{"id":283053,"date":"2020-02-24T09:10:49","date_gmt":"2020-02-24T08:10:49","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=283053"},"modified":"2020-02-24T09:10:51","modified_gmt":"2020-02-24T08:10:51","slug":"festival-du-rire-mamou-chehyma-ou-le-desarroi-de-trois-artistes","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2020\/02\/24\/festival-du-rire-mamou-chehyma-ou-le-desarroi-de-trois-artistes\/","title":{"rendered":"Festival du Rire : \u2018\u2018Mamou &#038; Chehyma\u2019\u2019, ou le d\u00e9sarroi de trois artistes"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2020\/02\/Mamou-et-Chehyma-Ban.jpg\" alt=\"\" class=\"wp-image-283054\"\/><\/figure>\n\n\n\n<p><strong><em> \u2018\u2018Mamou &amp; Chehyma\u2019\u2019, nouvelle production th\u00e9\u00e2trale sign\u00e9e Kamel Touati, Slah Msaddak et Lassaad Ben Abdallah, a \u00e9t\u00e9 pr\u00e9sent\u00e9e le soir du vendredi 21 f\u00e9vrier  2020, au Th\u00e9\u00e2tre municipal de Tunis, dans le cadre du Festival du Rire.<\/em><\/strong><\/p>\n\n\n\n<p> Par <strong>Fawz Ben Ali<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p> Le Festival du Rire de Tunis, dont la 11e \u00e9dition avait commenc\u00e9 le 18 f\u00e9vrier et qui s\u2019est cl\u00f4tur\u00e9e hier soir, dimanche 23 f\u00e9vrier, avec un spectacle de magie pour enfants, a \u00e9t\u00e9 une \u00e9dition 100% masculine o\u00f9 les femmes \u00e9taient malheureusement les grandes absentes.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"> Un trio de choc pour une com\u00e9die \u00e9mouvante<\/h3>\n\n\n\n<p> Les artistes maghr\u00e9bins et francophones ont domin\u00e9 la programmation de cette ann\u00e9e o\u00f9 la participation tunisienne s\u2019est arr\u00eat\u00e9e \u00e0 la nouvelle pi\u00e8ce de th\u00e9\u00e2tre \u2018\u2018Mamou &amp; Chehyma\u2019\u2019, co\u00e9crite et jou\u00e9e par un trio de choc : Kamel Touati, Slah Msaddak et Lassaad Ben Abdallah.<\/p>\n\n\n\n<p> Cette mise en sc\u00e8ne sign\u00e9e Lassaad Ben Abdallah, dont la premi\u00e8re avait eu lieu le 13 f\u00e9vrier, est un projet in\u00e9dit entre la com\u00e9die et la critique acerbe, r\u00e9unissant trois grandes t\u00eates d\u2019affiche. On les a connus \u00e0 la t\u00e9l\u00e9vision, au cin\u00e9ma et au th\u00e9\u00e2tre, le trio d\u2019artistes se r\u00e9unit pour la premi\u00e8re fois autour d\u2019un m\u00eame projet dont l\u2019id\u00e9e premi\u00e8re vient de Kamel Touati  et dont ils ont par la suite finalis\u00e9 la dramaturgie et les dialogues, apportant chacun son souffle et son v\u00e9cu, renouant ainsi avec leur premi\u00e8re passion pour le 4e art, notamment Lassaad Ben Abdallah qui n\u2019\u00e9tait pas mont\u00e9 sur les planches depuis une bonne vingtaine d\u2019ann\u00e9es.<\/p>\n\n\n\n<p> Nous sommes dans un huis-clos et le d\u00e9cor est compos\u00e9 d\u2019une grande table,  d\u2019un chevalet, de quelques chaises et de quelques toiles qui tra\u00eenent; un espace qui fait office de maison et d\u2019atelier o\u00f9 vivent Mamou (Kamel Touati), un peintre en mal d\u2019inspiration, et son fr\u00e8re ain\u00e9 Hamouda (Lassaad Ben Abdalah), un ancien accordeur de piano dont le m\u00e9tier a disparu avec les nouvelles technologies musicales, et dont on entend seulement la voix avant d\u2019appara\u00eetre seulement \u00e0 la fin de la pi\u00e8ce.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2020\/02\/Mamou-et-Chehyma-Slah-Masaddak.jpg\" alt=\"\" data-id=\"283055\" data-link=\"http:\/\/kapitalis.com\/tunisie\/?attachment_id=283055\" class=\"wp-image-283055\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2020\/02\/Mamou-et-Chehyma-Kamel-Touati-2.jpg\" alt=\"\" data-id=\"283056\" data-link=\"http:\/\/kapitalis.com\/tunisie\/?attachment_id=283056\" class=\"wp-image-283056\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2020\/02\/Mamou-et-Chehyma-Kamel-Touati-et-Slah-Msaddak.jpg\" alt=\"\" data-id=\"283057\" data-full-url=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2020\/02\/Mamou-et-Chehyma-Kamel-Touati-et-Slah-Msaddak.jpg\" data-link=\"http:\/\/kapitalis.com\/tunisie\/?attachment_id=283057\" class=\"wp-image-283057\"\/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p> Apr\u00e8s de fortes pluies ayant fini par inonder toutes les routes, Chehima (Slah Msaddak) se trouve coinc\u00e9 chez son vieil ami Mamou. Les deux personnages principaux sont des compagnons de route, deux peintres ins\u00e9parables depuis une quarantaine d\u2019ann\u00e9es.<\/p>\n\n\n\n<p> Arriv\u00e9s \u00e0 leur fin de carri\u00e8re, les deux artistes qui avaient connu la gloire, le succ\u00e8s et la richesse, se font d\u00e9sormais de plus en plus rarement inviter \u00e0 exposer leurs \u0153uvres.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"> Impasse existentielle et malaise partag\u00e9<\/h3>\n\n\n\n<p> Mais Mamou compte beaucoup sur ce prochain vernissage et surtout sur ce tableau qu\u2019il est en train de finaliser et qui repr\u00e9sente un labyrinthe \u00e0 l\u2019image de l\u2019impasse existentielle dans laquelle il se trouve, tout comme son ami et son fr\u00e8re.<\/p>\n\n\n\n<p> Les deux peintres passent la soir\u00e9e \u00e0 tout remettre en question, leurs carri\u00e8res, l\u2019utilit\u00e9 de leurs \u0153uvres, la valeur de leur travail\u2026 Dans un m\u00e9lange de dialogues dr\u00f4les, de situations burlesques et d\u2019aveux \u00e9mouvants, la pi\u00e8ce s\u2019interroge sur la place de l\u2019artiste et de l\u2019intellectuel dans la soci\u00e9t\u00e9 moderne, tout en mettant l\u2019accent sur la libert\u00e9 d\u2019expression et de cr\u00e9ation souvent en proie \u00e0 la surveillance de l\u2019Etat, mais aussi sur la situation pr\u00e9caire dans laquelle se retrouvent beaucoup d\u2019artistes en fin de carri\u00e8re.<\/p>\n\n\n\n<p><em> \u2018\u2018Mamou et Chehyma\u2019\u2019 <\/em>tire sa force de son texte construit sur un nombre de m\u00e9taphores intelligentes, de parall\u00e8les et de jeux de mots autour du d\u00e9sarroi des artistes mais aussi de tout un peuple en mal de vivre, repr\u00e9sent\u00e9s par des personnages attachants et cr\u00e9dibles, proches de tout un chacun avec leurs soucis du quotidien et leur qu\u00eate du bonheur. <\/p>\n\n\n\n<p> C\u2019est une pi\u00e8ce en phase avec son temps qui \u00e9voque l\u2019actualit\u00e9 sociopolitique du pays, notamment les derni\u00e8res \u00e9lections avec l\u2019incomp\u00e9tence des \u00e9lus d\u2019un c\u00f4t\u00e9, et la d\u00e9sillusion des \u00e9lecteurs d\u2019un autre c\u00f4t\u00e9.<\/p>\n\n\n\n<p> Derri\u00e8re ses airs comiques,<em> \u2018\u2018Mamou et Chehima\u2019\u2019<\/em> traduit un malaise partag\u00e9 par beaucoup d\u2019artistes et pose un regard inquiet sur une transition d\u00e9mocratique encore tr\u00e8s fragile. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018\u2018Mamou &amp; Chehyma\u2019\u2019, nouvelle production th\u00e9\u00e2trale sign\u00e9e Kamel Touati, Slah Msaddak et Lassaad Ben Abdallah, a \u00e9t\u00e9 pr\u00e9sent\u00e9e le soir du vendredi 21 f\u00e9vrier 2020, au Th\u00e9\u00e2tre municipal de Tunis, dans le cadre du Festival du Rire. Par Fawz Ben Ali<\/p>\n","protected":false},"author":8,"featured_media":283054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[],"class_list":["post-283053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Festival du Rire : \u2018\u2018Mamou &amp; Chehyma\u2019\u2019, ou le d\u00e9sarroi de trois artistes - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2020\/02\/24\/festival-du-rire-mamou-chehyma-ou-le-desarroi-de-trois-artistes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival du Rire : \u2018\u2018Mamou &amp; Chehyma\u2019\u2019, ou le d\u00e9sarroi de trois artistes - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"\u2018\u2018Mamou &amp; Chehyma\u2019\u2019, nouvelle production th\u00e9\u00e2trale sign\u00e9e Kamel Touati, Slah Msaddak et Lassaad Ben Abdallah, a \u00e9t\u00e9 pr\u00e9sent\u00e9e le soir du vendredi 21 f\u00e9vrier 2020, au Th\u00e9\u00e2tre municipal de Tunis, dans le cadre du Festival du Rire. 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