{"id":59532,"date":"2016-07-30T07:52:32","date_gmt":"2016-07-30T06:52:32","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=59532"},"modified":"2016-07-30T07:56:56","modified_gmt":"2016-07-30T06:56:56","slug":"hammamet-ibrahim-maalouf-ou-le-jazz-au-singulier-pluriel","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2016\/07\/30\/hammamet-ibrahim-maalouf-ou-le-jazz-au-singulier-pluriel\/","title":{"rendered":"Hammamet : Ibrahim Maalouf ou le jazz au singulier pluriel"},"content":{"rendered":"

\"Ibrahim-Maalouf-Hammamet-Ban\"
\nLe concert d\u2019Ibrahim Maalouf, mardi dernier, restera l\u2019un des moments les plus m\u00e9morables des festivals d\u2019\u00e9t\u00e9 2016. On en redemande.<\/strong> <\/em><\/p>\n

Par Fawz Ben Ali<\/strong><\/p>\n

<\/p>\n

Depuis le d\u00e9but de sa 52e \u00e9dition, le Festival international de Hammamet n\u2019a pas vu un public aussi nombreux et aussi heureux que celui venu, le mardi 26 juillet, assister au concert du trompettiste et jazzman franco-libanais Ibahim Maalouf, qui, apr\u00e8s des concerts \u00e0 guichets ferm\u00e9s \u00e0 l\u2019Olympia et au Z\u00e9nith, s\u2019arr\u00eate au th\u00e9\u00e2tre plein-air de Hammamet pour une soir\u00e9e jazz pas comme les autres.<\/p>\n

Apr\u00e8s avoir donn\u00e9 un concert m\u00e9morable en 2010 au Palais Kha\u00efreddine, dans le cadre du Festival de la M\u00e9dina, Ibrahim Maalouf, neveu du c\u00e9l\u00e8bre \u00e9crivain Amin Maalouf, revient \u00e0 la rencontre de ses fans tunisiens, encore plus nombreux et impatients de le retrouver.<\/p>\n

\"Ibrahim-Maalouf-Hammamet-2\"<\/p>\n

Une soir\u00e9e jazz pas comme les autres<\/em><\/p>\n

Une trompette unique au monde<\/strong><\/p>\n

N\u00e9 sous les bombes, l\u2019enfant de Beyrouth a r\u00e9ussi en l\u2019espace de 10 ans \u00e0 conqu\u00e9rir le monde. Avec des disques qui cartonnent, des collaborations avec des grandes stars comme Sting, Vanessa Paradis ou Grand Corps Malade, et des tourn\u00e9es aux quatre coins du monde, ce n\u2019est pas un hasard si on le compare souvent \u00e0 Miles Davis, notamment pour avoir choisi la trompette comme vecteur de cr\u00e9ation. Mais Ibrahim Maalouf reste \u00e0 ce jour le seul musicien au monde \u00e0 jouer de la musique orientale avec une trompette unique au monde, la seule \u00e0 4 pistons, invent\u00e9 par son p\u00e8re.<\/p>\n

Virtuose de la trompette et du piano, mais surtout authentique compositeur, Ibrahim Maalouf nous rappelle \u00e0 la sortie de chaque album combien les fronti\u00e8res entre les styles sont insignifiantes. D\u2019ailleurs on a beaucoup de mal \u00e0 \u00e9tiqueter ses compositions qui revendiquent la spontan\u00e9it\u00e9 et l\u2019ouverture et qui parlent \u00e0 tout le monde, f\u00e9d\u00e9rant ainsi un public pas seulement jazzophile mais tr\u00e8s h\u00e9t\u00e9rog\u00e8ne, comme celui qui \u00e9tait pr\u00e9sent, ce mardi, au th\u00e9\u00e2tre de Hammamet.<\/p>\n

\"Ibrahim-Maalouf-Hammamet-3\"<\/p>\n

Le jazz se lib\u00e8re de ses anciens codes et s\u2019ancre dans le pr\u00e9sent en prenant une teinte orientale.<\/em><\/p>\n

Le jazz en libert\u00e9 <\/strong><\/p>\n

Avec Ibrahim Maalouf, le jazz se lib\u00e8re de ses anciens codes et s\u2019ancre dans le pr\u00e9sent en prenant une teinte orientale et en s\u2019impr\u00e9gnant de tout un tas de genres voisins, ce qui fait des puristes du jazz ses premiers d\u00e9tracteurs mais qui a, en m\u00eame temps, aliment\u00e9 la r\u00e9ussite de cet artiste singulier qui d\u00e9fend la cohabitation de la tradition et de la modernit\u00e9 en une seule \u0153uvre, et qui comme un magicien, arrive \u00e0 faire chanter et danser le public \u00e0 l\u2019unisson dans un concert exclusivement instrumental.<\/p>\n

Pour son concert \u00e0 Hammamet, Ibrahim Maalouf nous a concoct\u00e9 des titres de ses anciens albums comme \u2018\u2018Ya Hala\u2019\u2019<\/em>, extrait de \u2018\u2018Diachronism\u2019\u2019<\/em> (2009), \u2018\u2018True sorry\u2019\u2019<\/em> et \u2018\u2018Nomad slang\u2019\u2019<\/em>, extraits de \u2018\u2018Illusions\u2019\u2019<\/em> (2013), mais la plus grande partie du concert \u00e9tait r\u00e9serv\u00e9e \u00e0 son dernier opus \u2018\u2018Black and Red Lignt\u2019\u2019<\/em>, sorti cette ann\u00e9e.<\/p>\n

\"Ibrahim-Maalouf-Hammamet-4\"<\/p>\n

Complexe dans son \u00e9criture, simple dans son \u00e9coute.<\/em><\/p>\n

A travers des morceaux comme \u2018\u2018Essentielles\u2019\u2019<\/em>, \u2018\u2018Elephant\u2019s tooth\u2019\u2019<\/em> ou \u2018\u2018Black and red lignt\u2019\u2019<\/em>, titre \u00e9ponyme de l\u2019album, l\u2019\u00e9volution musicale de l\u2019artiste s\u2019est fait sentir avec des sonorit\u00e9s plus groove, \u00e9lectro, voire pop. Un album que l\u2019artiste d\u00e9crit comme \u00abplus complexe dans son \u00e9criture et ses arrangements, mais plus simple dans son \u00e9coute\u00bb.<\/em><\/p>\n

Riche de sons autant que de sens, \u2018\u2018Black and Red Lignt\u2019\u2019<\/em> c\u2019est surtout un bel hommage qu\u2019Ibrahim Maalouf rend aux femmes du monde et \u00e0 celles de sa famille en particulier.<\/p>\n

Transport\u00e9 vers d\u2019autres cieux, le public de Hammamet \u00e9tait ce soir l\u00e0 combl\u00e9 par la g\u00e9n\u00e9rosit\u00e9 d\u2019un artiste exceptionnel. L\u2019\u00e9motion et la magie \u00e9taient au rendez-vous.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le concert d\u2019Ibrahim Maalouf, mardi dernier, restera l\u2019un des moments les plus m\u00e9morables des festivals d\u2019\u00e9t\u00e9 2016. On en redemande. Par Fawz Ben Ali<\/p>\n","protected":false},"author":8,"featured_media":59533,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[379,439,19362],"class_list":["post-59532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-festival","tag-hammamet","tag-jazz"],"yoast_head":"\nHammamet : Ibrahim Maalouf ou le jazz au singulier pluriel - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2016\/07\/30\/hammamet-ibrahim-maalouf-ou-le-jazz-au-singulier-pluriel\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hammamet : Ibrahim Maalouf ou le jazz au singulier pluriel - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"Le concert d\u2019Ibrahim Maalouf, mardi dernier, restera l\u2019un des moments les plus m\u00e9morables des festivals d\u2019\u00e9t\u00e9 2016. 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