{"id":311420,"date":"2020-08-11T09:18:42","date_gmt":"2020-08-11T08:18:42","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=311420"},"modified":"2020-08-11T09:18:44","modified_gmt":"2020-08-11T08:18:44","slug":"dalila-meftahi-presente-enfas-a-hammamet-la-prison-comme-metaphore-de-la-vie","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2020\/08\/11\/dalila-meftahi-presente-enfas-a-hammamet-la-prison-comme-metaphore-de-la-vie\/","title":{"rendered":"Dalila Meftahi pr\u00e9sente \u00abEnfas\u00bb \u00e0 Hammamet : la prison comme m\u00e9taphore de la vie"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Interpr\u00e9t\u00e9e par Rym Abroug, Leila Rezgui, Leila Trabelsi, Abir Smidi et Kamel Kaabi et produite par la Troupe de la ville de Tunis, la pi\u00e8ce th\u00e9\u00e2trale \u00abEnfas\u00bb de Dalila Meftahi est une immersion dans l\u2019univers abyssal de la nature humaine pour en explorer les recoins les plus sombres et les attitudes les plus complexes. <\/em><\/strong><\/p>\n\n\n\n\n\n\n\n

Pr\u00e9sent\u00e9e hier soir, lundi 10 ao\u00fbt 2020, sur la sc\u00e8ne du th\u00e9\u00e2tre de plein air du Centre culturel international de Hammamet, dans le cadre du programme Sahriyet \u00e9t\u00e9 2020 \u00e0 Hammamet, cette pi\u00e8ce th\u00e9\u00e2trale en clair obscur d\u00e9peint des personnages au bord de la folie mais et qui paradoxalement sont lucides et se souviennent du plus petit d\u00e9tail de leur existence chaotique.<\/p>\n\n\n\n

La prison comme un champ de libert\u00e9 immense<\/h3>\n\n\n\n

Sur sc\u00e8ne, une reproduction sinistre d\u2019une prison exigu\u00eb, comme toutes les prisons du monde, sans \u00e2me et sans aucune ouverture sur l\u2019ext\u00e9rieur, \u00e0 l\u2019exception d\u2019une petite porte qui sert d\u2019acc\u00e8s \u00e0 leur ge\u00f4li\u00e8re. <\/p>\n\n\n\n

  • \"\"<\/figure><\/li>
  • \"\"<\/figure><\/li>
  • \"\"<\/figure><\/li>
  • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

    Dans cet espace de non vie, Dalila Meftahi r\u00e9invente la vie, une autre vie qui ne ressemble en rien \u00e0 celle qu\u2019on connait, car trop \u00e9trange, voire insens\u00e9e. La prison se transforme alors en un champ de libert\u00e9 immense qui permet aux prisonni\u00e8res de d\u00e9rouler le long ruban de leur existence pas du tout rose, de laisser couler des larmes de d\u00e9sespoir et d\u2019exprimer la profonde violence qui habite leur corps, agite leur conscience et provoque leur d\u00e9lire.<\/p>\n\n\n\n

    L\u2019histoire, c\u2019est celle de quatre d\u00e9tenus, trois femmes et un homme, condamn\u00e9s \u00e0 200 ans, \u00e0 la perp\u00e9tuit\u00e9 et \u00e0 la peine capitale. Des personnages bris\u00e9s, se souvenant, r\u00eavant, se disputant, et se courtisant dans le sombre monde carc\u00e9ral. Coup\u00e9s du monde ext\u00e9rieur, ces \u00eatres sombrent dans leur int\u00e9riorit\u00e9, avec pour seul r\u00e9confort, les rares conversations avec leur ge\u00f4li\u00e8re et le quatri\u00e8me prisonnier qui a r\u00e9ussi \u00e0 grimper l\u2019\u00e9chelle pour devenir cuisiner.<\/p>\n\n\n\n

    Les images lointaines d\u2019un monde oubli\u00e9<\/h3>\n\n\n\n

    Et c\u2019est \u00e0 travers cette gardienne que les \u00e9chos des \u00e9v\u00e9nements de janvier 2011 sont parvenus \u00e0 leurs oreilles, en leur apportant les images lointaines d\u2019un monde oubli\u00e9, leur propre monde, en convulsion extr\u00eame, lui aussi, m\u00eame si il leur offre l\u2019opportunit\u00e9 d\u2019une libert\u00e9 retrouv\u00e9e \u00e0 travers l\u2019amnistie de trois de trois d\u2019entres-elles.<\/p>\n\n\n\n

    • \"\"<\/figure><\/li>
    • \"\"<\/figure><\/li>
    • \"\"
      Dalila Meftahi.<\/em><\/figcaption><\/figure><\/li>
    • \"\"
      Tahar Radhouani.<\/em><\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

      Mais le comble de l\u2019ironie et de l\u2019absurde aussi est que les trois prisonni\u00e8res amnisti\u00e9es, refusent de quitter leur prison, refusent cette libert\u00e9.<\/p>\n\n\n\n

      \u00ab\u00a0Enfas\u00a0\u00bb<\/em> de Dalila Meftahi d\u2019apr\u00e8s un texte de Tahar Radhouani est une \u0153uvre d\u2019humour noir, de paradoxe et d\u2019absurde qui diss\u00e8que le social et le politique avec la force des m\u00e9taphores et un jeu d\u2019acteur incroyablement bien ficel\u00e9 qui s\u2019ajoute \u00e0 une mise en sc\u00e8ne complexe qui accentue les paraboles d\u2019un texte d\u00e9j\u00e0 fort, et le conforte par un jeu d’acteur poignant de v\u00e9rit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Interpr\u00e9t\u00e9e par Rym Abroug, Leila Rezgui, Leila Trabelsi, Abir Smidi et Kamel Kaabi et produite par la Troupe de la ville de Tunis, la pi\u00e8ce th\u00e9\u00e2trale \u00abEnfas\u00bb de Dalila Meftahi est une immersion dans l\u2019univers abyssal de la nature humaine pour en explorer les recoins les plus sombres et les attitudes les plus complexes.<\/p>\n","protected":false},"author":8,"featured_media":311423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[81609,26524,81606,81605,81610,81607,6507,81608,81611],"class_list":["post-311420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-abir-smidi","tag-centre-culturel-international-de-hammamet","tag-dalila-meftahi","tag-enfas","tag-kamel-kaabi","tag-leila-rezgui","tag-leila-trabelsi","tag-rym-abroug","tag-tahar-radhouani"],"yoast_head":"\nDalila Meftahi pr\u00e9sente \u00abEnfas\u00bb \u00e0 Hammamet : la prison comme m\u00e9taphore de la vie - 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