{"id":345932,"date":"2021-04-18T07:15:00","date_gmt":"2021-04-18T06:15:00","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=345932"},"modified":"2021-04-18T07:44:11","modified_gmt":"2021-04-18T06:44:11","slug":"le-poeme-du-dimanche-ici-de-guennadi-aigui","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2021\/04\/18\/le-poeme-du-dimanche-ici-de-guennadi-aigui\/","title":{"rendered":"Le po\u00e8me du dimanche : \u2018\u2018Ici\u2019\u2019 de Guennadi A\u00efgui"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

Le grand po\u00e8te tchouvache (la Tchouvachie, fond\u00e9e en 1920, est une r\u00e9publique de la F\u00e9d\u00e9ration de Russie) Guennadi A\u00efgui<\/em><\/strong> est n\u00e9 en 1934, d\u00e9c\u00e9d\u00e9 en 2006, \u00e0 Moscou. Il \u00e9crit en russe et en tchouvache. Il est consid\u00e9r\u00e9 comme le Mallarm\u00e9 de son pays, selon le mot du metteur en sc\u00e8ne, Antoine Vitez, avec lequel il \u00e9tait ami.<\/em><\/strong><\/p>\n\n\n\n\n\n\n\n

Guennadi A\u00efgui retrace dans sa po\u00e9sie une enfance descendant des Huns, ce peuple nomade d\u2019Asie centrale. Il \u00abexplore le continent po\u00e9tique oubli\u00e9 du sommeil pour y retrouver la m\u00e9moire ancestrale et le lieu d\u2019exercice d’une libert\u00e9 sans entraves\u2026 Le po\u00e8me incarne dans sa forme m\u00eame l\u2019effort et l\u2019exaltation de la pens\u00e9e\u00bb<\/em>, \u00e9crit son \u00e9diteur, Pierre Seghers.<\/p>\n\n\n\n

Gr\u00e2ce \u00e0 son traducteur, L\u00e9on Robel, sa po\u00e9sie est aujourd\u2019hui accessible aux lecteurs de langue fran\u00e7aise chez diff\u00e9rents \u00e9diteurs.<\/p>\n\n\n\n

Po\u00e8te, traducteur de po\u00e9sie fran\u00e7aise, il est l\u2019auteur, entre autres, de \u2018\u2018Festivit\u00e9s d\u2019hiver\u2019\u2019<\/em>, 1978 ; \u2018\u2018L\u2019enfant-la rose\u2019\u2019<\/em>, 1992 ; \u2018\u2018Toujours plus loin dans les neiges\u2019\u2019<\/em>, 2005; \u2018\u2018L\u2019\u0153il des champs, anthologie de po\u00e9sie tchouvache\u2019\u2019<\/em>.<\/p>\n\n\n\n

Sa po\u00e9sie reste probablement m\u00e9connue dans la langue arabe.<\/p>\n\n\n\n

Tahar Bekri<\/strong><\/p>\n\n\n\n

Ici
comme sur des fourr\u00e9s dans la for\u00eat nous avons jet\u00e9 notre d\u00e9volu
sur l\u2019espace des caches
qui prot\u00e8gent les hommes<\/em><\/p>\n\n\n\n

et la vie s\u2019\u00e9loignait en elle-m\u00eame comme un chemin dans la for\u00eat
et commen\u00e7a \u00e0 me sembler son hi\u00e9roglyphe
le mot \u00abici\u00bb<\/em><\/p>\n\n\n\n

et il signifie et la terre et le ciel
et ce qui est \u00e0 l\u2019ombre
et ce que nous voyons de nos propres yeux
et ce dont je ne peux faire part en des vers<\/em><\/p>\n\n\n\n

et le secret de l\u2019immortalit\u00e9 n\u2019est pas plus haut que le secret
d\u2019un buisson \u00e9clair\u00e9 par la nuit d\u2019hiver
que le branches blanches au-dessus de la neige
que les ombres noires sur la neige<\/em><\/p>\n\n\n\n

ici tout se r\u00e9pond
en une langue primordiale et haute
comme r\u00e9pond une part de la vie
\u00e0 la part contigu\u00eb indestructible<\/em><\/p>\n\n\n\n

ici aux extr\u00e9mit\u00e9s
fris\u00e9es des branches du jardin apais\u00e9
nous ne cherchons pas les caillots affreux de la s\u00e8ve
qui ressemblent aux silhouettes afflig\u00e9es
\u00e9treignant un crucifi\u00e9 au soir du malheur<\/em><\/p>\n\n\n\n

et nous ne connaissons pas de mot et de signe
qui seraient plus hauts qu\u2019un autre
c\u2019est ici que nous vivons ici que nous sommes beaux<\/em><\/p>\n\n\n\n

et c\u2019est ici qu\u2019en nous taisant nous troublons le r\u00e9el
mais si nos adieux avec lui sont rudes
la vie y participe aussi
comme d\u2019elle-m\u00eame
une nouvelle \u00e0 nous inaudible<\/em><\/p>\n\n\n\n

et s\u2019\u00e9cartant de nous
comme le reflet d\u2019un arbuste dans l\u2019eau
elle restera tout \u00e0 c\u00f4t\u00e9
pour ensuite occuper
notre place<\/em><\/p>\n\n\n\n

pour que les espaces des hommes ne soient remplac\u00e9s
que par les espaces de la vie
en tous temps<\/em><\/p>\n\n\n\n

1958<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Le grand po\u00e8te tchouvache (la Tchouvachie, fond\u00e9e en 1920, est une r\u00e9publique de la F\u00e9d\u00e9ration de Russie) Guennadi A\u00efgui est n\u00e9 en 1934, d\u00e9c\u00e9d\u00e9 en 2006, \u00e0 Moscou. Il \u00e9crit en russe et en tchouvache. Il est consid\u00e9r\u00e9 comme le Mallarm\u00e9 de son pays, selon le mot du metteur en sc\u00e8ne, Antoine Vitez, avec lequel…<\/p>\n","protected":false},"author":8,"featured_media":345934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994],"tags":[89494,89491,89497,89495,89496,89493],"class_list":["post-345932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","tag-antoine-vitez","tag-guennadi-aigui","tag-leon-robel","tag-mallarme-tchouvache","tag-pierre-seghers","tag-tchouvachie"],"yoast_head":"\nLe po\u00e8me du dimanche : \u2018\u2018Ici\u2019\u2019 de Guennadi A\u00efgui - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2021\/04\/18\/le-poeme-du-dimanche-ici-de-guennadi-aigui\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le po\u00e8me du dimanche : \u2018\u2018Ici\u2019\u2019 de Guennadi A\u00efgui - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Le grand po\u00e8te tchouvache (la Tchouvachie, fond\u00e9e en 1920, est une r\u00e9publique de la F\u00e9d\u00e9ration de Russie) Guennadi A\u00efgui est n\u00e9 en 1934, d\u00e9c\u00e9d\u00e9 en 2006, \u00e0 Moscou. 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