n\n\n\n

Une couleur traverse l\u2019ensemble : le bleu. Un bleu dense, enveloppant, qui n\u2019apaise pas tout \u00e0 fait. Un bleu qui retient. Comme un climat int\u00e9rieur partag\u00e9 fait de contr\u00f4le, de retenue, et d\u2019une fatigue qui ne dit pas son nom.<\/p>\n\n\n\n

Le visage, dans sa transformation, prolonge cette tension. Entre expression et ajustement, il se modifie, s\u2019\u00e9tire, se discipline. Il ne s\u2019agit pas d\u2019un masque au sens th\u00e9\u00e2tral, mais d\u2019une adaptation plus fine : celle d\u2019un visage qui apprend \u00e0 tenir dans le lien, \u00e0 devenir fonctionnel.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Une cartographie int\u00e9rieure<\/strong><\/p>\n\n\n\n

Dans de nombreux contextes \u2013 familiaux, sociaux, professionnels \u2013 cette adaptation est valoris\u00e9e. Mais elle a un prix : celui d\u2019un \u00e9cart croissant entre ce que l\u2019on montre et ce que l\u2019on vit. Ce qui semble stable est parfois simplement contenu. Ce qui para\u00eet ma\u00eetris\u00e9 peut \u00eatre profond\u00e9ment retenu.<\/p>\n\n\n\n

Au fond de l\u2019exposition, un mur capte l\u2019attention : un assemblage de fragments, un patchwork d\u2019images qui ne s\u2019unifient jamais compl\u00e8tement. Ce \u00abmur de r\u00e9sonance\u00bb<\/em> agit comme une cartographie int\u00e9rieure. Chaque fragment porte un affect, une pluralit\u00e9 d\u2019\u00e9tats, une tentative de maintenir ensemble ce qui, au fond, ne l\u2019est plus tout \u00e0 fait.<\/p>\n\n\n\n

Avec \u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019<\/em>, Salma Mbarek propose une exp\u00e9rience plus qu\u2019un discours : une travers\u00e9e silencieuse de ce que beaucoup vivent sans n\u00e9cessairement le formuler.<\/p>\n\n\n\n

Dans les espaces th\u00e9rapeutiques, cette m\u00eame dynamique appara\u00eet avec insistance : des sujets engag\u00e9s, responsables, capables de tenir mais travers\u00e9s par une fatigue diffuse. Ils ne parlent pas d\u2019effondrement. Ils parlent d\u2019un d\u00e9calage. Un d\u00e9calage entre ce qu\u2019ils donnent et ce qu\u2019ils re\u00e7oivent, entre ce qu\u2019ils montrent et ce qu\u2019ils vivent. Et souvent, tout cela tient en deux petits mots : \u00ab\u00c7a va.\u00bb<\/em><\/p>\n\n\n\n

R\u00e9sonance crois\u00e9e agit lentement. Elle ne cherche pas \u00e0 convaincre. Elle installe une sensation persistante, qui accompagne le visiteur au-del\u00e0 de l\u2019espace d\u2019exposition. On entre pour regarder. On reste pour ressentir.<\/p>\n\n\n\n

Et en sortant, une question demeure \u2013 discr\u00e8te mais tenace \u2013 : \u00e0 force de tenir, que laissons-nous en suspens ?<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Avec son exposition intitul\u00e9e \u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019, Salma Mbarek nous invite \u00e0 entrer dans un espace o\u00f9 \u00e9motions et tensions prennent forme.<\/p>\n","protected":false},"author":8,"featured_media":18736657,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[128192,122684],"class_list":["post-18736652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-espace-hedi-turki","tag-salma-mbarek"],"yoast_head":"\n\u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019 | Salma Mbarek murmure ce que l\u2019on ne dit pas - Kapitalis<\/title>\n<meta name=\"description\" content=\"Avec son exposition intitul\u00e9e \u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019, Salma Mbarek nous invite \u00e0 entrer dans un espace o\u00f9 \u00e9motions et tensions prennent forme.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2026\/05\/06\/resonance-croisee-salma-mbarek-murmure-ce-que-lon-ne-dit-pas\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018\u2018R\u00e9sonance crois\u00e9e\u2019\u2019 | Salma Mbarek murmure ce que l\u2019on ne dit pas - 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