{"id":50038,"date":"2016-05-14T07:30:21","date_gmt":"2016-05-14T06:30:21","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=50038"},"modified":"2016-05-13T13:19:57","modified_gmt":"2016-05-13T12:19:57","slug":"poeme-inedit-de-ouled-ahmed-hadha-ana-cest-moi","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2016\/05\/14\/poeme-inedit-de-ouled-ahmed-hadha-ana-cest-moi\/","title":{"rendered":"Po\u00e8me in\u00e9dit de Ouled Ahmed : \u201cHadh\u00e2 \u2018An\u00e2\u201d (C\u2019est moi)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-50039 aligncenter\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2016\/05\/Sghaier-Ouled-Ahmed-Paris-1989.jpg\" alt=\"Sghaier-Ouled-Ahmed-Paris-1989\" width=\"626\" height=\"380\" \/><\/p>\n<p style=\"text-align: center;\"><em>Photos in\u00e9dites prises \u00e0 Paris par Abdellatif Ben Salem en 1989 et 1994).<\/em><\/p>\n<p><em><strong>A l\u2019occasion du 40e jour de la mort du po\u00e8te Mohamed Sghaier Ouled Ahmed, nous publions cette traduction fran\u00e7aise in\u00e9dite de l\u2019un de ses plus c\u00e9l\u00e8bres po\u00e8mes.<\/strong> <\/em><\/p>\n<p><!--more--><\/p>\n<p><em>C\u2019est moi :<\/em><br \/>\n<em>Homme sans arm\u00e9e sans guerre et sans martyrs<\/em><br \/>\n<em>En harmonie avec theos l\u2019humain et les tavernes<\/em><br \/>\n<em>Pas d\u2019ennemis<\/em><br \/>\n<em>Je doute fort que mon po\u00e8me soit entendu<\/em><br \/>\n<em>Et mon histoire ne concerne personne<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>J\u2019ai d\u00e9pass\u00e9e la cinquantaine <\/em><br \/>\n<em>Sans revue <\/em><br \/>\n<em>Ni agora <\/em><br \/>\n<em>Ni mur <\/em><br \/>\n<em>Pour m\u2019y lamenter avec les juifs de la panne d\u2019existence\u2026 et de l\u2019adversit\u00e9!<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Spectateur depuis ma naissance<\/em><br \/>\n<em>Au th\u00e9\u00e2tre municipal<\/em><br \/>\n<em>De l\u2019interminable pi\u00e8ce en colima\u00e7on<\/em><br \/>\n<em>Titr\u00e9e :<\/em><br \/>\n<em>La l\u00e9gende de l\u2019un, l\u2019unique<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Je feuillette la Constitution.<\/em><br \/>\n<em>Au nom du peuple.<\/em><br \/>\n<em>Je lis.<\/em><br \/>\n<em>Je ris <\/em><br \/>\n<em>Et je disculpe la bande pour les complots ourdis dans l\u2019obscurit\u00e9<\/em><br \/>\n<em>Par crainte du lendemain !<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-50040\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2016\/05\/Ouled-Ahmed-et-Kadhem-Jihad-Paris-1994.jpg\" alt=\"Ouled-Ahmed-et-Kadhem-Jihad-Paris-1994\" width=\"500\" height=\"300\" \/><\/p>\n<p style=\"text-align: center;\"><em>Ouled Ahmed avec le po\u00e8te irakien Kadhim Jihad au March\u00e9 de la Po\u00e9sie \u00e0 Paris en 1994.<\/em><\/p>\n<p><em>C\u2019est moi.<\/em><br \/>\n<em>Affubl\u00e9 d\u2019une tunique et d\u2019un turban, je m\u2019en vais avalant l\u2019immensit\u00e9 du d\u00e9sert <\/em><br \/>\n<em>Ab\u00fb-Al-\u2018Al\u00e2\u2026 Ab\u00fb al-\u2019Al\u00e2<\/em><br \/>\n<em>J\u2019ai fait du tort \u00e0 un enfant.<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Je snobe le public<\/em><br \/>\n<em>Sans raison <\/em><br \/>\n<em>Et comme r\u00e9compense je suis gratifi\u00e9 d\u2019une ovation paresseuse\u2026 au rythme du pays<\/em><\/p>\n<p><em>C\u2019est moi.<\/em><br \/>\n<em>Ombre errant parmi les ombres.<\/em><br \/>\n<em>Qu\u2019\u00e9crasent les voitures en plein jour<\/em><br \/>\n<em>Et dans les bistrots du mal\u2026<\/em><br \/>\n<em>Les phraseurs <\/em><br \/>\n<em>Pr\u00e9f\u00e8rent entre toutes les viandes la chair humaine !<\/em><\/p>\n<p><em>C\u2019est moi.<\/em><br \/>\n<em>Pour survivre une semaine, je dois guerroyer deux fois et mourir deux fois. Amis et ennemis me disent : dans l\u2019\u00e9criture \u00e9vite ce qui renvoie au lieu et dans la tournure ce qui fait sens\u2026 et approches-toi de ce monde comme un astre qui s\u2019\u00e9loigne. <\/em><br \/>\n<em>Parfait : leur dis-je<\/em><br \/>\n<em>De leur conseil j\u2019ai compris <\/em><br \/>\n<em>Qu\u2019il me fallait vivre comme qui n\u2019a pas donn\u00e9 la vie !<\/em><\/p>\n<p><em>C\u2019est moi :<\/em><br \/>\n<em>Je marche avec des po\u00e8tes sans garde rapproch\u00e9e<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Au festival d\u2019un traducteur uniquement arm\u00e9<\/em><br \/>\n<em>Tel mon ombre debout ma po\u00e9sie <\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Gravir l\u2019\u00e9chelle n\u2019est point progresser<\/em><br \/>\n<em>Au festival comme au restaurant <\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0L\u2019\u00e9criture s\u2019absorbe par la bouche et \u00e0 la cuiller\u00e9e<\/em><br \/>\n<em>Je marche\u2026 je vole parfois\u2026 car<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0J\u2019affecte la chute avec les colombes sur mon sang.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-50043\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2016\/05\/OUled-Ahmed-Kadhim-Jihad-et-Jabbar-Yassine..jpg\" alt=\"OUled-Ahmed-Kadhim-Jihad-et-Jabbar-Yassine.\" width=\"500\" height=\"300\" \/><\/p>\n<p style=\"text-align: center;\"><em>Ouled Ahmed avec les po\u00e8tes irakiens Kadhim Jihad et Jabbar Yacine \u00e0 Paris en 1994.<\/em><\/p>\n<p><em>C\u2019est moi.<\/em><br \/>\n<em>Je suis venu au monde un samedi matin, Quand les Francs s\u2019en allaient affichant le signe de leur victoire amput\u00e9 \u2026 Je sautillais avec le papillon dans les champs de coquelicots, l\u2019ann\u00e9e d\u2019apr\u00e8s, la Verdoyante, au nord seulement\u2026 Tunisie (1) \u2013 acquit son ind\u00e9pendance, <\/em><br \/>\n<em>M\u00e8re de qui est-elle ? <\/em><br \/>\n<em>Etant son fr\u00e8re de lait, d\u2019\u00e9mancipation et de question ?!<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Le leader a dit :<\/em><br \/>\n<em>Poussi\u00e8res de sable vous f\u00fbtes, de vous j\u2019ai b\u00e2ti une nation unie<\/em><br \/>\n<em>Le bouffon a hurl\u00e9 :<\/em><br \/>\n<em>Toi toi\u2026A vie<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Renon\u00e7ant \u00e0 ma part d\u2019identit\u00e9 l\u00e9gu\u00e9e par copulation<\/em><br \/>\n<em>Ma nationalit\u00e9.<\/em><br \/>\n<em>Prends-l\u00e0 fr\u00e8re <\/em><br \/>\n<em>Sois deux fois Tunisien<\/em><br \/>\n<em>Avec deux salaires, deux \u00e9pouses et deux opinions diff\u00e9rentes sur la m\u00eame cause.<\/em><br \/>\n<em>Sois vous deux :<\/em><br \/>\n<em>Toi et toi et puis toi et moi<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Le policier ne lit pas mon texte amput\u00e9 dans le journal<\/em><br \/>\n<em>Il lit le manuscrit aux c\u00f4t\u00e9s de son directeur<\/em><br \/>\n<em>Le soir venu<\/em><br \/>\n<em>Avant ma souffrance et sa publication<\/em><br \/>\n<em>J\u2019enverrai alors par la poste <\/em><br \/>\n<em>A qui je veux ce que je veux<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Et le monde arabe<\/em><br \/>\n<em>Dans le wagon de queue du train<\/em><br \/>\n<em>Attach\u00e9s.<\/em><br \/>\n<em>C\u00e9dant \u00e0 l\u2019ultime voleur nos \u00e9conomies et nos femmes<\/em><br \/>\n<em>Et nos jardins du Paradis dans le Coran.<\/em><br \/>\n<em>Mais la paysagiste, furieux <\/em><br \/>\n<em>Alors que le soleil s\u2019est couch\u00e9,<\/em><br \/>\n<em>Fait \u00e9clater le scandale au grand jour<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-50045\" src=\"http:\/\/kapitalis.com\/tunisie\/wp-content\/uploads\/2016\/05\/Ouled-Ahmed-Paris-1989..jpg\" alt=\"Ouled-Ahmed-Paris-1989.\" width=\"500\" height=\"600\" \/><\/p>\n<p style=\"text-align: center;\"><em>Ouled Ahmed \u00e0 Paris en 1989.<\/em><\/p>\n<p><em>Nous peinons \u00e0 trouver les mots justes aux entrav\u00e9s <\/em><br \/>\n<em>Plus exactement aux encha\u00een\u00e9s,<\/em><br \/>\n<em>Qui c\u00e8dent leurs femmes et leurs \u00e9conomies.<\/em><br \/>\n<em>Quant aux larmes, inutile de les faire couler.<\/em><br \/>\n<em>Les crocodiles du Lac allaient se contenter de nos ombres pour d\u00eener<\/em><br \/>\n<em>Mais l\u2019effondrement du pont nous fit pr\u00e9cipiter dans leur gueule <\/em><br \/>\n<em>Quelle s\u00e9pulture le crocodile ?<\/em><br \/>\n<em>Parfaite et gratuite de surcroit.<\/em><br \/>\n<em>Flottante, dissimul\u00e9e \u00e0 l&rsquo;aff\u00fbt ou entre deux. <\/em><br \/>\n<em>N\u2019oublie pas ton tour de surgir soudainement \u00e0 la vie.<\/em><\/p>\n<p><em>Un jour les crocodiles du Lac recracheraient qui sait l\u2019un de nous entier afin de devenir r\u00e9cit <\/em><br \/>\n<em>Transper\u00e7ant le silence autour du scandale du train.<\/em><br \/>\n<em>Attach\u00e9, encha\u00een\u00e9 \u00e0 lui-m\u00eame.<\/em><br \/>\n<em>Le train est parti<\/em><br \/>\n<em>Parti le train<\/em><br \/>\n<em>La queue du wagon singeant la queue du lion par la gr\u00e2ce de l\u2019\u00e9b\u00e9niste du sculpteur du peintre et du forgeron.<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>J\u2019ai song\u00e9 \u00e0 un peuple qui dit : \u00ab oui \u00bb et \u00ab non \u00bb<\/em><br \/>\n<em>Comme tous les peuples<\/em><br \/>\n<em>Quelque temps qu\u2019il fasse<\/em><br \/>\n<em>Automne comme hiver, \u00e9t\u00e9 comme printemps<\/em><br \/>\n<em>Mais j\u2019ai nuanc\u00e9 c\u2019est \u00e0 quoi j\u2019ai song\u00e9 <\/em><br \/>\n<em>Parce que j\u2019ai simplement nuanc\u00e9 c\u2019est \u00e0 quoi j\u2019ai song\u00e9 <\/em><br \/>\n<em>J\u2019ai song\u00e9 \u00e0 un peuple qui dit : \u00ab oui \u00bb au \u00ab non \u00bb<\/em><br \/>\n<em>J\u2019ai song\u00e9 au cort\u00e8ge des victimes des orphelins des veuves et des voleurs<\/em><br \/>\n<em>J\u2019ai song\u00e9 \u00e0 la fuite des lettres devant les textes <\/em><br \/>\n<em>J\u2019ai song\u00e9 \u00e0 un peuple abandonnant sa terre avec hommes femmes chiens et chameaux<\/em><br \/>\n<em>J\u2019ai song\u00e9 \u00e0 cette orpheline<\/em><br \/>\n<em>Au gouvernement<\/em><br \/>\n<em>Seul <\/em><br \/>\n<em>Occup\u00e9 \u00e0 importer <\/em><br \/>\n<em>Les applaudissements<\/em><br \/>\n<em>D\u2019un concert pour soprano chantant la gazelle, la justice et J\u00e9sus Christ<\/em><br \/>\n<em>J\u2019ai song\u00e9 \u00e0 un silence \u00e9loquent<\/em><br \/>\n<em>La vie s\u2019en alla comme cela sa passe dans la vie<\/em><br \/>\n<em>S\u2019en alla la vie entre incoh\u00e9rence et vacuit\u00e9 <\/em><br \/>\n<em>Au bar je d\u00e9clamerai un po\u00e8me en l\u2019honneur d\u2019al-\u2018A\u2019ch\u00e2 al-Kab\u00eer quand il n\u2019y aura plus de vin et quand dans le ciel de la ville la nuit montent le chant du coq l\u2019appel \u00e0 la pri\u00e8re et le cri du corbeau :<\/em><br \/>\n<em>O bonnes gens <\/em><br \/>\n<em>A partir de maintenant plus jamais de lendemain !<\/em><\/p>\n<p><em>C\u2019est moi<\/em><br \/>\n<em>Je suis n\u00e9 en prose en po\u00e9sie et en claudicant \u2026 pour faire plaisir \u00e0 Ab\u00fb al-Hud\u00e2 <\/em><br \/>\n<em>J\u2019ai grimp\u00e9 sur les branches plus vite que le cabri <\/em><br \/>\n<em>Non pour fuir la vip\u00e8re ni par peur du d\u00e9luge<\/em><\/p>\n<p style=\"text-align: right;\"><em>Traduit de l\u2019arabe \u00e0 la demande du po\u00e8te en 2013 par<\/em> <strong>Abdelatif Ben Salem<\/strong><\/p>\n<p><em><strong>Note : <\/strong><\/em><br \/>\n<em>1) La Verdoyante Tunisie : Tounes Al-Khadr\u00e2, le po\u00e8te joue de l\u2019identit\u00e9 entre le pr\u00e9nom de sa m\u00e8re Tounes et celui de sa patrie.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photos in\u00e9dites prises \u00e0 Paris par Abdellatif Ben Salem en 1989 et 1994). A l\u2019occasion du 40e jour de la mort du po\u00e8te Mohamed Sghaier Ouled Ahmed, nous publions cette traduction fran\u00e7aise in\u00e9dite de l\u2019un de ses plus c\u00e9l\u00e8bres po\u00e8mes.<\/p>\n","protected":false},"author":8,"featured_media":50039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[7782,1364,7783],"class_list":["post-50038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-mohamed-sghaier-ouled-ahmed","tag-paris","tag-poemes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Po\u00e8me in\u00e9dit de Ouled Ahmed : \u201cHadh\u00e2 \u2018An\u00e2\u201d (C\u2019est moi) - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2016\/05\/14\/poeme-inedit-de-ouled-ahmed-hadha-ana-cest-moi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Po\u00e8me in\u00e9dit de Ouled Ahmed : \u201cHadh\u00e2 \u2018An\u00e2\u201d (C\u2019est moi) - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Photos in\u00e9dites prises \u00e0 Paris par Abdellatif Ben Salem en 1989 et 1994). 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