{"id":18888395,"date":"2026-06-10T07:45:00","date_gmt":"2026-06-10T06:45:00","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=18888395"},"modified":"2026-06-10T07:44:29","modified_gmt":"2026-06-10T06:44:29","slug":"lhomme-de-bizerte-de-fabrizio-calvini-deux-vies-au-bout-du-chemin","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2026\/06\/10\/lhomme-de-bizerte-de-fabrizio-calvini-deux-vies-au-bout-du-chemin\/","title":{"rendered":"\u2018\u2018L\u2019homme de Bizerte\u2019\u2019 de Fabrizio Calvini | Deux vies au bout du chemin"},"content":{"rendered":"\n

Dans son roman policier \u2018\u2018L\u2019uomo di Biserta\u2019\u2019 (\u00abL\u2019Homme de Bizerte\u00bb), le romancier italien Fabrizio Calvini situe l\u2019intrigue en Tunisie. Une histoire captivante d\u2019amour, de tr\u00e9sor enfoui et de trafic d\u2019art apr\u00e8s la R\u00e9volution de 2011. Un amour consum\u00e9 par le temps, la Tunisie comme refuge et espoir de r\u00e9demption, la qu\u00eate d\u2019un tr\u00e9sor qui se transforme en pi\u00e8ge criminel.<\/em><\/strong><\/p>\n\n\n\n\n\n\n\n

Tels sont les \u00e9l\u00e9ments centraux de ce thriller (\u00e9ditions Readaction, Rome, 4 juin 2026, 354 pages) dont le principal protagoniste, Claudio, est chauffeur de voiture de police, prisonnier d\u2019un travail qu\u2019il d\u00e9teste et d\u2019une vie sans perspectives.<\/p>\n\n\n\n

Sa rencontre avec Reno, un acteur en pleine crise existentielle et rong\u00e9 par l\u2019alcool, marque le d\u00e9but d\u2019une relation qui durera vingt ans.<\/p>\n\n\n\n

Unis par une passion pour l\u2019art, l\u2019arch\u00e9ologie et les voyages, ils s\u2019\u00e9loignent peu \u00e0 peu les uns des autres, victimes des frustrations, des illusions perdues et de l\u2019incapacit\u00e9 \u00e0 trouver un nouvel \u00e9quilibre.<\/p>\n\n\n\n

Un ailleurs convoit\u00e9 et id\u00e9alis\u00e9<\/h2>\n\n\n\n

Pour les deux hommes, la Tunisie devient un ailleurs convoit\u00e9 et id\u00e9alis\u00e9, un espace o\u00f9 fuir la routine et s\u2019interroger sur leur existence. Mais le voyage prend rapidement une tournure obsessionnelle lorsque Claudio et Reno entrent en possession d\u2019un trait\u00e9 islamique consacr\u00e9 aux richesses cach\u00e9es et aux esprits qui, selon une tradition populaire aliment\u00e9e par des d\u00e9couvertes historiques, en gardent le secret.<\/p>\n\n\n\n

Pour Reno, la possibilit\u00e9 d\u2019un or enfoui se transforme en une qu\u00eate d\u00e9vorante ; Claudio le suit, attir\u00e9 par le charme de son compagnon et l\u2019espoir que l\u2019exp\u00e9rience tunisienne puisse encore lui offrir une \u00e9chappatoire \u00e0 son d\u00e9sespoir personnel et affectif.<\/p>\n\n\n\n

L\u2019histoire se d\u00e9roule dans un pays au lendemain du Printemps arabe, en proie au changement, \u00e0 l\u2019incertitude et aux contradictions, peupl\u00e9 de figures excentriques, tragiques ou ambigu\u00ebs. Les destins des protagonistes croisent celui de Fabio, un Italien myst\u00e9rieux, qui les conduit \u00e0 Mohamed Khalfini, un riche collectionneur tunisien. Ce qui semble \u00eatre une \u00e9tape d\u00e9cisive vers la d\u00e9couverte du tr\u00e9sor se r\u00e9v\u00e8le en r\u00e9alit\u00e9 un pi\u00e8ge dans une histoire plus sombre, li\u00e9e au trafic d\u2019artefacts arch\u00e9ologiques et \u00e0 une enqu\u00eate men\u00e9e par El Ras, un ancien prisonnier fondamentaliste islamique devenu chef de la police. <\/p>\n\n\n\n

D\u00e9sir, m\u00e9moire et d\u00e9senchantement<\/h2>\n\n\n\n

Entre arrestations, trahisons, meurtres et fausses pistes, le myst\u00e8re arch\u00e9ologique s\u2019entrem\u00eale \u00e0 la vie priv\u00e9e de Claudio et Reno, exposant la fragilit\u00e9 de leur relation et l\u2019impossibilit\u00e9 de compter sur une aventure exotique pour r\u00e9soudre leurs propres \u00e9checs.<\/p>\n\n\n\n

La Tunisie n\u2019est pas seulement le d\u00e9cor de l\u2019histoire, mais aussi un espace narratif o\u00f9 se m\u00ealent d\u00e9sir, m\u00e9moire, d\u00e9senchantement et qu\u00eate d\u2019une libert\u00e9 toujours insaisissable. La couverture du livre, domin\u00e9e par des nuances de bleu, un palmier et les silhouettes de b\u00e2timents m\u00e9diterran\u00e9ens, accompagne cette dimension suspendue entre attraction et angoisse, incarn\u00e9e par la r\u00e9f\u00e9rence \u00e9ditoriale \u00e0 \u00abdeux vies au bout du chemin\u00bb<\/em>, \u00e0 \u00abl\u2019illusion de la r\u00e9demption\u00bb<\/em> et au danger tapi derri\u00e8re les traces d\u2019un myst\u00e8re.<\/p>\n\n\n\n

Expert en production et organisation th\u00e9\u00e2trales, Fabrizio Calvini a explor\u00e9 l\u2019univers de la sc\u00e8ne sous diverses formes : de la programmation des grands classiques \u00e0 la critique journalistique, en passant par son r\u00f4le institutionnel au sein de la Commission de la prose du minist\u00e8re italien de la Culture. Fort d\u2019une exp\u00e9rience dans l\u2019\u00e9dition et la communication, l\u2019auteur coordonne aujourd\u2019hui des initiatives culturelles autour de la M\u00e9diterran\u00e9e, partageant son temps entre Rome et l\u2019Afrique du Nord.<\/p>\n\n\n\n

Traduit de l\u2019italien. <\/em> <\/p>\n\n\n\n

Source <\/em><\/strong>: Ansa<\/a>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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