{"id":75971,"date":"2016-12-18T10:36:04","date_gmt":"2016-12-18T09:36:04","guid":{"rendered":"http:\/\/kapitalis.com\/tunisie\/?p=75971"},"modified":"2017-01-01T20:58:38","modified_gmt":"2017-01-01T19:58:38","slug":"woh-dismahane-lahmar-un-casting-de-choc-ne-fait-pas-un-bon-film","status":"publish","type":"post","link":"https:\/\/kapitalis.com\/tunisie\/2016\/12\/18\/woh-dismahane-lahmar-un-casting-de-choc-ne-fait-pas-un-bon-film\/","title":{"rendered":"\u2018\u2018Woh !\u2019\u2019 d\u2019Ismahane Lahmar : Un casting de choc ne fait pas un bon film"},"content":{"rendered":"

\"\"<\/p>\n

\u2018\u2018Woh !\u2019\u2019, qui vient de sortir en salles, attire le grand public, venu appr\u00e9cier cette com\u00e9die 100% tunisienne., o\u00f9 l\u2019humour ne vole pas tr\u00e8s haut.<\/strong> <\/em><\/p>\n

Par Fawz Ben Ali<\/strong><\/p>\n

<\/p>\n

Il s\u2019agit du premier long-m\u00e9trage de la jeune r\u00e9alisatrice Ismahane Lahmar, qui, jusque l\u00e0, ne s\u2019\u00e9tait int\u00e9ress\u00e9e qu\u2019aux courts-m\u00e9trages, reportages politiques et clips-vid\u00e9os.<\/p>\n

Distribu\u00e9 par Lassaad Goubantini, le film est en partie financ\u00e9 par le public qui a \u00e9t\u00e9 sollicit\u00e9 d\u2019accorder la somme symbolique d\u2019un dinar par l\u2019envoi d\u2019un SMS.<\/p>\n

Le casting r\u00e9unit de grands noms du cin\u00e9ma et de la t\u00e9l\u00e9vision : Fatma Ben Sa\u00efdane, Hichem Rostom, Slah Msaddak, Na\u00efma J\u00e9ni, Jamila Chihi, Nadia Bousetta, ou encore le rappeur Kafon\u2026<\/p>\n

L\u2019homophobie banalis\u00e9e <\/strong><\/p>\n

Le film brosse le portrait d\u2019une famille tunisienne de la haute soci\u00e9t\u00e9. La m\u00e8re (jou\u00e9e par Fatma Ben Sa\u00efdane) est une m\u00e8re poule, autoritaire, et que ce soit avec son mari ou ses enfants; elle a toujours le dernier mot. Le p\u00e8re (Hichem Rostom), quant \u00e0 lui, est quasi absent; il ne porte d\u2019int\u00e9r\u00eat qu\u2019au foot, se transformant en un vrai adolescent lors des matchs derby. Et puis il y a leur fils Slim, un trentenaire c\u00e9libataire, excessivement g\u00e2t\u00e9 par sa m\u00e8re qui le traite comme un enfant roi. Toutes ses s\u0153urs sont mari\u00e9es sauf la petite derni\u00e8re avec qui il dispute la vedette \u00e0 la maison. Le mariage de cette derni\u00e8re avec Kafon (qui joue ici son propre personnage de rappeur) co\u00efncide avec l\u2019anniversaire de son fr\u00e8re. Et c\u2019est l\u00e0 qu\u2019\u00e9clate la guerre entre les deux cadets de la famille. L\u2019intrigue du film est en effet construite autour de cette rivalit\u00e9, qui prend forme dans des sc\u00e8nes d\u2019enfantillage au vrai sens du terme.<\/p>\n

<\/p>\n

Slim, l’enfant g\u00e2t\u00e9, accapare l\u2019attention de tous…<\/em><\/p>\n

Slim accapare l\u2019attention de tous et surtout de sa m\u00e8re qui proposera m\u00eame de reporter le mariage de sa fille afin de mieux pr\u00e9parer l\u2019anniversaire de son chouchou.<\/p>\n

Slim, qui travaille dans une banque, dirig\u00e9e par son beau-fr\u00e8re, se permet tous les exc\u00e8s (arrive souvent en retard et reste scotch\u00e9 \u00e0 son portable durant les heures de travail). Notre personnage principal est donc un fils \u00e0 maman immature et irresponsable, mais notre cauchemar ne s\u2019arr\u00eate pas l\u00e0 puisque Slim est \u00e9galement obs\u00e9d\u00e9 par sa \u00abchanteuse<\/em>\u00bb pr\u00e9f\u00e9r\u00e9e Najla Tounsia, qu\u2019il veut \u00e0 tout prix inviter \u00e0 son anniversaire, comme si la m\u00e9diocrit\u00e9 artistique n\u2019\u00e9tait pas suffisamment repr\u00e9sent\u00e9e par Kafon.<\/p>\n

Au bout de sa rage, la s\u0153ur cadette \u00e9labore un plan \u00e0 l\u2019aide de sa belle-s\u0153ur Frederica (jou\u00e9e par Mariem Ben Chaaben, peu cr\u00e9dible dans son r\u00f4le d\u2019Italienne) afin de ruiner l\u2019anniversaire et mettre fin \u00e0 la vie royale de son fr\u00e8re. Pour cela, il suffira de faire croire que Slim est homosexuel. A cette annonce, la m\u00e8re est effondr\u00e9e, \u00abNon! Mon fils ne peut pas \u00eatre homosexuel!\u00bb<\/em>, hurle-t-elle.<\/p>\n

D\u00e8s lors, le fils, longtemps g\u00e2t\u00e9, est d\u00e9sormais m\u00e9pris\u00e9; sa seule chance de regagner l\u2019amour maternel est de se marier le plus t\u00f4t possible. On l\u2019ignore comment, mais Slim se marie avec la propri\u00e9taire du centre d\u2019esth\u00e9tique squatt\u00e9 par ses s\u0153urs, alors que, jusque-l\u00e0, ils n\u2019avaient jamais \u00e9chang\u00e9 plus de deux mots tout au long du film. Mais ce n\u2019est pas le pire dans ce sc\u00e9nario d\u00e9cousu, ce qui est alarmant dans cette com\u00e9die grand-public c\u2019est la banalisation de l\u2019homophobie. \u00abEt alors?\u00bb<\/em>, semble accroire le film, puisqu\u2019on va jusqu\u2019\u00e0 en rire.<\/p>\n

<\/p>\n

Naima El Jeni, dans son \u00e9ternel\u00a0r\u00f4le de femme de m\u00e9nage.<\/em><\/p>\n

Clich\u00e9s recycl\u00e9s et vannes de mauvais go\u00fbt<\/strong><\/p>\n

En plus de l\u2019intrigue, qui est d\u2019une simplicit\u00e9 aga\u00e7ante, la famille tunisienne est faussement et ridiculement repr\u00e9sent\u00e9e et la femme en prend pour son grade puisque les femmes dans ce film ne travaillent visiblement pas et passent la moiti\u00e9 de leur journ\u00e9e dans un centre d\u2019esth\u00e9tique, d\u2019une s\u00e9ance de manucure \u00e0 une autre.<\/p>\n

Inutile de chercher dans ce film la moindre morale ou le moindre message. L\u2019objectif se r\u00e9sume \u00e0 faire rire, mais m\u00eame l\u00e0 on n\u2019y arrive pas. La r\u00e9alisatrice a puis\u00e9 son inspiration dans des clich\u00e9s recycl\u00e9s pour en extraire des vannes de mauvais go\u00fbt, introduisant quelques gros mots dans les dialogues pour pimenter la sauce de sa sitcom qui ne r\u00e9pond pas aux codes du 7e art.<\/p>\n

La direction d\u2019acteurs est lamentable, car \u00e0 force de sur-jouer, tout sonne faux. Na\u00efma El J\u00e9ni joue pour la \u00e9ni\u00e8me fois le r\u00f4le de la femme de m\u00e9nage qui n\u2019aura droit qu\u2019\u00e0 une seule r\u00e9plique.<\/p>\n

La com\u00e9die est un art aussi exigeant que tout autre genre cin\u00e9matographique. Pour r\u00e9ussir son coup, Ismahane Lahmar aurait d\u00fb avoir plus d\u2019une corde \u00e0 son arc, car un casting de choc est loin d\u2019\u00eatre suffisant.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018\u2018Woh !\u2019\u2019, qui vient de sortir en salles, attire le grand public, venu appr\u00e9cier cette com\u00e9die 100% tunisienne., o\u00f9 l\u2019humour ne vole pas tr\u00e8s haut. Par Fawz Ben Ali<\/p>\n","protected":false},"author":8,"featured_media":75972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[992,994,2433],"tags":[10228,6608,3497],"class_list":["post-75971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-tunisie","tag-fatma-ben-saidane","tag-hichem-rostom","tag-kafon"],"yoast_head":"\n\u2018\u2018Woh !\u2019\u2019 d\u2019Ismahane Lahmar : Un casting de choc ne fait pas un bon film - Kapitalis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kapitalis.com\/tunisie\/2016\/12\/18\/woh-dismahane-lahmar-un-casting-de-choc-ne-fait-pas-un-bon-film\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018\u2018Woh !\u2019\u2019 d\u2019Ismahane Lahmar : Un casting de choc ne fait pas un bon film - Kapitalis\" \/>\n<meta property=\"og:description\" content=\"\u2018\u2018Woh !\u2019\u2019, qui vient de sortir en salles, attire le grand public, venu appr\u00e9cier cette com\u00e9die 100% tunisienne., o\u00f9 l\u2019humour ne vole pas tr\u00e8s haut. 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