{"id":19720341,"date":"2026-09-29T08:15:29","date_gmt":"2026-09-29T07:15:29","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=19720341"},"modified":"2026-09-29T08:29:01","modified_gmt":"2026-09-29T07:29:01","slug":"affaire-thelyson-orelien-la-frontiere-entre-ia-et-creation-litteraire","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2026\/09\/29\/affaire-thelyson-orelien-la-frontiere-entre-ia-et-creation-litteraire\/","title":{"rendered":"Affaire Th\u00e9lyson Or\u00e9lien |\u00a0La fronti\u00e8re entre IA et\u00a0cr\u00e9ation litt\u00e9raire"},"content":{"rendered":"\n

\u200eD<\/em><\/strong><\/em><\/strong>ans cette fronti\u00e8re, de plus en plus incertaine, entre l\u2019\u00e9crivain qui utilise l\u2019<\/em><\/strong><\/em><\/strong>intelligence artificielle<\/em><\/strong><\/em><\/strong> et l\u2019<\/em><\/strong><\/em><\/strong>intelligence artificielle<\/em><\/strong><\/em><\/strong> qui \u00e9crit \u00e0 la place de l\u2019\u00e9crivain<\/em><\/strong><\/em><\/strong>, o<\/em><\/strong><\/em><\/strong>\u00f9 finit l\u2019assistance et o\u00f9 commence la substitution ?<\/em><\/strong><\/em><\/strong> L\u2019affaire<\/em><\/strong><\/em><\/strong> \u200e<\/em><\/strong><\/em><\/strong>Th\u00e9lyson Or\u00e9lien<\/em><\/strong><\/em><\/strong> pose cette probl\u00e9matique avec acuit\u00e9.<\/em><\/strong><\/em><\/strong> <\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n

Atef Gadhoumi<\/strong> * \u00a0<\/p>\n\n\n\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

\u200eTh\u00e9lyson Or\u00e9lien. Ce nom vous dit-il quelque chose ? Oui, certainement. Sinon, retenez-le. \u200eIl est sur toutes les l\u00e8vres, fustig\u00e9 par les uns, d\u00e9fendu par les autres. Sa notori\u00e9t\u00e9, \u00e0 peine acquise, d\u00e9j\u00e0 fugace, vient d\u2019\u00eatre \u00e9clabouss\u00e9e. Pis encore, remise en cause. \u200eSon premier roman est la r\u00e9v\u00e9lation de cette rentr\u00e9e litt\u00e9raire. Prix du roman Fnac et nomin\u00e9 pour les plus prestigieux prix litt\u00e9raires : le Goncourt, le Renaudot, le Femina… \u2018\u2018<\/em>C\u2019\u00e9tait \u00e7a ou mourir<\/em>\u2019\u2019<\/em> semblait promis \u00e0 un destin exceptionnel. \u200eMais un simple tweet, anonyme \u00e0 ses d\u00e9buts, assum\u00e9 plus tard comme un troph\u00e9e de guerre, bouleverse cette ascension vertigineuse. L\u2019arr\u00eate net : le roman serait g\u00e9n\u00e9r\u00e9 par une IA.<\/p>\n\n\n\n

\u200eScandale et lynchage m\u00e9diatique <\/h2>\n\n\n\n

\u200eUn verdict sans appel. Pangram, pr\u00e9sent\u00e9 comme l\u2019un des d\u00e9tecteurs les plus fiables, a tranch\u00e9.\u200e \u200eLe scandale fait feu de paille. Le monde litt\u00e9raire est \u00e9branl\u00e9. Un s\u00e9isme dont les r\u00e9pliques semblent interminables, impr\u00e9visibles.<\/p>\n\n\n\n

\u200eLa chasse \u00e0 l\u2019homme est ouverte. Son pass\u00e9 est d\u00e9cortiqu\u00e9 au peigne fin. \u200eUn second verdict tombe, lui aussi sans appel : plagiaire r\u00e9cidiviste. Rattrap\u00e9 pour des \u00e9crits vieux de plus de quinze ans ! \u200eSes d\u00e9tracteurs crient victoire. \u200eCons\u00e9quences imm\u00e9diates : le roman est retir\u00e9 de la s\u00e9lection de l\u2019Acad\u00e9mie Goncourt. Au Canada, la tourn\u00e9e promotionnelle est suspendue et certaines rencontres sont annul\u00e9es.\u200e \u200eTout cela sur fond d\u2019accusations qui, pour l\u2019utilisation de l\u2019IA, reposent notamment sur des analyses algorithmiques dont la port\u00e9e probante fait pr\u00e9cis\u00e9ment d\u00e9bat.<\/p>\n\n\n\n

\u200e\u200eTout \u00e7a pour \u00e7a. \u200eCes IA sont, par essence m\u00eame, capables de g\u00e9n\u00e9rer un texte coh\u00e9rent, grammaticalement correct, souvent m\u00eame stylistiquement travaill\u00e9. Mais sont-elles en mesure de cr\u00e9er une \u0153uvre litt\u00e9raire sans avoir derri\u00e8re elles des exp\u00e9riences v\u00e9cues, une n\u00e9cessit\u00e9 int\u00e9rieure, une intention existentielle ou autre ? \u200eJ\u2019en doute fort.<\/p>\n\n\n\n

\u200eAu-del\u00e0 du scandale, une fronti\u00e8re \u00e0 red\u00e9finir<\/h2>\n\n\n\n

\u200eMais l\u00e0 n\u2019est peut-\u00eatre m\u00eame pas l\u2019essentiel. \u200eLe v\u00e9ritable sujet, transcendant ce fait divers, est ailleurs : dans cette fronti\u00e8re, de plus en plus incertaine, entre l\u2019\u00e9crivain qui utilise l\u2019IA et l\u2019IA qui \u00e9crit \u00e0 la place de l\u2019\u00e9crivain.\u200e<\/p>\n\n\n\n

\u200e\u200eOn ne doit plus se d\u00e9rober devant cette r\u00e9alit\u00e9 : nous utilisons tous, \u00e0 des degr\u00e9s divers, l\u2019intelligence artificielle dans de nombreux domaines de notre vie. \u200eLa vraie question que chacun doit d\u00e9sormais se poser est simple :\u200e \u200eO\u00f9 finit l\u2019assistance et o\u00f9 commence la substitution ?<\/p>\n\n\n\n

\u200ePour l\u2019\u00e9crivain, d\u2019abord. \u00c0 lui d\u2019en \u00eatre juge, en \u00e2me et conscience. L\u2019IA peut \u00eatre son soutien, son interlocuteur, son outil, \u00e0 condition de savoir en user \u00e0 bon escient. \u200eMais lorsque l\u2019\u00e9crivain lui d\u00e9l\u00e8gue ses id\u00e9es, abandonne ses personnages, ses sc\u00e8nes, son style, ses choix, que reste-t-il alors de son imagination cr\u00e9ative ?<\/p>\n\n\n\n

\u200eL\u2019\u00e9crivain et philosophe Pascal Bruckner, membre de l\u2019Acad\u00e9mie Goncourt, d\u00e9fend une coexistence possible entre l\u2019intelligence artificielle et la cr\u00e9ation humaine, \u00e0 une condition essentielle : que l\u2019inspiration et la signature finale demeurent celles de l\u2019auteur. \u200eUne position qui m\u00e9rite r\u00e9flexion.<\/p>\n\n\n\n

\u200eL\u2019IA, un soutien ? Oui. \u200eL\u2019IA, un pr\u00eate-plume ? Non.<\/p>\n\n\n\n

* Ecrivain.  Prix Comar D\u00e9couverte 2024.<\/em><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

La paternit\u00e9 litt\u00e9raire de cet article est confirm\u00e9e par Pangram. <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019affaire \u200eTh\u00e9lyson Or\u00e9lien\u00a0pose la probl\u00e9matique de la fronti\u00e8re entre le recours \u00e0 l’IA et la cr\u00e9ation litt\u00e9raire avec acuit\u00e9. <\/p>\n","protected":false},"author":8,"featured_media":19720435,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,1000,2433],"tags":[102639,130341,36826,130340,130342],"class_list":["post-19720341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tribune","category-tunisie","tag-atef-gadhoumi","tag-ecriture-litteraire","tag-intelligence-artificielle","tag-pangram","tag-thelyson-orelien"],"yoast_head":"\nAffaire Th\u00e9lyson Or\u00e9lien |\u00a0La fronti\u00e8re entre IA et\u00a0cr\u00e9ation litt\u00e9raire - Kapitalis<\/title>\n<meta name=\"description\" content=\"L\u2019affaire \u200eTh\u00e9lyson Or\u00e9lien\u00a0pose la probl\u00e9matique de la fronti\u00e8re entre le recours \u00e0 l'IA et la cr\u00e9ation litt\u00e9raire avec acuit\u00e9.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2026\/09\/29\/affaire-thelyson-orelien-la-frontiere-entre-ia-et-creation-litteraire\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Affaire Th\u00e9lyson Or\u00e9lien |\u00a0La fronti\u00e8re entre IA et\u00a0cr\u00e9ation litt\u00e9raire - 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