{"id":18757250,"date":"2026-05-12T08:15:00","date_gmt":"2026-05-12T07:15:00","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=18757250"},"modified":"2026-05-12T08:20:36","modified_gmt":"2026-05-12T07:20:36","slug":"exposition-a-rades-memoire-de-lavenir","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2026\/05\/12\/exposition-a-rades-memoire-de-lavenir\/","title":{"rendered":"Exposition \u00e0 Rad\u00e8s | \u00a0M\u00e9moire d\u2019avenir \u00a0"},"content":{"rendered":"\n

Au Mus\u00e9e Safia Farhat, Centre des Arts Vivants de Rad\u00e8s, plus de vingt artistes plasticiens tunisiens * d\u00e9ploient jusqu\u2019au 30 mai leurs \u0153uvres sous un intitul\u00e9 qui r\u00e9sonne bien au-del\u00e0 du champ artistique : \u2018\u2018Palimpseste et anticipation\u2019\u2019.<\/em><\/strong><\/strong><\/p>\n\n\n\n

Manel Albouchi<\/strong><\/p>\n\n\n\n\n\n\n\n

Il y a quelque chose de profond\u00e9ment juste dans ce choix de th\u00e8me. Comme si, pour penser demain, il fallait d\u2019abord accepter qu\u2019aucun avenir ne s\u2019\u00e9crit sur une page blanche.<\/p>\n\n\n\n

Le palimpseste, \u00e0 l\u2019origine, d\u00e9signe un manuscrit ancien dont on efface l\u2019\u00e9criture pour en inscrire une nouvelle, sans jamais faire totalement dispara\u00eetre la premi\u00e8re. Cette image n\u2019est pas seulement litt\u00e9raire ou esth\u00e9tique ; elle touche \u00e0 quelque chose de fondamental dans notre mani\u00e8re d\u2019exister.<\/p>\n\n\n\n

Dans sa \u2018\u2018Notice sur le bloc magique\u2019\u2019<\/em>, Sigmund Freud compare l\u2019appareil psychique \u00e0 une \u00abardoise magique\u00bb<\/em> : lorsque vous tracez des mots avec le stylet, l\u2019\u00e9criture appara\u00eet par le contact des couches superficielles. Pour \u00abeffacer\u00bb<\/em> vos pens\u00e9es, il suffit de soulever la feuille cellulo\u00efd : le texte dispara\u00eet instantan\u00e9ment de la vue, retrouvant la clart\u00e9 d\u2019une conscience pr\u00eate \u00e0 de nouvelles perceptions.<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/figure>\n\n\n\n

Dans les profondeurs de la m\u00e9moire<\/h2>\n\n\n\n

Pourtant, l\u2019exp\u00e9rience ne s\u2019arr\u00eate pas \u00e0 cette illusion d\u2019oubli. Si vous examinez la plaque de cire rest\u00e9e en dessous, vous y d\u00e9couvrirez les sillons grav\u00e9s, immuables et profonds, de tout ce qui a \u00e9t\u00e9 \u00e9crit. Rien ne s\u2019efface r\u00e9ellement ; ce qui semble perdu pour la conscience subsiste dans les profondeurs de la m\u00e9moire.  Rien ne dispara\u00eet tout \u00e0 fait. Tout se transforme.<\/p>\n\n\n\n

Ce que nous croyons avoir d\u00e9pass\u00e9 demeure souvent l\u00e0 : sous forme de traces, de r\u00e9p\u00e9titions, de fid\u00e9lit\u00e9s invisibles, de blessures familiales\u2026, de d\u00e9sirs anciens qui continuent d\u2019\u00e9crire silencieusement dans nos gestes.<\/p>\n\n\n\n

Le palimpseste devient alors bien plus qu\u2019une m\u00e9taphore artistique. Il devient une figure de notre condition humaine.<\/p>\n\n\n\n

Nous avan\u00e7ons tous sur des \u00e9critures anciennes. Nous croyons parfois r\u00e9inventer notre vie, alors m\u00eame que d\u2019anciennes phrases affleurent encore sous les nouvelles. L\u2019exposition semble nous le rappeler avec force.<\/p>\n\n\n\n

Dans certaines \u0153uvres, la saturation du trait \u00e9voque une pens\u00e9e qui refuse de se taire. Dans d\u2019autres, l\u2019\u00e9criture devient presque compulsive, comme si chaque ligne cherchait \u00e0 recouvrir la pr\u00e9c\u00e9dente sans jamais y parvenir compl\u00e8tement. Ce qui appara\u00eet parfois comme un chaos r\u00e9v\u00e8le, \u00e0 y regarder de plus pr\u00e8s, une organisation plus profonde : celle de la m\u00e9moire, celle de l\u2019inconscient.<\/p>\n\n\n\n

Une \u0153uvre retient l\u2019attention dans sa simplicit\u00e9 et profondeur : des fragments color\u00e9s flottent au-dessus de lettres manuscrites anciennes. Le texte en arri\u00e8re-plan n\u2019est plus enti\u00e8rement lisible, mais il continue d\u2019agir. Comme ces paroles entendues dans l\u2019enfance dont on a oubli\u00e9 les mots exacts, mais qui organisent encore notre mani\u00e8re d\u2019aimer, de choisir, de craindre. Comme nos propres traces.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Le pass\u00e9 ne passe jamais compl\u00e8tement<\/h2>\n\n\n\n

Face \u00e0 ces \u0153uvres, des questions surgit presque malgr\u00e9 soi :<\/p>\n\n\n\n

De quelles couches suis-je fait ? Sous mon pr\u00e9sent, qu\u2019est-ce qui continue d\u2019affleurer ? Quels r\u00e9cits anciens parlent encore \u00e0 travers moi ? Que crois-je avoir d\u00e9pass\u00e9, alors m\u00eame que cela me gouverne encore ?<\/p>\n\n\n\n

En effet, le pass\u00e9 ne passe jamais compl\u00e8tement. Il se d\u00e9place. Il change de forme. Il devient sympt\u00f4me. Il devient angoisse. Il devient choix amoureux. Il devient parfois vocation.<\/p>\n\n\n\n

Mais l\u2019exposition ajoute un second mot, peut-\u00eatre plus d\u00e9cisif encore : anticipation.<\/p>\n\n\n\n

Il ne s\u2019agit pas seulement de constater les traces. Il s\u2019agit de choisir ce que nous \u00e9crivons par-dessus.<\/p>\n\n\n\n

Anticiper, ce n\u2019est pas fuir le pass\u00e9, ni pr\u00e9tendre l\u2019effacer. C\u2019est entrer en dialogue avec lui sans lui abandonner l\u2019avenir.<\/p>\n\n\n\n

Nous vivons aujourd\u2019hui pr\u00e9cis\u00e9ment dans cet espace fragile : entre m\u00e9moire et projection, entre h\u00e9ritage et invention, entre fid\u00e9lit\u00e9 et libert\u00e9.<\/p>\n\n\n\n

Un pays, lui aussi, est un palimpseste. Ses murs, ses langues, ses blessures politiques, ses r\u00eaves de modernit\u00e9, ses nostalgies : tout y coexiste, tout s\u2019y superpose, tout continue de s\u2019\u00e9crire en m\u00eame temps.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Et c\u2019est peut-\u00eatre l\u00e0 que l\u2019art devient indispensable. Il permet parfois de lire ce que la soci\u00e9t\u00e9 ne parvient plus \u00e0 dire. Et peut-\u00eatre est-ce cela, aujourd\u2019hui, cr\u00e9er en Tunisie : porter toutes les strates, l\u2019histoire, les fractures, les silences, les promesses suspendues\u2026 Et malgr\u00e9 cela, oser encore produire une image neuve.<\/p>\n\n\n\n

En quittant cette exposition, une question demeure : Que faisons-nous de ce qui reste inscrit en nous ? Le recouvrons-nous de bruit ? Le r\u00e9p\u00e9tons-nous sans le savoir ? Ou acceptons-nous enfin de lire les anciennes lignes avant d\u2019\u00e9crire les nouvelles ?<\/p>\n\n\n\n

\u2018\u2018Palimpseste et anticipation\u2019\u2019<\/em> une invitation de Aicha Filali \u00e0 reconna\u00eetre ses traces, \u00e0 lire ses propres couches puis \u00e9crire autrement.<\/p>\n\n\n\n

Car l\u2019anticipation la plus profonde n\u2019est peut-\u00eatre pas de pr\u00e9dire demain. C\u2019est de choisir, lucidement, la phrase que nous ajoutons aujourd\u2019hui sur l\u2019ancienne page de nous-m\u00eames.<\/p>\n\n\n\n

* Il s\u2019agit de Abdesslem Ayed, Baker Ben Fredj, Sonia Ben Slimane, Oumeima Ben Soltane, Alaeddine Boutaleb, Amel Bouslama, Amar Briki, Najet Dhahbi, Dhia Dhibi, Hela Djobbi, Slim Drissi, Aicha Filali, Emna Ghezaiel, Adnen Haj Sassi, Amine Inoubli, Imed Jemaiel, Halim Karabibene, Raouf Karray, Sadri Khiari, Ibrahim M\u00e1touss, Atef Mataallah, Insaf Saada, Nabil Saouabi et Walid Zouari<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Exposition collective de plus de vingt artistes tunisiens au Mus\u00e9e Safia Farhat, \u00e0 Rad\u00e8s, sous le titre \u2018\u2018Palimpseste et anticipation\u2019\u2019.<\/p>\n","protected":false},"author":8,"featured_media":18757254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[83433,128262,83435,76281,1872,83434],"class_list":["post-18757250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-aicha-filali","tag-baker-ben-fredj","tag-halim-karabibene","tag-musee-safia-farhat","tag-rades","tag-raouf-karray"],"yoast_head":"\nExposition \u00e0 Rad\u00e8s | \u00a0M\u00e9moire d\u2019avenir \u00a0 - Kapitalis<\/title>\n<meta name=\"description\" content=\"Exposition collective de plus de vingt artistes tunisiens au Mus\u00e9e Safia Farhat, \u00e0 Rad\u00e8s, sous le titre \u2018\u2018Palimpseste et anticipation\u2019\u2019.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2026\/05\/12\/exposition-a-rades-memoire-de-lavenir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exposition \u00e0 Rad\u00e8s | \u00a0M\u00e9moire d\u2019avenir \u00a0 - 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