{"id":263970,"date":"2019-12-13T15:44:37","date_gmt":"2019-12-13T14:44:37","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=263970"},"modified":"2019-12-13T15:44:50","modified_gmt":"2019-12-13T14:44:50","slug":"jtc-2019-cicatrice-de-ghazi-zaghbani-ces-plaies-qui-peinent-a-guerir","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2019\/12\/13\/jtc-2019-cicatrice-de-ghazi-zaghbani-ces-plaies-qui-peinent-a-guerir\/","title":{"rendered":"JTC 2019 : \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani, ces plaies qui peinent \u00e0 gu\u00e9rir"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

La pi\u00e8ce de th\u00e9\u00e2tre \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani a \u00e9t\u00e9 jou\u00e9e le dimanche 8 d\u00e9cembre 2019 \u00e0 la salle Le 4e Art au centre-ville de Tunis, dans le cadre de la comp\u00e9tition officielle de la 21e \u00e9dition des Journ\u00e9es th\u00e9\u00e2trales de Carthage (JTC 2019). Chronique d\u2019un journaliste qui, apr\u00e8s un long combat pour sa libert\u00e9 d\u2019expression, sombre dans l\u2019alcoolisme et la d\u00e9raison.<\/em><\/strong><\/p>\n\n\n\n

Par Fawz Ben Ali<\/strong><\/p>\n\n\n\n\n\n\n\n

Apr\u00e8s la soir\u00e9e d\u2019ouverture qui avait laiss\u00e9 voir trois nouvelles productions tunisiennes hors-comp\u00e9tition, la course aux prix a d\u00e9marr\u00e9 le dimanche 8 d\u00e9cembre o\u00f9 14 pi\u00e8ces arabes et africaines sont en comp\u00e9tition officielle dont deux tunisiennes : \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani et \u2018\u2018Assainissement\u2019\u2019 de Moez Hamza.<\/p>\n\n\n\n

Nadia Boussetta et Mohamed Hassine Grayaa, un duo qui marche<\/h3>\n\n\n\n

Face \u00e0 un public nombreux et un jury bien attentif pr\u00e9sid\u00e9 par l\u2019acteur Raouf Ben Amor, la salle Le 4e Art a accueilli, en ce premier jour de comp\u00e9tition, deux repr\u00e9sentations successives de \u2018\u2018Cicatrice\u2019\u2019<\/em>, \u00e9crite par Hatem Al Jouher, mise en sc\u00e8ne par Ghazi Zaghbani et interpr\u00e9t\u00e9e par Nadia Bousetta, Mohamed Hassine Grayaa, Mariem Dridi, Talel Ayoub et Mohamed Ali Gala\u00ef.<\/p>\n\n\n\n

  • \"\"<\/figure><\/li>
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  • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

    Ghazi Zaghbani avait \u00e9galement particip\u00e9 \u00e0 la derni\u00e8re \u00e9dition des JTC en 2018 avec sa pi\u00e8ce \u2018\u2018La fuite\u2019\u2019 <\/em>r\u00e9compens\u00e9e du Prix de la libert\u00e9 d\u2019expression attribu\u00e9 par le Syndicat national des journalistes tunisiens (SNJT). Il revient en force encore cette ann\u00e9e \u00e0 la comp\u00e9tition officielle avec une nouvelle production de l\u2019espace l\u2019Artisto (un th\u00e9\u00e2tre de poche \u00e0 Lafayette qu\u2019il dirige) avec ses deux com\u00e9diens f\u00e9tiches Nadia Boussetta et Mohamed Hassine Grayaa.<\/p>\n\n\n\n

    \u2018\u2018Cicatrice\u2019\u2019 <\/em>est articul\u00e9e autour de deux personnages principaux : un journaliste et une danseuse qui se rencontrent dans un cabaret et tombent vite amoureux l\u2019un de l\u2019autre. Une histoire d\u2019amour qui tourne vite au cauchemar avec la r\u00e9pression et la censure que subit le journaliste par son r\u00e9dacteur en chef. On est sous la dictature de l\u2019ancien r\u00e9gime, et la pi\u00e8ce raconte ces ann\u00e9es noires de corruption, d\u2019injustices sociales, de violence, de censure\u2026 et nous rappelle combien la libert\u00e9 d\u2019expression et notamment la libert\u00e9 de presse est pr\u00e9cieuse, probablement le seul vrai acquis de la r\u00e9volution de 2011.<\/p>\n\n\n\n

    Du corps et ses traumatismes<\/h3>\n\n\n\n

    La pi\u00e8ce est ainsi construite sur un nombre de va et vient entre le pass\u00e9 et le pr\u00e9sent pour mettre en \u00e9vidence ces cicatrices psychologiques mais aussi physiques, car le corps occupe une place importante dans l\u2019\u0153uvre de Ghazi Zaghbani, une place d\u00e9j\u00e0 tr\u00e8s \u00e9vidente dans \u2018\u2018La fuite\u2019\u2019<\/em> avec le personnage de la prostitu\u00e9e, mais qu\u2019on retrouve aussi dans \u2018\u2018Cicatrice\u2019\u2019 <\/em>avec ces deux corps \u00e9croul\u00e9s. La danseuse qui incarnait ce corps d\u00e9sir\u00e9 et tr\u00e8s f\u00e9minin, et qui se laisse aller dans sa nouvelle vie de femme au foyer, d\u00e9laiss\u00e9e par son mari. Ce m\u00eame mari qui avait longtemps lutt\u00e9 pour sa libert\u00e9 d\u2019expression et qui n\u2019arrive plus \u00e0 tenir debout, affaibli et en proie \u00e0 son alcoolisme, l\u2019unique \u00e9chappatoire qu\u2019il a eue pour noyer sa d\u00e9tresse.<\/p>\n\n\n\n

    • \"\"<\/figure><\/li>
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    • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

      Dans un d\u00e9cor essentiellement constitu\u00e9 de deux tables et de quelques chaises en bois d\u00e9plac\u00e9s au fil des sc\u00e8nes pour reconstituer \u00e0 chaque fois de nouveaux espaces (maison, bureau, bar \u2026), la pi\u00e8ce tient aussi \u00e0 un texte de narration \u00e9nonc\u00e9 par des com\u00e9diens qui jouent tour \u00e0 tour les narrateurs mais aussi une multitude de personnages qui incarnent les traumatismes v\u00e9cus par tout un chacun de nous, des cicatrices qui rappellent ce passage douloureux mais n\u00e9cessaire de la r\u00e9pression vers la libert\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

      La pi\u00e8ce de th\u00e9\u00e2tre \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani a \u00e9t\u00e9 jou\u00e9e le dimanche 8 d\u00e9cembre 2019 \u00e0 la salle Le 4e Art au centre-ville de Tunis, dans le cadre de la comp\u00e9tition officielle de la 21e \u00e9dition des Journ\u00e9es th\u00e9\u00e2trales de Carthage (JTC 2019). Chronique d\u2019un journaliste qui, apr\u00e8s un long combat pour sa libert\u00e9…<\/p>\n","protected":false},"author":8,"featured_media":263973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[48355,68153],"class_list":["post-263970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-ghazi-zaghbani","tag-jtc-2019"],"yoast_head":"\nJTC 2019 : \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani, ces plaies qui peinent \u00e0 gu\u00e9rir - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2019\/12\/13\/jtc-2019-cicatrice-de-ghazi-zaghbani-ces-plaies-qui-peinent-a-guerir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JTC 2019 : \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani, ces plaies qui peinent \u00e0 gu\u00e9rir - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"La pi\u00e8ce de th\u00e9\u00e2tre \u2018\u2018Cicatrice\u2019\u2019 de Ghazi Zaghbani a \u00e9t\u00e9 jou\u00e9e le dimanche 8 d\u00e9cembre 2019 \u00e0 la salle Le 4e Art au centre-ville de Tunis, dans le cadre de la comp\u00e9tition officielle de la 21e \u00e9dition des Journ\u00e9es th\u00e9\u00e2trales de Carthage (JTC 2019). 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