{"id":21519,"date":"2015-10-26T08:16:08","date_gmt":"2015-10-26T07:16:08","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=21519"},"modified":"2015-10-26T08:16:08","modified_gmt":"2015-10-26T07:16:08","slug":"jtc-2015-la-memoire-vive-de-la-palestine","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2015\/10\/26\/jtc-2015-la-memoire-vive-de-la-palestine\/","title":{"rendered":"JTC 2015 : La m\u00e9moire vive de la Palestine"},"content":{"rendered":"

\"Raeda-Tahar\"<\/p>\n

Dans \u2018\u2018Elka zayek min ya Ali\u2019\u2019, Raeda Tahar et Lina Abiyad restituent la m\u00e9moire meurtrie d\u2019un peuple et d\u2019une terre : la Palestine.<\/strong> <\/em><\/p>\n

Par Hamadi Abassi<\/strong><\/p>\n

<\/p>\n

Le rideau est tomb\u00e9, samedi, sur les Journ\u00e9es th\u00e9\u00e2trales de Carthage, qui ont sorti Tunis de sa torpeur m\u00e9lancolique habituelle.
\nLe public de la capitale a r\u00e9pondu pr\u00e9sent pour c\u00e9l\u00e9brer le quatri\u00e8me art dans la diversit\u00e9 de ses formes et passer des moments de plaisir, de d\u00e9couverte et d\u2019\u00e9change fructueux.<\/p>\n

Parmi les pi\u00e8ces qui ont attir\u00e9 le grand public \u00e0 la salle El T\u00e9atro, \u2018\u2018Elka zayek min ya Ali\u2019<\/em>\u2019. Sur la sc\u00e8ne d\u00e9serte, un divan, carcasse amorphe dans un non lieu ind\u00e9fini, nargue les nouveaux arrivants.<\/p>\n

L\u2019envie de t\u00e9moigner <\/strong><\/p>\n

Livr\u00e9e \u00e0 ses propres souvenirs et son envie de t\u00e9moigner sur sa condition de fille de fidayi et de martyr palestinien, la com\u00e9dienne Raeda Tahar vient occuper cet espace d\u00e9solant, hant\u00e9 par de nombreux fant\u00f4mes, pour un \u00e9prouvant soliloque, mis en sc\u00e8ne par la libanaise Lina Abiyad.<\/p>\n

Progressivement, d\u2019une voix assur\u00e9e et claire, la com\u00e9dienne se livre \u00e0 un p\u00e9rilleux exercice de m\u00e9moire, pour nous livrer des tranches de vie, des souvenirs \u00e9mouvants et tendres qui la rattachent \u00e0 son p\u00e8re, compagnon de lutte d\u2019Abou Ammar (Yasser Arafat) tomb\u00e9 en martyr en 1972, en participant \u00e0 la prise d\u2019assaut d\u2019un vol Bruxelles-Al Qods occup\u00e9.<\/p>\n

Le r\u00e9cit est une forme de catharsis pour se d\u00e9charger du poids du souvenir et se reconstruire, plus sereine, en se confiant \u00e0 un auditoire avide de r\u00e9v\u00e9lations.<\/p>\n

L\u2019\u00e9vocation du martyr Abou Tahar, le p\u00e8re, sert de conducteur et de fil d\u2019Ariane qui permet \u00e0 la fille de revisiter et de recomposer le puzzle de sa m\u00e9moire effrit\u00e9e.<\/p>\n

Le go\u00fbt amer de l\u2019exode <\/strong><\/p>\n

Par la saveur d\u2019un texte brillant, truff\u00e9 de r\u00e9f\u00e9rences historiques troublantes, riche en anecdotes, Raeda Tahar navigue \u00e0 fleur de peau et d\u2019\u00e9motion pour raconter la Palestine, ses souvenirs de la r\u00e9sistance et le go\u00fbt amer de l\u2019exode en compagnie des siens pour le Liban. Pour accompagner ces pans incandescents d\u2019une m\u00e9moire prodigue, des projections de diapos, sur un \u00e9cran au fond de la sc\u00e8ne, all\u00e8gent la gravit\u00e9 du ton.<\/p>\n

Il n\u2019y a pas de pathos, tout au long de ce soliloque que l\u2019on penserait astreignant, mais plut\u00f4t une l\u00e9g\u00e8ret\u00e9 de ton et d\u2019agr\u00e9able insouciance, qui permet d\u2019aborder les sujets les plus sombres et les plus graves. Le tout servi par un jeu de r\u00f4les captivant auquel se plie la com\u00e9dienne, qui campe brillamment toute une galerie de portraits charg\u00e9e d\u2019humanit\u00e9.<\/p>\n

\u2018\u2018Elka zayek fin ya Ali\u2019\u2019<\/em> est un r\u00e9el coup de c\u0153ur par l\u2019intelligence de son propos, mais aussi par les qualit\u00e9s d\u2019interpr\u00e9tation de la com\u00e9dienne Raeda Tahar, qui subjugue par sa sinc\u00e9rit\u00e9 et son\u00a0 professionnalisme.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans \u2018\u2018Elka zayek min ya Ali\u2019\u2019, Raeda Tahar et Lina Abiyad restituent la m\u00e9moire meurtrie d\u2019un peuple et d\u2019une terre : la Palestine. Par Hamadi Abassi<\/p>\n","protected":false},"author":8,"featured_media":21520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[7435,6606,8563,4026,900],"class_list":["post-21519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-el-teatro","tag-jtc-2015","tag-liban","tag-palestine","tag-theatre"],"yoast_head":"\nJTC 2015 : La m\u00e9moire vive de la Palestine - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2015\/10\/26\/jtc-2015-la-memoire-vive-de-la-palestine\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JTC 2015 : La m\u00e9moire vive de la Palestine - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Dans \u2018\u2018Elka zayek min ya Ali\u2019\u2019, Raeda Tahar et Lina Abiyad restituent la m\u00e9moire meurtrie d\u2019un peuple et d\u2019une terre : la Palestine. 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