{"id":19822423,"date":"2026-10-19T08:22:25","date_gmt":"2026-10-19T07:22:25","guid":{"rendered":"https:\/\/kapitalis.com\/tunisie\/?p=19822423"},"modified":"2026-10-19T08:22:26","modified_gmt":"2026-10-19T07:22:26","slug":"les-marabouts-de-dali-belkadhi-en-face-de-la-mer","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2026\/10\/19\/les-marabouts-de-dali-belkadhi-en-face-de-la-mer\/","title":{"rendered":"Les \u00abMarabouts\u00bb de Dali Belkadhi, en face de la mer"},"content":{"rendered":"\n

Apr\u00e8s treize ann\u00e9es de retrait et de silence cr\u00e9atif, Mohamed Ali Belkadhi a sign\u00e9 ce samedi 17 octobre 2026 son grand retour avec le vernissage de son exposition \u00abMarabouts : Balade entre identit\u00e9 et modernit\u00e9\u00bb \u00e0 l\u2019<\/em><\/strong><\/em><\/strong>a<\/em><\/strong><\/em><\/strong>telier<\/em><\/strong><\/em><\/strong>-g<\/em><\/strong><\/em><\/strong>alerie<\/em><\/strong><\/em><\/strong> En face c\u2019est la mer<\/strong> (Espace Verand\u2019Art, 9 rue Sotusas \u00e0 Salammb\u00f4). Une m\u00e9ditation plastique d<\/em><\/strong><\/em><\/strong>\u2019<\/em><\/strong><\/em><\/strong>une grande finesse o\u00f9 le sacr\u00e9 traditionnel devient l<\/em><\/strong><\/em><\/strong>\u2019<\/em><\/strong><\/em><\/strong>\u00e9crin de nos modernit\u00e9s profanes.<\/em><\/strong><\/em><\/strong> <\/em>Dans le Silence du D\u00f4me en face de la mer\u2026<\/em><\/strong><\/em><\/strong> <\/em><\/p>\n\n\n\n

Manel Albouchi<\/strong> <\/strong><\/p>\n\n\n\n\n\n\n\n

Il faut d\u2019abord franchir le seuil et laisser le regard s\u2019acclimater au blanc. Dans l\u2019espace d\u00e9pouill\u00e9 de Verand\u2019Art, r\u00e8gne une immobilit\u00e9 presque sacr\u00e9e. Au fond, c\u2019est l\u2019inauguration d\u2019une niche : l\u2019atelier-galerie En face c\u2019est la mer<\/em>, un autel d\u00e9nu\u00e9 de tout dogme. C\u2019est dans cet \u00e9crin de chaux pure que se sont align\u00e9s les cadres de Mohamed Ali Belkadhi, dit Dali.<\/p>\n\n\n\n

Apr\u00e8s treize ans d\u2019absence – ce long intervalle o\u00f9 m\u00fbrissent les visions profondes -, cet \u00abartiste plasticien de l\u2019imaginaire\u00bb<\/em>, Prix National de Photographie, ne revient pas pour imposer une doctrine, mais pour ouvrir des passages. Sa s\u00e9rie \u00abMarabouts\u00bb<\/em> d\u00e9ploie une frise de fen\u00eatres d\u00e9coup\u00e9es avec une extr\u00eame d\u00e9licatesse.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

La coupole et le croissant<\/h2>\n\n\n\n

Chaque passe-partout est perc\u00e9 d\u2019une arche \u00e0 d\u00f4me, surmont\u00e9e d\u2019un croissant de lune. La silhouette \u00e9voque imm\u00e9diatement la K<\/em>oubba<\/em>, ce sanctuaire maghr\u00e9bin de plan carr\u00e9 surmont\u00e9 d\u2019une coupole. Mais, vue de pr\u00e8s, la ligne refuse tout figement : d\u2019un cadre \u00e0 l\u2019autre, l\u2019arche s\u2019adoucit, le d\u00f4me s\u2019arrondit imperceptiblement, traduisant le geste vivant de la main qui taille le vide. Au-dessus, la lune revient, fid\u00e8le, comme pour nous rappeler la grande loi des m\u00e9tamorphoses : toute rencontre na\u00eet d’une \u00e9clipse, et la pr\u00e9sence a besoin de l\u2019absence pour advenir.<\/p>\n\n\n\n

Sous ces d\u00f4mes protecteurs, le beau, le bizarre et le profane c\u00e9l\u00e8brent de sombres noces. Directement sur le mur blanc, les mots trac\u00e9s \u00e0 l\u2019encre accompagnent chaque \u0153uvre et en d\u00e9clarent la technique : s\u00e9rigraphie, photo, acrylique ou collage. L\u2019\u0153il voyage ainsi de la pr\u00e9cision glac\u00e9e d\u2019un code \u00e0 barres noir et blanc aux lambeaux d\u00e9chir\u00e9s d\u2019une affiche, de la douceur charnelle d\u2019Isabelle La Belle nue sous des z\u00e9brures graphiques \u00e0 la convulsion d\u2019une g\u00e9om\u00e9trie noire sous un rouge sang n\u00e9vrotique. Et tout au bout, l\u2019urgence \u00e9thique s\u2019impose comme un cri vif jet\u00e9 face \u00e0 la mer : Free Palestine<\/em>.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Au-dessus du bruit<\/h2>\n\n\n\n

La force singuli\u00e8re de cette exposition r\u00e9side dans sa capacit\u00e9 de juxtaposition : l\u2019architecture sacr\u00e9e du marabout devient la demeure du profane. Quel art subtil que celui qui sait enfermer la modernit\u00e9 la plus brutale (la consommation, la rue, le d\u00e9sir, le bruit social et les luttes politiques) dans le contenant rassurant de la tradition !<\/p>\n\n\n\n

\u00c0 premi\u00e8re vue, l\u2019exposition ausculte le monde contemporain et ses frictions. Mais \u00e0 mesurer l\u2019apaisement qui se d\u00e9gage du lieu, on comprend que l\u2019arche agit aussi comme une enveloppe psychique, un cadre contenant capable d\u2019accueillir le chaos sans jamais rompre.<\/p>\n\n\n\n

Dali Belkadhi nous montre avec ces Marabouts<\/em> que si l\u2019architecture ext\u00e9rieure de l\u2019\u00eatre est une fa\u00e7ade presque fixe, son sanctuaire intime demeure un univers infini o\u00f9 le profane et le sacr\u00e9 ne s\u2019opposent plus, mais contemplent ensemble le m\u00eame horizon. L\u2019artiste ne cherche pas \u00e0 fuir la laideur ou le bruit du si\u00e8cle ; il les transfigure.<\/p>\n\n\n\n

Ce long silence prend alors tout son sens : il fallait ce temps de retrait pour transformer le flux imp\u00e9tueux de la vie en une forme sereine.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dali Belkadhi signe son grand retour avec son exposition \u00abMarabouts : Balade entre identit\u00e9 et modernit\u00e9\u00bb \u00e0 l’espace Verand\u2019Art, \u00e0 Salammb\u00f4.<\/p>\n","protected":false},"author":8,"featured_media":19822427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[127295,112594,127292],"class_list":["post-19822423","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-dali-belkadhi","tag-salammbo","tag-verandart"],"yoast_head":"\nLes \u00abMarabouts\u00bb de Dali Belkadhi, en face de la mer - Kapitalis<\/title>\n<meta name=\"description\" content=\"Dali Belkadhi signe son grand retour avec son exposition \u00abMarabouts : Balade entre identit\u00e9 et modernit\u00e9\u00bb \u00e0 l'espace Verand\u2019Art, \u00e0 Salammb\u00f4.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2026\/10\/19\/les-marabouts-de-dali-belkadhi-en-face-de-la-mer\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les \u00abMarabouts\u00bb de Dali Belkadhi, en face de la mer - 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